The Blog/News – Page 217 – stevelawson.net

February 23, 2003

A Play What He Wrote

Last night I went to the theatre (er, beginning to sound like a 12 year old writing his summer project – “we went on holidays and it was really good and then we went to the beach and it was really good and my dad fell in the sea and we all laughed and then my mum laughed so much she dropped her ice-cream and we all laughed but she wasn’t laughing any more because she said she had ice-cream on her best clothes and if daddy thought that was so funny…’ etc. etc. or, er, something like that)

Anyway, as I said. Theatre, Last night. Brilliant. Genius. Speechless.

The play in question was called ‘The Madness Of George Dubya’, and is apparently an update on Dr Strangelove (or at least that’s what the review in the Guardian said – I’ve never seen Dr Strangelove, so can’t really comment on the veracity of that… but I digress) – anyway, if it is an update, it’s an incredibly topical one. It was, in fact, written in three days in January, and rehearsed in 6, before beginning a sold out run at Theatro Technis in London, then moved on to The Pleasance Theatre in Holloway, London.

The story revolves around a gung-ho US general on an airbase in the UK, deciding to order an all out nuclear strike on Iraq, and being the only one who knows the code to call the order back, you’ve now got your suspence. However, the play revolves around the idiotic mumblings of the US president, and the pathetic attempts to solve the problem by our own prime ministerial buffoon, Blair. Throw into the mix Yasmina The Cleaner – an Al Quaeda operative working as a cleaner on the air-base, a couple of US pilots flying the first plane ordered to drop it’s payload (all the while discovering their long buried desires for eachother), some useless British civil servants, more US army generals and a breath-taking speech by an Iraqi Ambassador and you’ve got yourselves one of the most powerful, funny, moving, disturbing, remarkable theatrical performances I think I’ve ever seen.

Justin Butcher, the writer, has been carving a reputation for himself for a few years now – last year his play, The Seven White Masks Of Scaramouche Jones toured with Pete Possilthwaite delivering the one man show to sold out audiences round the UK. But Dubya is a whole other kind of triumph – it would have been impressive if he’d written it in 3 months. 3 days suggests some sort of pact with the devil in exchange for genius, or conversely an angelic visitation, complete with finished script. Truly unbelieveable. And on top of that, one of the most vital, vibrant and controversial comments on the current impending (pleasegoddontletithappen) war.

‘If’ they get another run at it, you would have to be stark staring mad to miss it. Already they’ve had coverage on CNN, in various US newspapers including the Chicago tribune, on MSNBC, 4 stars in the Guardian, 5 in What’s On, been in the Independent’s top 5 theatre shows in London for weeks on end. Seriously, it’s magical, you have to see it.

phew, that was exhausting. Tonight’s the last night – if you’re in London, you can catch it at either 5 or 7.30. But I’m certain it will get another run. It HAS to.

In other news, last night I was on nightshelter duty again (meant to be next week, but I swapped) – as was evil harv. He wasn’t meant to be, but while we were in the theatre, some sort of serious police ‘incident’ took place outside, and Harv’s car was in the cordoned off zone, and he was unable to move it til this morning!!! So the poor guy ended up sleeping in a freezing church hall on a couch… :o)

Came home, slept, got woken up about five times by the phone. One of the calls was telling me about the funeral details of a friend of mine who died of lukemia last week. I’m not sure what to think about that one. I didn’t even know he was ill til the day he died. 11am – a text saying was on life support. 3pm phone call saying he’d died. WTF???? What? Where? When? How? Andy was officially my land-lord when I live in Lincoln, but the house for most of that time was more like a live-in community. He was a fantastic cook, so we’d throw dinner parties fairly often, there were up to 5 of us living there at any one time – me, farmer Joe, DJ Ben, Biker Wendy… it was like some poorly scripted sit-com, with some very bizarre events. One favourite was Farmer Joe trying to make his own garlic bread, and misunderstanding the difference between a ‘clove’ of garlic and the whole bulb. So he crushed three whole bulbs of garlic, and put them on two slices of bread under the grill. The dogs were yowling for days. Ah yes, the dogs – Max and Polly. Insane and ever-present. Andy doted on them. He married Sharon just before I left Lincoln, and they’ve now got at least two kids (could be three, who knows). I can’t even begin to imagine how she must be feeling. He was only in his late 30s. Still officially a ‘youth’ (18-40). And now he’s gone. I can’t get to his funeral on Thursday – it’s in Lincoln and I’m already mad mad busy that day. But I’ll be thinking about him. About live on Richmond Road, dinner parties, mad dogs, video nights, trips to the pub, Dave Elcock at his wedding reception.

