My first restaurant gigs in years!

This weekend I did two restaurant gigs, just playing bass with someone else… when I say ‘just playing bass’, of course I took a looper with my (my Akai Headrush for ease of transport and set-up) and ended up playing quite a few melodies, but it wasn’t a me-gig, even though we did arrangements of a couple of my tunes.

The gig were with a guitarist called Luca Sirianni – a fine player and very nice guy to work with, playing a mixture of standards, pop stuff his tunes and a couple of mine. A couple of things about it were noteworthy. Firstly, he found me through MySpace – who’d have thought that any musician would ACTUALLY make some money through myspace – there we were, thinking it was all about collecting a million friends who have no idea who you are, and inadvertently it provides some geniune work! The second is that I get asked to do precious few of these kind of gigs, despite the fact that I a) rather enjoy them and b) am rather good at them – I love playing in a duo setting like the gig on friday (sunday’s was a trio with a percussionist which was just as fun), and I’m kinda handy to have in that I can play tunes, chords and solo pretty well through most things – takes some of the heat off the guitar player.

So hopefully it’ll turn into a few more gigs. I don’t want to end up doing them 4 nights a week – I know too many people doing that and hating it – but it’s nice to get out and play with some new people, busking some cool tunes, and making a lil’ cash.

my taste in soundtracks vindicated at last…

Just read this post about Bugsy Malone on the Guardian music blog. It’s long been one of my favourite films – there’s something fabulously surreal about the kids-as-adults thing – like a school play, without the forgotten lines and corpsing. And, as cited in the article, the soundtrack is stellar. I only own a tiny handful of Soundtrack albums (odd, given that everything I’ve ever recorded sounds like a soundtrack album) – Local Hero, Paris Texas, One From The Heart, Bill Frisell’s albums of Buster Keaton music, and of course Bugsy Malone. It was the first thing I searched for when I discovered you could buy music online, trying in vain to find it on CD. I think I eventually got it in the Virgin Megastore in London.

Anyway, it’s magic, give it a listen.

Telling half the story…

Just saw this article about the demise of the Record Industry on RollingStone.com – it’s a good read, but here’s the salient bit for this blog –

“In 2000, U.S. consumers bought 785.1 million albums; last year, they bought 588.2 million (a figure that includes both CDs and downloaded albums), according to Nielsen SoundScan

Now, I’m sure I’m not typical of ‘the average consumer’ – I know I’m not (I’ve only ever bought one CD from a supermarket…) but I do know that all of my sales, or most of the CDs I buy will never show up on a ‘Nielsen SoundScan’ report… I’d love to know how indie sales impact that figure, and the parallel figure about the number of people now making a living, or part of their living, from their own music. I’d like to see figures on the number of indie labels and artists that are self publishing and selling more than 500 CDs a year (given that if you’re pressing it yourself, you can make between £5-£7 clear profit on each disc – $10 to $14 – so that’s over £2,500 a year in CD sales income, which carries with it the assumption that you’re making probably at least as much again on gig money…

I think the future looks VERY bleak for the majors. They’ve long relinquished their part in the process of pushing the art of popular music forward, settling into a pattern of releasing tried and tested formulae, usually being at least 3-4 years behind the cutting edge of any musical movement (how long had the ‘grunge’ thing been happening before Geffen released Nevermind?). So now they are trying to do marketing tie-ins, computer game promotion, TV show placement – anything to keep their grubby fingers in the many musical pies.

But the major label end of the industry is imploding, the indies are thinking faster, changing, adapting, and in many cases thriving.

It’s a tough time to be a musician and make a living at it, for sure, but the opportunities and potential are there, especially if you lot keep supporting the indie peoples (check out the links page here to get some new musical ideas)

When being on tour REALLY sucks

Just got this through from the Jonatha Brooke mailing list –

Jonatha will be performing solo at the Borderline on Wednesday June 27th at 9:30pm sharp!

You can visit the Borderline box office (open from 10am-6pm, Monday-Saturday), call for tickets at 020 7534 6970 and/or order online at http://www.seetickets.com/

Hope to see you there!

The Borderline
Orange Yard
off Manette Street
London W1D 4JB

So i’m out of the country when one of my favouritest singers ever is playing. So what needs to happen is all y’all Londoners need to go in my stead, say hi to Jonatha from me, and tell me how great it was. And if she gets a big crowd, she’ll come back again soon… Enjoy!

Shelleyan Orphan on last.fm

One of my favourite bands of the late 80s/early 90s were Shelleyan Orphan – built around a male/female vocal duo, the music was like The Sundays arranged for chamber orchestra – beautiful melodies, lots of Cor Anglais and Bassoon, and, I think, Danny Thompson on double bass. It’s beautiful, but it’s one of those albums I’ve got on vinyl so haven’t listened to in years.

So earlier on, apropo of nothing, I did a search on them, and found that on last.FM, the whole of the ‘Helleborine‘ album – their first album, the one I have – is streamable! How cool is that?? click here to go there and listen to it. It’s magique.

