Author: Steve

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adventures in multimedia

yesterday I downloaded the 30 day trial version of Adobe Audition – a bit of multitrack recording software, that used to be called Cool Edit Pro. I used the Cool Edit version at Luca‘s house in Italy earlier in the year and really liked it, so in prep for doing this new album, I thought I’d get it, but I’m just trying out this download version first before spending the cash on buying it.

So I’ve been recording some new tracks, with the direct bass signal and the loops on separate tracks. I still need to get a new Soundcard, as the one I’ve got only has four inputs, and I need at least two more in order to record the post-processed signal as well as the other stuff, and could do with 8 in order to record other people as well. So I’m probably going to get another M-Audio Delta 44, which is what I’ve already got – the software will happily managed multiple cards, and it’ll be cheaper tha replacing it.

on top of that, I’ve been taking more web-cam photos, so here’s a few moody Black and White ones…

Soundtrack – Calamateur, ‘the old fox of ’45’; Eric Roche, ‘With These Hands’; some new recordings that Luca Formentini and I made back in March that he’s just sent to me, and rather fine they are too!

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a view of CCM from the outside…

As some of you will know, my early playing career as a pro musician was spent almost exclusively within the gospel and ‘CCM’ scene. CCM stands for ‘contemporary christian music’ and largely represents slightly crap pop songs with words about Jesus… I still do the occasional gospel gig, and play at St Luke’s once in a while (one of my main reasons for choosing to attend St Luke’s when I moved back to London 7 years ago was that they didn’t have a band so I was unlikely to get asked to play bass every week, as happened at just about every church I visited around that time), but not with anything like the regularity I used to – the main reason being that Churches tend not to book instrumental acts to play at any of their gigs or functions…

So anyway, it was with much hilarity and a fair amount of surprise that I read this article from thescotsman.com, as forwarded to me by The Captain – it’s one of the few comments on Christian music I’ve ever read in the UK from outside the church; largely because, with a few exceptions, christian music in the UK is relatively poor quality, and most of the bands that are any good soon cross over into playing ‘normal’ gigs anyway (people like Cathy Burton, Beehive, Fono, Eden Burning, Airstar…) given that, unlike the US where CCM is huge business, it’d be pretty much impossible to sustain a sensible career as a musician in the UK, unless you wrote lots of worship songs as well for other people to sing in church and lived off the royalties.

Anyway, the article is pretty good, and surprisingly friendly.

Soundtrack – I’ve listened to ‘Crescent’ by John Coltrane, featuring Elvin Jones about 7 times today. Incredible stuff.

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The end of An Era in Jazz…

Elvin Jones, drummer with the John Coltrane Quartet in the 60s, and one of the most original and inspirational drummers in the history of jazz, died yesterday.

here’s a link to an obit in the NYTimes.

And here’s a re-post of something I posted over in the dudepit discussion board a few weeks ago when it was reported that Elvin was seriously ill, about the one time I got to play with Elvin…

I once got to play with Elvin, at a clinic at the drum school I was teaching at. It was before I’d really started to listen to the Coltrane Quartet (I now own about 20 Coltrane albums, and have listened to Elvin more than any other jazz drummer…), and I was pretty rubbish, but Elvin just kept on grinning, giving me really obvious signs as to where the form was going, taking me with him. He could’ve made me look a fool, but instead did what great musicians do – play to make the band look good.

At the end, as people were applauding, he said ‘these are the cats’ about the guitarist, and I, even though it was clear to anyone with a pair of ears that we really weren’t…

Afterwards, he came over and said, ‘man, that scared the shit outta me – I haven’t played with an electric bassist in 25 years – I’m not used to HEARING to bass, just feeling it’

I’ll never forget either the fear of playing with him beforehand, or that feeling of him holding me up when I could so easily have falling on my arse. A pivotal moment in my playing career.

Today is a day to remember one of the pivotal figures in the development of jazz, and one of my all-time favourite drummers. Those moments at the end of a lot of a the Coltrane live recordings where McCoy Tyner and Jimmy Garrison drop out and leave ‘Trane and Elvin to go at it as a duo as an extended firey cadenza to the tune are some of the most sublime moments in recorded music – two hugely innovative and gifted musicians exploring the outer limits of where their music can take them.

Soundtrack – right now, clatter, ‘blinded by vision’, which just arrived this morning and is excellent but will soon make way for a day of Coltrane…

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mini-tour report.

Dropped Muriel Anderson off at Stansted airport this afternoon, after three gigs with her over the weekend, and three very fine gigs they were.