Last time I saw him was at Martin Clarke’s 40th birthday last year. he was smiling from ear to ear, telling me his news and looking remarkably pleased to see me. I wasn’t overly friendly with him (it’s always odd being back in groups of people from Lincoln – too much weirdness left there for me), but he was very eager to hear what I’d been up to and to tell me about his kids.

And now on a lighter note, tonight I’m going to see Muriel Anderson play at The Troubadour in Earl’s Court – lovely venue, I’m playing there myself at the end of March, and it’s where I recorded my first album! Muriel’s great, so I’m really looking forward to that one. If you’re going, I’ll see you there…

Soundtrack – been listening to a CD by Ollie Collins ‘Make Time Last’ – rather nice acid-jazz influenced layered bass and keys stuff, with some great sax playing. Before that, it was more of Michael Manring and I…

February 22, 2003

When work is more fun than fun…

I do feel very lucky to get to make my living playing and teaching music… the playing side of that is obvious, but the teaching side is just as much fun, just as rewarding and just as challenging. I get to meet a fascinating bunch of people, all of whom I learn things from as well, many of whom are very creative and capable musicians, I get the challenge of creating a course of study that will help them to maximise their musical potential, I try to guide them through all the psychological pit-falls that can befall anyone trying to do something creative and especially for those who need music as a release from the stress of work etc… It’s a big responsibility, and one that sadly, it seems from what I’m told, a fair few teachers don’t take seriously. Fortunately, there are enough of us left for people to be able to find a good teacher if they look hard enough, but I guess the fact that I have students who travel from all over the south and midlands of England and even Wales suggests that there are still some areas where it’s pretty hard to find a good teacher…

Anyway, as I say, I feel very lucky to get to meet all these fascinating people. I benefit from it emmensely both musically and from the friendships that develop, and obviously the feeling of watching someone that you’re teaching discover whatever it is that they were looking for in music is a great feeling – teaching them what they want to know, and even more, teaching them what they didn’t know they wanted to know but actually wanted to know more than the stuff they thought they wanted to know.. :o)

Er, what else? Well, I’m still in post-tour consolidation at the moment – catching up with all my students, finally getting round to some of the promo stuff to do with Not Dancing For Chicken that I really ought to have done when it came out but didn’t cos I was on tour, and hopefully, eventually, sorting out my office, which is still a complete tip. In between all that, I need to make sure that the aged feline gets his medicine (high blood pressure), and gets a good brushing (to prevent hair-balls), and start booking some more gigs (oh, BTW, I’ve added a couple of dates to my gig page, and will be adding another two or three in the near future…)

For those of you that are on the Street Team – don’t forget to re-sub to the new topica list. The street team was getting a little big for me to handle via email, so I’ve created a topica list, like my main mailing list, so that you can manage it yourself, and I don’t have to try and find out what your new email address is when you decide to change it without warning me!

For those of you that are musicians in bands, I heartily recommend the street team idea – it’s very reassuring to have a bunch of people who like your music and are willing to help out getting the word out about gigs and cds and everything – even a handful of willing friends can be a bonus, and if you get an international list then it can be really useful in helping to build profile.

even if you’re not on the street team, feel free to have a look at the street team ideas page, so that if you feel like helping out in an unofficial capacity, you can do!

