Sad news

Just received a very sad and shocking phone-call from a friend in Edinburgh to let me know that Duncan Senyatso died last week. Duncan, you may remember, was the Botswanan guitarist and singer that I played with at Greenbelt last year – a fantastic musician and a very generous and patient man, putting up with me taking ages to get my head around the rhythms of his songs, laughing and joking, and being very generous with his praise when I finally got the songs right. He also played a vital creative part in what was one of the best gigs I’ve ever done – my ‘global footprint’ improv piece at Greenbelt, along with Jez Carr, Patrick Wood and Andrea Hazell. He sang and played guitar beautifully, miles outside of his musical comfort zone, but he fell into the a-rhythmic improv setting like a natural.

We’d talked at some length last summer about the possibility of getting British Council funding and taking the same project out to Botswana to tour with it, to do workshops in schools on improvising and music technology, and see how the marriage of the two musical worlds would work. Yet more regrets, to go along with the regret that the Global Footprint gig wasn’t recorded.

Simon, who rang me, was the mandolin player in the band last year, and has known Duncan for more than 15 years, and is flying out to the funeral.

if you click the link above, you’ll see just how highly regarded he was in Botswana. A big loss to the music world in that part of Africa, and a musical partner I shall be sad not to see again.

That’s Duncan on the left, with Rise Kagona in the middle.

OK, The Recording Really Is Finished…

Yup, this time I’ve finished. Got a great version of the title track, Behind Every Word, that co-pilot Shark agrees is marvellous. So now I’m back to mixing. Have been mixing some of the tracks this evening, and they’re sounded great, in my humble opinion.

Currently listening to my tune ‘Scott Peck’, which features BJ Cole on pedal steel guitar. He sounds so great, it’s amazing. It’s tough to pick favourites on the album so far, but the two tracks with special guests – that one and ‘One Step’ with Julie McKee are both pretty special. Though so is the opening track, ‘Blue Planet’, which was the first thing I recorded for this album, and features a bass line loop played on my Rick Turner Renaissance fretless that sounds beautiful. Sod it, they’re all great. ;o)

End of the mini-tour

Last night was the last date on the iddy-biddy tour with Muriel Anderson. Four very fine gigs. Small audiences, but lovely venues, and very appreciative peoples. And for me, a great chance to try out a load of the new tunes from Behind Every Word. Thanks so much for all the feedback on the new tunes – the overall opinion seems to be that they’re fab, though it would take a pretty churlish person to turn round and say ‘those tunes you just played, they’re crap’. So make of that what you will.

Anyway, I really liked them.

Was also much fun doing the duet stuff with Muriel in the second set. At the first gig, we just did one tune together at the end, but in all the rest of the gigs, we did the second half as a duo, playing a whole load of stuff from Don McLean’s ‘Vincent’ to ‘Autumn Leaves’ to tunes by both of us to some lovely improvs. Much fun all round.

Now, back to the album…

Portsmouth gig

Fine first gig on the tour with Muriel. Nearly didn’t happen, as my car almost overheated on the way down, but some water and a half hour cool-off for the engine seems to have fixed that…

The gig itself was at the Eastney Cellars, a lovely pub with a landlord who’s massively pro-live-music, and has spent a small fortune converting it into an even better live music venue. He’s also generated a fab listening environment.

Most fun for me was having Linda and Geoff there – they’re my step-aunt and uncle (I think that’s right…), and we at my first ever gig! (well, I’d played one school show before that, but they were at the first one in a venue – The Galleon in Spittal, for anyone keeping score).

At that gig I was playing with my band EARS (Eric Adam Robert and Steve – we could have been ARSE but wouldn’t have got to play at school if we had been). And we were rubbish. Largely. We had one good song at that point called ‘Through The Tunnel’ which I could probably still play on bass and guitar (I wrote the guitar part too!) Can’t remember much else of what we played, other than doing Foxy Lady despite only knowing the first chord (or thinking we knew the first chord, we might even have got that wrong…) and Venus by Bananarama. Oh yes, we were that hip. I think we got paid about a tenner between us, by a very very drunk landlord called Keith. Who claimed to be ‘tired’ when he was clearly inebriated beyond the ability to string a sentence together. And we were opening for Faldstool – Berwick legends, formed from the ashes of my first non-gigging band, Mother’s Legs. Maybe I’ll tell the rest of the story of my early bands at another point, when it’s not 1am…

That was 18 years ago! So G and L were back for more, and got to hear the slight improvement I’ve made since those days.

Was lovely to hear Muriel play again – she’s a fab guitar player, and write great tunes. I’m looking forward to the rest of the dates – Colchester Wednesday, Petersfield Thursday and St Ive’s in Cambridgeshire on Friday.

See you there!

Learning the songs…

This is the fun bit – learning the stuff that came out all improv-y and naturally on the recording so that I can play it live!