Musical diet

i’ve mentioned before how I treat my music listening as a diet – it’s why, after years of trying to be the nice guy, I finally scrapped piles and piles of CDRs that people have sent me over the years wanting me to listen to them – I just don’t have the time for all of them, in between trying to feed my ears with brain food that’ll help take my music to where it needs to be. (I do still listen to a lot of what I’m sent, just not generally the unsolicited CDRs with no info on them…)

So anyway, the listening material so far on these ‘ere train journeys has been as follows –
Annette Bjergfeld – The Kissing Post (an exquisite poppy singer/songwriter record. That she’s co-written with Boo Hewerdine gives you some idea of where she’s coming from. Definitely great ear-food from a melody and joyousness perspective.
Paul Simon – Surprise (never fails to amaze me. Every time I listen to it I take more away from the lyrics, and hear more of the little touches that Eno has added to it. A really really great album.)
Mark Hollis – Mark Hollis (every time I listen to either this album or to the last two Talk Talk albums, I realise again just how much I owe Mark Hollis in terms defining for me what so much of what I do is about – his phrasing, his use of space, the really incredibly wide dynamic range, the emotion… it’s all stuff that I aspire to and try to feed into my music. Truly remarkable timeless deep IMPORTANT music. It’s great listening to an album that feels significant in the grand scheme of things. Not in any trendy way, not because the style mags see it as the soundtrack to coolness, but because it’s the sound of an artist delving so deep into his well of experience and emotion to produce something of worth. It feels like a privilege to listen to it.)
Suzanna Vega – Suzanne Vega (how old was she when she did this? mid 20s? It was her first album, and it’s incredible. That strength of vision, purpose, that depth of self-assuredness in the songwriting and singularity of voice is mind blowing. And it contains ‘Marlene On The Wall’ which is one of the greatest pop songs of all time.)

And that’s just finished – what now? I think a little John Martyn Live At Leeds might be in order – come on, John ‘n’ Danny, gimme something to aspire to…

Lazy

Not listened to this for ages, until just now. What a song. What a lyric. David Byrne, we love you.

-I-I-I’m wicked and I’m lazy
Ooooh, don’t you wanna save me
I’m lazy when I’m lovin’, I’m lazy when I play
I’m lazy with my girlfriend a thousand times a day
I’m lazy when I’m speaking, I’m lazy when I walk
I’m lazy when I’m dancin’ and I’m lazy when I talk

I open up my mouth, it comes rushin’ out
Nothin’, doin’ nadda, never, how you like me now?
Wouldn’t it be mad, wouldn’t it be fine
Lazy, lucky lady, dancin’, lovin’ all the time

I-I-I-I’m wicked and I’m lazy
Ooooh, don’t you wanna save me
Some folks they got money an’ some folks lives are sweet
Some folks make decisions an’ some folks clean the streets, now
Imagine what it feels like, imagine how it sounds
Imagine life is perfect an’ everything works out

No tears are fallin’ from my eyes I’m keepin’ all the pain inside
Now don’t you wanna live with me? I’m lazy as a man can be!

I-I-I-I’m wicked and I’m lazy
Ooooh, don’t you wanna save me

Imagine there’s a girlfriend, imagine there’s a job
Imagine there’s an answer, imagine there’s a God
Imagine I’m a Devil, imagine I’m a Saint
Lazy money, lazy sexy, lazy outta space!

No tears are fallin’ from my eyes
I’m keepin’ all the pain inside
Now don’t you wanna live with me?
I’m lazy as a man can be!

I-I-I-I’m wicked and I’m lazy
Ooooh, don’t you wanna save me

Lazy when I work, lazy on the bed
Screamin’ all you like, but it only fades away
I’m lazy when I’m prayin’, lazy on the job
Got a lazy mind, a lazy eye, a lazy lazy father

Hard men, hard lives
Hard keepin’ it all inside
Good times, good God
I’m so lazy I almost stop!

*cough*

I-I-I-I’m wicked and I’m lazy
Ooooh, don’t you wanna save me

I-I-I-I’m wicked and I’m lazy
Ooooh, don’t you wanna save me

Bass-Monkey Radio!

I often get asked by bass students of mine about where they can hear more music with interesting bass playing, so here’s a link to Bass World Radio – a Live 365 station that plays lots of bass-centric stuff, including lots of me, rather pleasingly! They’ve got a MySpace Page, and a MySpace Blog for the top 40 of that week, as voted by listeners…

Check it out!

booking gigs…

Been a rather frantic time for gig-booking, trying to fill in extra dates on the European trip for March, and getting dates booked in for the UK in April when i get back… Been chasing some more masterclasses, and have been invited back to my old college in Perth, Scotland – just need to sort out the date. I love going back up there – it was a great place to study, and as I’ve said before, the head of bass there, Pete Honeyman, not only taught me how to play, but taught me how to teach – he was very ‘hands off’ in that it wasn’t about just giving us some piece to learn and ticking it off, but more about pointing us in a creative direction and letting us run with it. It’s an approach that definitely favours players like me, and can be uncomfortable for players that want to be spoon-fed, but it definitely produces more creative thinking musicians than doing graded exams does…

So thanks, Pete – there’s your blog mention – see you soon! ;o)

and the rest of you, email me if there’s somewhere near you that you think i should play, or a festival you’ve got a contact at that might be cool for me this summer…

Duke Special video for 'Freewheel'

here’s the video to ‘Freewheel’ by Duke Special – Duke Special, AKA Pete Wilson, is a genius. Pure and simple. I’ve known him for years, been listening to him play since he was in dreadful bands he’s rather forget ever existed, and now he’s on the brink of a major breakthrough. Go and buy the single, or download it from iTunes or wherever. He’s great. Go on, do it!

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