So what’s up for the next wee while? Er, I’m working at the nightshelter again this evening (was meant to be rota’d on next weekend, but have swapped) am meeting up with evil harv this evening – he organises delicatessen (click the deli link over the the left hand side of the page there for more on deli – a great acoustic night in Reading), and I’ve got a suggestion for another weird deli night, like the solo bass one we did last year with me, Michael Manring and David Friesen… watch this space for more on that…

And tomorrow I’m going to see Muriel Anderson play at the Troubadour in Earl’s Court – she’s very good, and well worth checking out, should you want to. I’ll meet you there!

SoundtrackBeen working through some CDs borrowed from Not At All Evil Dann – some Django Bates (some of which is excellent, some didn’t do it for me), and a CD by Richard Leo Johnson, which is sort of Michael Hedges meets Oregon, and is rather lovely. After that today, I’ve been listening to a recording of Michael Manring and I, live at the Anaheim Bass Bash – I’ve got my whole set here, but haven’t been paying much attention to the other tunes in it, just this duo with Michael, which with any luck will surface here as an MP3 before too long…

February 21, 2003

All work and no play…

…would be a highly inaccurate way to describe my life.

However, the work content is now increasing once again, after a fairly relaxed easing into it after the exhausting tour of CA…

This morning so far has involved sending out lots of CDs – shipping a new box-load to CD Baby – probably the best online indie music store – well worth checking out. And also shipping out some other ‘normal’ orders that arrive via evinsol. There are now loads of different ways of buying my CDs – still very few shops, but it’s not really an angle I’ve been chasing, as unless there’s a demand, they just sit on the shelves and do nothing, and just the admin of keeping track of where they are would do my head in. So instead I stick, predominantly, with web and gig-sales – web-wise, most still come through evinsol, the main CD order link on my site, and the Pillow Mountain Records site, but I also sell a few through CD Baby, and GEMM.COM – the primary usefulness of those are that they are both heavily searched sites, so people can find out about me without me telling them, and also their pricing is in dollars, so it’s less confusing for all you lovely americans parting with your hard earned green-stuff.

the nice thing is that with the increase in reviews, interviews and radio airplay, the promotional process gets a momentum of its own – a google search on my name throws up tonnes of stuff, and there are now quite a lot of bass sites that link back to my site… Add to that you lovely people helping to spread the word, and playing the CDs to your friends (word of mouth is still the most powerful tool an independent musician has, so thanks!), and it all starts to look a little more viable, and less like I was mad to go the indie route in the first place. The problem of late has more been that the touring side of things has been too successful, and I’ve had very little time for promo! It’s fine, cos the sales of CDs at gigs are better than they are through magazine reviews and radio airplay anyway, but it still has to be done…

Add to that my teaching schedule (currently busier than it’s ever been!), and I have less and less time for play… which is no bad thing. I’ve stored up so much play-related-mellowness (recognised medical phenomena), that I can probably cope with doing a respectable amount of work finally. After all, I’m 30 and have a mortgage and a small hungry feline mouth to feed – responsibilities!

So the rest of the day will be spent trying to get details on my upcoming gigs (I’m meant to have one in Brighton next week, but know nothing about it yet!!), sending out some radio copies of Not Dancing, teaching (starting in 15 minutes), practicing (been working on some of the EDP stuff that I saw Andre do at the clinic we did together – he’s very good…)

And maybe a few minutes just mucking about on line in between… :o)

Soundtrack – this morning I’ve been listening to Attention Deficit’s ‘The Idiot King’, and Jughead’s self-titled CD – both very very good. Attention Deficit is Michael Manring’s trio with Tim Alexander from Primus and Alex Skolnik on guitar. Jughead is Ty Tabor from King’s X with Greg and Matt Bissonette. Yesterday, I was listening to ‘Contemplating The Engine Room’ by Mike Watt for most of the day – Mike’s amazing, his CDs are amazing, his indie-thinking is amazing and he’s a very sound chap – check out his forum at on talkbass.