First up was Lauderdale House in Highgate, part of the acousticmasters.com summer concert series – it was especially nice to catch up with Mo Foster who dropped in to say hi before the gig, and to meet Terry and Hugh who organised the concert series. Performers on the small club venue level rely on a select group of dedicated, generous magic people who put lots of effort into making great music available to concert goers, and Hugh and Terry fit that category. Hugh’s a marvellous guitarist in his own right, and you can catch his at one of the future concerts at Lauderdale… Anyway, the gig went well to a ‘select’ audience, who were very generous in their CD and DVD buying :o)

Saturday was a day off, and a chance for Muriel to see a bit of London (after I dragged her down to Brick Lane for Sarda‘s leaving curry) – the small person and I took Muriel to see Trafalgar Square, Downing Street , The Houses of Parliment Big Ben, Westminster Abbey etc. before walking back along the south bank of the Thames for coffee in the National Theatre…

Sunday was the second of our gigs, this one was at the Ship Theatre, Sevenoaks in Kent, and was part of the Sevenoaks guitar festival, organised by another one of these marvellous promoter people, John Levett. The Ship is a gorgeous theatre, part of a private school, with tremendous acoustics and a lovely listening audience. Muriel and I got to do more duet stuff, experiment with a few improv things as well as playing on eachother’s tunes, and much fun was had by all!

And finally, Monday was back at Traders in Petersfield, promoted once again by the truly marvellous Stiff Promotions – if only every small town in the UK had its own Iain Martin, I’d be touring constantly. Thanks to Iain and Jeff who owns the venue, Traders has a fantastic program of live music, this being my third visit there this year, having played solo and with Michael Manring. As with both my previous Traders gigs, this one was sold out, and Muriel and I did even more duet stuff and improv, definitely boding well for future collaborative stuff.

So a marvellous three gigs. My new mixing desk arrived on Friday morning, so this gave me a chance to try it out, and my setup of Accugroove 110 cabs, QSC poweramp and Mackie Desk worked beautifully for Muriel’s guitar. I’ve never played through another bass rig that could reproduce the sound of an acoustic guitar as faithfully as this!! Amazing stuff.

On the bad news front, Muriel and I found out just before we started the tour that our mutual friend, Eric Roche has just been diagnosed with cancer of the saliva gland. Eric is an oustanding fingerstyle acoustic guitarist, teacher and music journalist, so our careers have followed similar paths in lots of ways, Muriel and I visited Eric today, and he’s doing really well – he’s an amazing guy (his marvellous music makes even more sense when you meet him). Please pray for him, if that’s something you do. And to aid you in your prayers, you should get his latest CD, ‘With These Hands’ – I’m listening to it at the moment and it’s beautiful. He’s playing in Brighton tomorrow night, and has a few other gigs around before he goes for surgery in a couple of weeks time, so catch him live or get the CD, or both. His new CD can be bought here from Amazon (sorry, couldn’t find a small shop that had it listed…) and his site has details of his other CDs. Go get ’em.

Soundtrack – right now, Eric Roche, ‘With These Hands’. earlier on, Denison Witmer, ‘Philadelphia Songs’ (he’s playing in London this week, hoping to catch him at the Windmill in Brixton on Sunday); Nick Harper, ‘Double Life’; Tom Waits and Crystal Gayle, ‘One From The Heart’; Ralph Towner/Gary Peacock, ‘A Closer View’; Joni Mitchell, ‘Travelogue’; James Taylor, ‘October Road’.

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two fine gigs in one day. (oh, and a really hideous guitar show…)

So last night (well, actually two nights ago now, seeing as how it’s 1am Thursday…) – anyway, on Tuesday night, The Cheat and I went to two gigs in one night. Firstly to see Iain Archer supporting Paddy Casey at Scala in Kings Cross. Scala’s a really nice venue – I’ve seen Spearhead and the Dum Dums there before – and Iain was on top form. He had Paul and Phil Wilkinson from The Amazing Pilots on bass and drums, and the trio was incredible. Loads of energy, big grooves (I’ve been a big fan of Phil’s drumming since I first saw the Pilots play, and he just gets better and more inventive…) And Iain’s guitar sounded particularly good. He’s a megastar in the making. It’s been really interesting to watch his music evolve, from his days as a gentle acoustic pop songwriter (his debut album, ‘Playing Dead’ is marvellous, but very different from where he’s at now), through a mid period of experimentation, to where he’s at now, absorbing all kinds of interesting influences and being genuinely brilliant. His new album, ‘Flood The Tanks’ is just out. I’ve got it on order, and from what i’ve already heard, it’s great stuff and highly recommended.

