Recorded at Friday night’s gig at the Islwyn Guitar Club in Crosskeys, Gwent, South Wales, here are two new tunes that ’emerged’ – they’re both improvs, but I like ’em, so will probably have a bash at something like them for the new album…
The recordings are remarkably good considering they’re just on a little Tascam digital recorder thingie (recorded by Andrew Buckton – fab singer/songwriter who came with me, and sang beautifully on the gig too).
2009 was a fairly easy-going year, music-wise for Lobelia and I. We played a load of US shows in January, and a handful of other shows across the year, but it was mainly pretty low-key stuff.
Gigs:
2010 is already shaping up to be a much more musically-focussed year. I’m in the process of booking some solo house-concerts for the end of March/Beginning of April – the open dates are
March 29th (near Birmingham),
31st (near Exeter) and
April 1st (near Swindon) –
the 30th already has a gig booked in Southampton (more details ASAP).
If you want to host a house-gig on any of those dates, and are near (or between) those places, please drop me a line.
Then Lo and I are doing some duo shows at the beginning of May – on the 6th we’re in Leeds and the 8th in Surrey (more deets soon) – if you’re anywhere between those two, we’d be happy to come and play on the 7th, or either side of those dates. Do drop us a line.
And at the end of May we go out to the US, mainly to take Flapjack to meet the family, but we’ll be doing some house concerts and ‘house consulting’ as well – if you’re interested in hosting something (or putting us in touch with a music school/university) please drop us a line.
Recording:
It’s now nearly 4 years since I released Behind Every Word, and while it’s currently selling REALLY well thanks to Bandcamp’s wonderful download sales platform, it really is time for a new album. So I’ll be working on that very soon – just need to get the tech side worked out. Hopefully will have that available for the US shows.
In a couple of weeks time, I’m going into a studio for a day with Mike Outram – guitar-monkey extraordinaire. No idea what we’ll come up with, but if its releasable, that’ll be out sometime soonish as well.
And then there’s the archive – I’ve got a whole load of fascinating music languishing on hard-drives. There’s a duo album with Italian guitarist Luca Formentini, a strange-yet-beautiful experimental duo album with free improv trumpeter Jeff Kaiser, a quartet live recording with Jeff, saxophonist Andrew Pask and bassist Steuart Liebig. (that last one is really interesting cos I thought the gig had gone pretty badly, then listened to the recording and really liked it 🙂 )
And there’s also a double album’s worth of live stuff with Theo Travis, recorded on the tour we did after For The Love Of Open Spaces came out. That really needs to be heard. So maybe I should work on that first.
Suffice to say, there’ll be lots of cool music from me this year, if something else doesn’t get in the way.
For now, here’s the album with Theo Travis – have a listen, and then pay whatever you like for it if you want to download it.
I was on the internet before my first album came out (this is what it looked like back then). In fact, much of the momentum that my first album had was to do with my good standing in the various bass-related web communities that I was a part of. As a player, teacher and journalist, I had a bit of a profile, and the web was a MUCH smaller place in the late 90s.
And that all made it so much easier to decide to do my album completely on my own. I never even entertained the idea of trying to get a ‘deal’. The economics didn’t make sense even then, and I had a hunch that the future was indie… Continue reading “A Decade In Music: The Internet And Me”
My first ever solo gig was at the Troubadour in Earls Court, London, on Dec 15th, 1999 – 10 years ago last week.
The eve of the new millennium, and a gig that started with a lie (the lovely chap who booked the gig asked me if I had a whole set of material after seeing me do one solo tune in a band-gig. I lied and said ‘yes’ 🙂 ). It wasn’t the first time I’d played solo bass in public – that was a product demo at the National Music Show for Bassist Magazine in Nov 97. I also played weird improv noise stuff for a contemporary dance company in Nov 98. Continue reading “A Decade In Music – The Solo Bass Years.”
I’ll blog more about it – and the rest of this week’s musical activity – as soon as possible, but for now, here’s some amazing photos from the gig with Michael Manring taken by the lovely and talented Benjamin Ellis:
So, if you read my last blog post about the gig on Oct 7th with Michael Manring, you may have seen that I embedded in that post a widget containing a free-to-download live EP of Michael and I playing together in California.
The EP happened because while blogging about the gig, I remembered that after that show (which at the time felt like a particularly good set of music) someone had sent me a recording of it… I’d been meaning ever since then to put up the rest of the improv that made sense of this video on youtube, and when I dug out the recording (which was sat on my incredibly messy desktop), I found that the entire improv set was worth putting out. Continue reading “New Live EP: Releasing Music 2.0”
This is the first proper London show in AGES for Lobelia and I, so we’re making it a special one. We’ve asked 3 of our favourite singers to join us for an amazing night of singer-songwriter-ness… and genius Ukulele magic. It’ll be on Aug 25th, doors at 7pm, music from 7.30, at Darbucka World Music Bar, on St John’s Street in Clerkenwell, London.Continue reading “London gig on Aug 25th – the Singers Of Twitter :)”
After the new tune I posted on Audioboo a few days ago, I’ve got the bug for uploading new tunes. Hopefully it’ll finally kick me into action to make some decisions about the kind of record (or whatever passes for a ‘record’ these days 🙂 ) I want to make. Continue reading “More new music – Youtube video of a brand new tune.”
One of the main responses I’ve been getting to our tale of house concert touring success is ‘that’s great, but my band is too loud/too big/too jazz/too dancey/etc… to work in that setting. What do you suggest?”