February 19, 2003

Normal Service Has Been Resumed

Apart from a slight residual sore throat, it seems life is back to normal… or maybe touring is normal, I’m just not used to normal yet…. who knows. Whichever, I’m settled back in at home. The last couple of days have involved a fair amount of teaching, some tidying, though not much, lots of cuddling the aged feline, who appears to have pretty refined taste in vegan food – mushroom pate, Quorn sausages and vegan bacon to be precise!! Today I’ve been sending out CD orders, which keep rolling in, reassuringly, then went down to the Gallery, originally to see Martin Peterson who makes the Sei basses, but he’s away, so I spent some time chatting to Alex, who now runs the shop there – very nice chap, who used to work at the Bass Centre. Nice to see that they’ve got a Lexicon MPX-G2 in the shop (the same effects processor that I use, in case you were wondering) – so if you’re looking for one, that’s the place to look!

My E-Bow has broken! I mean, it still works, but the catch on the battery compartment has gone, so I’ll have to keep the battery in place with an elastic band. What with that and my mobile phone, which has the battery gaffer taped in place, it’s a bit of a heath robinson life I lead…

It’s nice to be back playing a four string bass again – on the US tour, I borrowed a 6 string fretted bass from Modulus, and has my own 6 string fretless with me, so coming home and playing my four string is like picking up a toy – it’s so easy… and what’s more, I’ve been doing loads of tapping stuff since I got home – a technique I almost completely dropped about five years ago, but one that I’ve been showing to a couple of students recently, and which has been presenting some fun musical options… watch this space to see where that ends up!

Was reading ‘Further Along The Road Less Travelled’ by Scott Peck on the train, which is a fascinating book. Basically, it brings together psycotherapy and spirituality. Scott’s a christian, but arrived at where he is now on his journey via 20 very valuable years as a zen buddhist, and his zen thinking still informs much of his life and writing, leading to a fascinating take on where his training as a psychiatrist and his spirituality meet. Reading this follows on nicely from a great section in Frank Skinner’s Autobiography that the small person read to me the other day, where he talks about his Catholic faith, and a very very powerful experience he has at a Catholic church in Japan, which lead his to talk about the strangeness of being a person of faith in contemporary society, where most people cringe if you mention God, and also have a pretty skewed view of what it is to be a christian… I tend to avoid the label, for the most part, at least on first meeting people – primarily so that people’s experience of me will inform their thinking of what a christian is, rather than their misconceptions of what a christian is prejudicing them against me… This can be particularly a problem in the US, where much of what happens in the name of ‘the church’ is pretty seriously f-ed up, and where ‘christian’ is synonymous with a certain type of right-wing, republican, moral conservatism that doesn’t really reflect anything of what I perceive the life and teaching of Jesus to be about… always seemed a lot more radical than that to me… Anyway – the point being, it’s always interesting to read stuff -be it Scott Peck or Frank Skinner – by people who are struggling with the same questions about integrating faith and life that I, and just about every other ‘normal’ christian that I know is dealing with… It’s hard not to end up embarassed by the horse-shit that happens in the name of God – poor thing, She’s got the worst PR of anyone in history, and it’s our fault…

Er, where was I?? oh yes…

Soundtrack – been listening to Dave Pomeroy’s ‘Tomorrow Never Knows’ album – all bass and voice, very good indeed. Dave was playing at the NAMM Bass Bash, and was brilliant. Also been listening to Mike Watt, another guy who played at the Bass Bash – his CD, ‘Contemplating The Engine Room’ is stunning – like a punk Tom Waits. Great story telling, some amazing guitar playing from Nels Cline, and Mike’s bass and voice doing baritone duets with eachother. outstanding.

February 17, 2003

Peace-Party In The Park…

here are some photos from London’s stop the war march on Saturday, taken by me… they aren’t great, sorry. It was an amazing feeling joining with more than a million other people to voice our discontent at the bizarre way the US and UK governments are going about trying to engineer an attack on Iraq. This was democracy in action, and hopefully will have scared the shit out of Bush and Blair if they think they can go around flattening cities and killing untold thousands of innocent people without the people they are supposed to represent getting rid of them. Tony, your days are numbered.