A couple of the tunes should be fairly easy, given that I’ve had them written for a while – ‘Deeper Still’ (that’s the tune for Eric Roche, it now has a name, write it down so you know what I’m talking about in future) is easy enough to remember, just a bitch to try and play in tune! Scott Peck is fine, cos I know it, though it’ll be odd going back to playing it solo now that I’ve been listening to it for a few days with BJ Cole‘s pedal steel part on it. HappyHappy I can remember, fairly well, as it’s very easy and fairly short.

I’ve just learnt ‘Nobody Wins Unless Everybody Wins’ – a fun little tune with lots of multiply of sync’d loops to get thing to come back a long time in the future. I can play that.

Now I’m just checking out the title track on the album, trying to remember how it goes! Am listening to it at the moment. And have just remembered what happens in the middle. G2 no. 1 routed through G2 no. 2, both of them recorded into the looperlative… the hardest thing to remember is how to set it all up before the tune begins, which aux sends to route to where, which buttons to push to make sure the right things are being recorded into the Looperlative.

In other news, loads of people have been checking out the tunes on my MySpace page – major amounts of plays! MySpace is, indeed, as Imogen Heap’s manager mentioned to me a couple of weeks ago ‘the new radio’.

Right, back to learning these songs!

At last, some new tunes to listen to!

Well, thanks very much for your patience, you shall now be rewarded with not one but two new exclusives from ‘Behind Every Word’ on my MySpace page – the first of them is Jimmy James, a new recording of a tune known to those of you who’ve got Not Dancing For Chicken – the tune’s always been one of my favourites of mine, but the recording just didn’t do it justice. this time it does!

And the second tune is a track called Me, Myself and I, starts all twiddly, gets all blissed out a mellow in the middle and ends all twiddly again. Much fun

Enjoy!

Album deadlines – it's all suddenly very real!

The recording part of the album is just about finished (still might do another version of the tune for Eric… watch this space), and I’m onto mixing now. Not only that, but it’s booked in to be mastered on May 10th. The mastering will be handled by the genius that is Denis Blackham – Denis mastered Grace And Gratitude, and he got that gig because he’d mastered Theo‘s albums, as well as Talk Talk’s Spirit Of Eden. He’s good. Very good. So he gets the repeat gig.

The album now has a name – it’s called Behind Every Word. The title is taken from an interview I heard on Front Row with Guillermo Arriaga. At the moment I’m mixing the title track (which got an airing at the Recycle Collective on Wednesday, but thanks to my having pulled one channel of the Looperlative out, it wasn’t sounding its best…)

It’s amazing to think now that Not Dancing For Chicken was all recorded to stereo! that explains why some of it is rather noisy (so noisy in the case of Jimmy James that I’ve rerecorded it for this album). With being able to separate out the loops from the direct signal from the extra weirdness process is a real treat, and means that I can get better separation between the tracks, less noise, and clearer stereo imaging. I can’t wait to get a production model Looperlative and start doing this stuff with the loops going to 6 separate outs!!! that’s going to be amazing…

Anyway, From today onwards, for the next couple of weeks, there’s going to be a lot of mixing happening. next week I’ll be mixing each morning, and gigging each evening (with a little bit of teaching on Tuesday). All very exciting.

Gimme a day or two, and I’ll get a couple of tracks up on MySpace for you to hear.

Special guest no. 2

Just finished recording a huge improv piece for the new album with singer Julie McKee – I’ve played with Julie quite a few times now, and she’s definitely one of the finest singers I’ve ever worked with (now I just need to get her and Cleveland on stage together!). She’s got a glorious voice, and a fantastic improv instinct, reacting beautifully to the many many layers of her own voice coming back at her.

The vibe is similar to the piece we did at St Luke’s on Good Friday, but with different words. We’ve done three takes, all three of which are useable, and now have to decide which one to use, and whether I’m going to steal anything from the other takes to drop in over the top… The three takes are 20 minutes, 13 minutes and 15 minutes long, so that may have some bearing on which one makes it to the album, given the not-unlimited amount of time one has available on a CD!

It all makes me look forward even more to doing the show at Edinburgh this summer with Julie!

A great day's recording…

Album is coming along rather nicely. Have finally got a version of my song for Eric Roche that I’m happy with, and then this afternoon, BJ Cole came round to play on a track. The track in question is called ‘Scott Peck’, and was the first thing I played after I heard that Scott Peck, author of ‘The Road Less Travelled’ had died last year.

The bass parts were recorded as a single solo live performance earlier this week, and BJ then overdubbed three full takes through the entire form, which I’ve added fades to. I’ve actually ended up with his last two takes both happening for most of the track, panned left and right. BJ’s sound and playing are just so perfect for the track, it’s amazing. When we were recording the different takes, it wasn’t in mind that they be playing simultaneously, but the two takes work so well together that they just HAVE to be there!

So I’m rather grateful to The Shark, who both suggested that I re-visit Scott Peck (having heard an MP3 of it when I first recorded it last year), and suggested BJ for this track. It was in my mind all along to get BJ on one track on the album, and this is the perfect one for it.

You’re going to love it, believe me. :o)

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