After that, we walked up Pentonville Road to ‘Bar Academy’ in Islington. Got lost twice (once due to me, once due to The Cheat), to see Nick Harper. Nick’s great. I was introduced to his music by Catherine Streetteam (thanks!), and then saw him play at Greenbelt last year. His is the highest energy one man acoustic show I’ve ever seen. Great guitar playing, great voice, hilarious stage presence, and apparently, tourettes syndrom (someone who swears more than me – is this possible??). Anyway, he was bloomin’ marvellous.

All in great contrast to Sunday – The London Guitar Show was on at Wembley. In case you don’t know, the basic premise is that lots of big companies pile in there, and loads of apparently dreadful guitarists and bassists arrive and playing badly, loudly and incessantly for a weekend. The joke is that people go there to buy guitars, even though trying one out would be like sound-testing it on the hard shoulder of the M25 in rush hour. there’s no way to check things like sustain, quality of tone, noise floor etc. You just can’t hear anything.

The various artists actually playing on the stands had a hard time being heard, so turned up and just became part of the general mush.

Still, it was nice to see some friendly faces – Franck Vigroux, Stuart Clayton, Dave Marks, Bernie Goodfellow, Martin Simms, Svetlana Vasileva, the Bass Centre people, BassTech people, Bass Guitar Magazine People (who got me in for free as well – thanks very much!), and a few old friends.

Also managed to catch a few minutes of the Scottish Guitar Quartet, who even with the din in the background were fantastic. Well worth checking out.

Soundtrack – Peter Gabriel, ‘Up’; Jonatha Brooke, ‘Steady Pull’; Calamateur, ‘The Old Fox of ’45’ – this last one is fantastic ; I’ve posted about Calamateur before, and this is just released – great new album, reworkings of some of the tracks that have been on EPs before, and some new stuff. Andrew’s songwriting, singing and production just gets better and better, and it’s no wonder he’s had airplay from John Peel and The Late Junction, amongst others… a lo-hi gem, highly recommended.

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New album on the horizon…

So work has officially started on my new album… I’m in what’s commonly called ‘pre-production’ at the moment – getting the tunes, sounds, ideas and technicalities together before starting the actual recording session. That’ll begin as soon as I get my new desk through the post (a Mackie 1402), and a soundcard that’ll handle 8 inputs, allowing me to record each of the loops and processed signals separately – the desired effect being that it’ll drop the noise floor, and allow me to make sure the levels are just right all the way through the signal chain.

The 6 tracks I’ve recorded in the last week bode well for the album – no massive departures from what I’ve been doing for the last wee while, just a better and deeper take on the same kind of ground. being able to post-process the loops is going to offer a different sound canvas, and compared to Not Dancing For Chicken, running two (or possibly 3 or 4) Echoplexes will make for a more seemless looping process.

The gigs with Muriel Anderson next weekend will give me a good chance to road test a few ideas, as well as play the newer versions of the old tunes, incorporating some of what’s possible with the new setup… Having a feedback pedal for one of the Echoplexes is really handy, though I’d like to get one that works a little more smoothly…

What else is happening? Ah yes, went to Reading last night to another Delicatessen event – that’s the people who co-promoted both of the solo bass night gigs at 21 South Street in Reading, and is co-run by The Cheat and Sarda.

Last night’s musical stars were Cathy Burton and Juliet Turner – two singer/songwriters that I really like, so seeing them on the same bill was a bit of a treat. I’ve known Juliet for a few years (she rather wisely picked out my duo with cellist Harry Napier as her favourite musical act of greenbelt a few years ago – not that she has an official published list of such things, as far as I know…), and have known Cathy for quite a while too.

Cathy was on first, playing solo with just an acoustic guitar (bit of a treat, given that she usually gigs with either a band or at least with a keyboard player) – she was great, playing songs from her first album, and her soon to be released second CD.

Juliet was on top form, playing in a duo with Brian… Grace? not sure of Brian’s surname, but he’s a top-notch guitarist, and thoroughly nice bloke. Juliet played stuff from all three of her albums, all of which are marvellous, told weird stories, chatted, took the piss out of the audience, and was generally wonderful. A most enjoyable evening was had by all.