Anyway, the march itself was a fantastic experience – I was walking with my mum, and met up with loads of people from St Luke’s as well as bumping into Vibraphonist Orphy Robinson along the way. Loads of other people I knew were there, but in a crowd of more than a million, what chance to you have of meeting up? Actually, I did meet up with Dave and James, who both probably knew where I was because they both, at different times, are the man who knows – a concept I shall explain at greater length later.

anywhere, here’s the piccies…

February 17, 2003

'wake up and smell the democracy!' –

– so said Tim Robbins when asked what message he had for Bush and Blair after the demos round the world on Saturday… I was on the march in London, spreading a little love and a whole lotta throat infection germs (getting worse, BTW…) – will post some of my photos later, but for now, here’s a great piece from the Observer, by Terry Jones, of Monty Python, about Bush’s patience running out…

ah, yet more reviews and accolades! :o)

…did I mention that there’s a rather nice review of ‘Not Dancing…’ in the ‘Bass Player Recommends’ section of this month’s Bass Player magazine? well, I have now – and it’s rather good. I’ll get it typed up soon, and add it to the site…

I’ve also just added another review to the archive, this time from Aural Innovations – ostensibly a space rock site, but it’s a bit broader than that, with some very interesting stuff on it. And I also made it into their end of year best of list – don’t believe me? see for yourself!

I’ve just posted all this info to the ‘news’ page as well – why have I still got this and the news page? er, good question – I guess some people wouldn’t want to wade through all the crap that I write on here just to get the 2% of what I write that actually relates to music (weird though such a thought may seem to you and I), so it’s worth having a more coherent news bit I guess… All those stats on how people engage with websites and how long they stay on them and what leads them to delve deeper etc. are very scary – have I got it all wrong? are they running away in droves, wondering what on earth a ‘blog’ is… do I need a flash intro? Is that really irritating pop-up that invites you to join the mailing list a waste of space, even though my mailing list is growing three times as fast since I added it? all important questions methinks…

anyway, a few hours ago I was planning to do some house work. Then I got sidetracked by… er, well nothing to be honest. Just sitting around, reading articles from www.axisofjustice.org and talkbass.com.

So anyway, on with the tidying – what shall I listen to? er, how about… ah, here we go – ‘Jordan The Comeback’ by Prefab Sprout… excellent.

February 14, 2003

Sleep perchance to… wake up again at 4 in the morning…

Jetlag!

never had it this bad before – three days in a row I’ve woken up at 4.30am, and usually I can sleep wherever and whenever I want… not good. In fact, have spent loads of time asleep since I got back – combination of jetlag, exhaustion from touring, and some sort of cold/throat infection thing I seem to have picked up somewhere along the way. Not dying, but not exactly on tip top form either…

So what have I been up to? not much, to be honest. Still trying to catch up on emails etc. Working on some more gigs for later in the year – newcastle in may, and a london one quite soon, I Think… more on that ASAP…

Saturday, if I’m well enough, I’ll be going on the stop the war demo in London – could be huge, should be huge. The more of the news I see, the more insane it all seems to get. Colin Powell trying to suggest the french are just getting their UN-kicks by stalling? er, no, I think you’ll find they’ve thought you were mad since day one for suggesting this war… Anyway, I’ll be there, infecting everyone with my viral stuff, but hopefully helping to let Blair know we think he’s a dickhead.

Today will be a tidying day – my mum’s arriving later on (coming down for the demo), and the house is a tip.

Soundtrack – yesterday, I just listened to ‘Lessons Learned…’ about six times in a row – definitely my favourite of my albums at the moment, and possibly destined for a CDR release before too long, maybe with another CD of ambient noodlings… we’ll see… Other than that, been listening to ‘The Willies’ by Bill Frisell (excellent as always), ‘Kakusei’ by DJ Krush (down tempo IDM – very cool indeed), and ‘this sentence is true (the previous sentence is false)’ by Sheila Chandra, which, as with all her stuff, is stunning. what else. Oh yes, the new album from Theo Travis, an album of solo alto flute looping called ‘Slow Life’, it’s lovely, naturally, as is all of theo’s music. And lastly, the new album from Michael Franti – ‘Sounds From The Front Porch’, which is just what the doctor ordered as the world heads towards more rich people bombing poor people.

And one last site to check out – www.axisofjustice.org – great site, run by Tom Morello I think, from Audioslave – is the audioslave album any good? been meaning to check it out… very good site anyway. go there and get informed!

oh and by the way, I posted a link to Todd Johnson, the bassist’s, site the other day as www.toddjohnson.com which turns out to be a hocket player or something… anyway, Todd’s real web address is www.toddjohnsonmusic.com – go pay him a visit, and ask him sports related questions… :o)

February 12, 2003

California III – this time it's serious

…or maybe not…

So anyway, 26th was the Echoplex Clinic at Bananas At Large in San Raphael, just north of San Francisco. Nice town, great shop. The clinic went really well, and I stole loads of ideas from Andre LaFosse’s tips on using the Echoplex – if you’re interested in the EDP at all, you HAVE to check out his site with the Echoplex tips page on it, and all his MP3s…

Anyway, the curry after the clinic was lovely, Scott Drengsen (solo bassist from the Bay Area) came along to the clinic, which was great, and Dan and I stayed with Anderson and Laura – very good friends who live in San Raphael. A lovely time was had by all!

Couple of days off spent with Billy-Bob and Mavis which was lovely, then onto the dates with Michael Manring along with the trio – the first of which was at Henflings in Ben Lomond (sounds Scottish, actually just outside Santa Cruz) – great venue, good turn out, lots of very cool music, and a bizarre moment when Rick Walker jumped on stage to join in with Michael Manring’s set…

the Next day we were up in Sacramento (this was a mucho-driving tour). Started out with a radio interview that Michael and I did for KVMR – very very cool station, we did a duo piece and then Michael did Red Right Returning (as featured, uncredited on the new Royksopp CD).

The gig was great – loads of people there, lots of CD sales, the line up was Michael and I (solo and duo) and Orbis (Mike Roe, Mark Harmon and Nick Willow). What a fun evening. It was also the venue owner’s birthday, and his name turned out to be Tim Looper – what a fine coincidence… :o)

Couple more days off, spent in Sacramento, then the gig at the Little Fox Theatre, with Michael and David Friesen. The three of us works really well as a show, so that was very cool. Lots of good people there, etc. etc.

The next show was probably the low-light of the tour – Cafe Du Nord, nice venue in San Francisco, had been looking forward to this. Got there, and noticed in the local paper that it was billed as a singer/songwriter night, with David Friesen and I listed as acoustic singer/songwriters! Huh? Turns out it was double booked, the guy who organised the acoustic night got really annoyed about it all, tried the cancel the night, it ended up with David and I playing truncated sets, and then the acoustic thing happening afterwards. All a bit miserable and a bit of a let down… Oh well.

Stayed in a motel 6 that night, then off to Santa Barbara – very nice town, had a wander round the farmer’s market. Clinic at Instrumental Music (is this beginning to read like bullet points???), which was great fun – the store manager is a friend from last year, Jamie Faletti, so it was great to see him, lots of great questions at the clinic, loads of CDs sold, all good fun.

Next night was another clinic at another branch of instrumental music, great turnout, the whole thing was videoed (bits of it may turn up here, who knows), some cool people there, nice curry afterwards with Jeff Kaiser (avante-garde composer and trumpeter), and some people from the shop. All good fun, good people, good food, good music. yadda yadda…

Ploughing on through busy schedule, the next day, I gave a masterclass at The College Of The Canyons, normally taught by fantastic solo bassist and jazz educator, Todd Johnson. Nice to hear from Todd afterwards that I’d just confirmed all he’d been telling them for weeks :o)

The second low-light of the tour was to follow – clinic at Jim’s music in Irvine – the shop hadn’t even put up a flyer in the shop for it, no promo, no-one knew, ergo very small number of people there. Bit of a waste of time, travelling 6000 miles to play in a shop that couldn’t care less if you were there or not. Still, kick the dust from your shoes and move on. etc.