So now, it’s a trip out to the shops to get some cat litter, then back here to maybe record another idea or two for the new CD…

anyway, here’s another webcam pic…

Soundtrack – right now, me; before that, John Scofield, ‘Up All Night’, Prince, ‘Musicology’; Jonas Hellborg, ‘Ars Moriende’; Bruce Cockburn, ‘You’ve Never Seen Everything’.

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CD round-up…

Been listening to Cipher a fair bit recently – Cipher is Theo Travis’ other duo with a bassist, this time the bassist in question is Dave Sturt. Most of the gigs they do are providing soundtracks to silent movies, but their last CD, ‘One Who Whispers’ was conceived as such, as far as I know.

Anyway, however it came together, it’s fantastic – you really ought to get it. If you enjoyed ‘For The Love Of Open Spaces’ (which you really ought to have by now…), then you’re love the Cipher CD – lots of very fine bass playing, lovely ambient textural stuff, and Theo’s marvellous sax playing over the top. All available from the Cipher website.

I’ve also been listening to Ben Castle‘s new album, Blah Street, which is fantastic. Ben’s quartet features some of the finest musicians around – Tim Harries on bass, Mark Edwards on keys and Winston Clifford on drums, and the new record is stellar. Also worth of note is the ‘Bop Idol’ game that you can play on Ben’s website. very bizarre… Anyway, his CD is out now, and you can get it from usual places, like Amazon.

Another album I’ve listened to a bit recently is ‘Adventures in Hammered Dulcimer’ by Scott Brannon – one of the many many CDs I was given at NAMM this year (I’m about a third of the way through listening to them). To be honest, this almost didn’t get listened to, cos the artwork really doesn’t say ‘Play Me’ to me – it’s in the same ballpark artistically as the Ragatal sleeve was (which, you’ll know if you’ve seen it, is pretty dreadful). Anyway, I gave it a listen and really enjoyed it! Folky Jazzy instrumental stuff, with some proggy elements, and the rather refreshing sound of hammered dulcimer thoughout. Recommended, if you can stomach the artwork…

So there you go, a few things for you to buy this month!

And how about another webcam photo? here’s me about 40 seconds ago…

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London Guitar Festival

Two days of London Guitar Festival involvement – yesterday, I went down to see John Scofield first do an interview, then a gig.

The interview was interesting, not least of all because it showed how little thought John has had to give to codifying what he does – admittedly, a lot of the questions were inane in the extreme (for example, ‘What kind of things would you play over, say, a Cm7?’ – as though he’s going to list a few notes that would make you play like him…), but even still, his explainations of what he does were much more from a visceral, intuitive place rather than a schooled detatched techie place.

The gig was breathtaking – the band were all pretty much perfect. Adam Dietch on drums was outstanding, Mark Kelly on bass a groove monster, Avi Bortnick on guitar and samples was like Nile Rodgers evil twin, and John – looking for all the world like Robert Duvall, as student nick pointed out – playing on top of his game. I’ve seen him twice before, and neither held a candle to this, in terms of freshness, invention, interplay. Genius at work.

Day two at the festival, and it was my turn to play. I did a 50 minute set on the foyer stage at the QEH, which was great fun. Always nice to see lots of familiar faces in the crowd, and always fun to get a chance to mess with things a little – this was my first solo gig since getting the second MPX-G2, and the new sound options were really really inspiring, so even the tunes that I’ve played before didn’t end up anywhere close to the record… Lots of fun!

After me was Jim Lampi, an incredible Chapman Stick player, and one I’d have probably gone to see anyway, even if I hadn’t been playing.

And in other news, today – oops, sorry, it’s yesterday now – was the anniversary of Dubya declaring ‘Mission Accomplished’ in Iraq. I really hope he’s feeling like a complete twat today, thinking back to the crass display that he put on under that banner on a warship. unless the ‘Mission’ in question was to destabalise, start a civil war, generate hatred and mistrust and generally fuck things up royally, I think we can safely say that far from being accomplished, things are as bad as they’ve ever been. Yes of course the Iraqi people wanted rid of Saddam, but I don’t think they wanted an abusive occupying force in his place.

And now, in a stoke of US military genius, the situation in Falluja has been handed over to one of Saddam’s former generals! Que? did I miss something?

Meanwhile, US (and possibly UK) soldiers are acting in a way more commonly associated with the third reich – torturing, mocking, debasing and abusing prisoners… ‘operation ultimate justice’ my arse – ‘operation ultimate balls-up’ more like.

Still, at least my gig went well…

Soundtrack – just been listening to some samples on Avi Bortnick’s site. Good stuff!

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