The following night in Valencia more than made up for the Irvine balls-up. Great gig at Java and Jazz. Loads of people there, including lots of lovely Level 42 fans from the web digest. Todd Johnson, who organised the gig, played a fantastic solo set, then I did my thing, followed by some fun little jazzy duets.

The tour finished off with a nice little clinic thingie for Churchbassists in San Dimas…

All in all, a lot of fun. Well worth doing, loads of good gigs, tonnes of CDs sold, lots of good press (there’s a review of Not Dancing in the current issue of Bass Player magazine, and the loop trio gig in Santa Cruz made it onto the cover of the Santa Cruz newspaper…)

Hopefully I’ll be back in the US before long…

February 12, 2003

California pt 2

…So where were we? Oh yes, gig in San Luis Obispo. Dan and I arrived nice and early, parked up, called into the venue, and promptly got a parking ticket – shabby…

Then headed off to do a radio interview with the local college station, which was fun (it was a film show, so I talked about being influenced by soundtracks… hmmmn)

Had a bit of a look round SLO (great second hand book-shop just across the square from Z-Pie where we were playing!), the Rick and Andre arrived and we started setting up. Opening for us that evening was Hans Lindauer, who had more gear than any solo act not playing stadiums that I’ve ever seen! Rack and racks of stuff, two tables covered in modules and turntables… interesting set, but boy, I couldn’t carry all that stuff around.

Once again, the trio set was very interesting – smallish crowd, but they seemed to enjoy it a lot, which is always good. Sold a few CDs, and then headed off to stay with the Z-Pie owners…

Following day we headed for San Jose, but not before calling in in Santa Cruz to see Victor Wooten – he wasn’t at NAMM, but I’d interviewed him a while ago, and it was sort of on the way and we had time to kill so we dropped in to say hi before his clinic, and he rather kindly announced our Santa Cruz gig which was happening the saturday after…

Headed off to Gryphon Strings in Palo Alto, a lovely shop with a focus on acoustic instruments that has recently started doing bass stuff, including Ashdown amps. Good staff there. Spent about 5 mins playing an upright bass and nearly ruined my hands and arms for the rest of the tour!! Boy, those things are hard to play!

Anyway, the clinic was small, but they were attentive and seemed to enjoy it (can you see a pattern emmerging here???) sold a load of CDs, which was nice, and then went to see a bit of the gig that Andre and Rick were doing with Cara Quinn and John Wagner from Loopers Delight, which was just round the corner and went really well… Stayed that evening with Mark Wright of Accugroove Cabinets – a very nice chap.

Er where next? ah yes, San Jose Museum of Art – a return gig for Rick and I, lovely place to play. Dan and I spent a lot of the day visiting music stores, handing out flyers and him talking to guys about some of the companies he reps for. Then off to the venue. Another cool gig – lots of people there from the dude pit discussion list, which was great – it’s always fun talking to people face to face that I chat with online on a daily basis. So meeting Harley and Lowell and Bob Amstadt and the others that were there was very cool indeed. The trio set was again very cool indeed, solo stuff going down well too, starting to shift a few CDs…

25th (the next day) was a busy day – started out with four sessions at the Christian Guitarist Conference in Castro Valley – one on basic bass skills and advice, one on choosing the right gear, one on more advanced techniques (mainly chordal stuff) and finally a performance set – lots of fun. Dan and I then jumped into our little bass-mobile and headed of to Santa Cruz for the next trio gig. If any gig I do is likely to be full it’s a show with Rick Walker in Santa Cruz. I guess it may have helped that the mayor declared it to be ‘international live looping day’ (your guess is as good as mine!!) but we filled Cayuga Vault and had a fine, if very dissonant and scary set. All in all a fine gig, though there’s always the trade off with playing to a crowd of people who know what you do in that a lot of them already have your CDs… :o)

On the 26th we headed north, and I’ll pick up there tomorrow…