Thoughts on ECM joining the streaming world

Today’s big (ish) music economy news is that ECM are sticking all of their stuff on the various streaming services v. soon.

I’ve never really understood ECM’s economic thinking – I get that they have a historic and aesthetic attachment to CDs and vinyl, but their delving into digital has been seemingly pretty haphazard. For quite a while they had massive parts of their catalogue (perhaps all of it, I never checked) on eMusic – them removing their stuff from eMusic was one of the deciding factors in me cancelling my eMusic account yesterday, after 10 years.

They’ve recently stuck a few things on Bandcamp, but have priced them so high that they’re positioning themselves well outside the mainstream of Bandcamp’s internal economy (as an aside, in the last couple of years, the cost in real terms to a customer in the UK of a download that costs $10 on Bandcamp has jumped from around £7 to around £9, thanks to Brexit trashing our currency, and VATMOSS adding $2 to the price before we even get to that…)

Anyway, so ECM have pulled their stuff from eMusic (where I would pay between about a pound and maybe £3 or 4 per album, depending on the number of tracks) and put it on Spotify, and have put massively overpriced versions on Bandcamp.

Which at face value begs the broader question, why are SO many music people still so utterly binary in their thinking about music distribution? It’s either collect the scraps from streaming and hope that you can magically generate a big enough market to make it meaningful, or charge £10+ per album for CDs AND THE SAME FOR DOWNLOADS ?!?! Continue reading “Thoughts on ECM joining the streaming world”

PS, You Are Brilliant – New Steve Lawson Solo Album Out Today

Finally! My new solo album – my NINETEENTH full-length solo release - PS, You Are Brilliant, is out today. You can listen to it and download it exclusively on Bandcamp – This is NOT on iTunes, Spotify, Google Play etc. You can only hear it and download it from Bandcamp (or anywhere that has the Bandcamp player embedded, like here!). You can stream the album in full and if you like it and want to buy it, it’s pretty inexpensive 🙂

Keeping it on Bandcamp is the musical equivalent of only selling your produce in a farmer’s market. It’s a better deal for artists, a better deal for listeners, and you get to choose better-than-CD quality audio if you like at no extra cost. Everybody wins!

If you dig it a lot, and want to investigate further, PS, You Are Brilliant is also available to my Bandcamp Subscribers – I recently passed the 3 year anniversary of the introduction of the subscription, a mechanism for releasing music whereby subscribers pay a flat fee per year and get everything that I release. This year so far, they’ve had 8 albums and an eBook, plus a load of subscriber-exclusive video. Continue reading “PS, You Are Brilliant – New Steve Lawson Solo Album Out Today”

Two New Albums Released Today!

I’ve got two albums coming out today! They’re being released in different ways, and the releases are connected, so read on to find out how to get both!

First of all, the first Illuminated Loops recording is coming out. Illuminated Loops is my project with visual artist Poppy Porter. Poppy is synaesthetic, which means she ‘sees’ sound. So for this, I improvise, she draws what she sees and I then treat the drawings as a graphic score. It results in a lot of truly beautiful art and some really surprising and lovely music – it’s very much recognisably me, but definitely draws me in new directions and inspires choices that I wouldn’t have made had I just been focused on playing… There’s an awful lot more to be said about the process, which is why the album comes with extensive PDF sleeve notes.

Now, the album will only initially be available to my Bandcamp subscribers. They are the people who pay £20 a year (or more, some of them voluntarily contribute over that) to get everything that I release in the year. They are the reason I’m able to make music the way I do. Last year I put out 7 albums. Some of them were subscriber-exclusives, all of them were released to subscribers a month or so before they became public. And when you first subscribe, you get a massive windfall from my back catalogue – over 30 albums, including every solo album I’ve ever made and a load of subscriber exclusive collaborations too. There are albums in there with Michael Manring, Jem Godfrey, Bryan Corbett and others that are unavailable elsewhere. It’s a crazy bargain, and if you decide to join them today, you’ll get all that music right now, and at some point today, you’ll get the Illuminated Loops album. Continue reading “Two New Albums Released Today!”

Decorating Tips For Musicians (How To Learn Like A Painter)

I’ve been teaching bass now for almost 25 years. I’ve taught thousands of students, and given masterclasses and seminars to many more in universities and colleges all over the world. In that time, I’ve never stopped trying to refine my method, my process, my ability to help a student get where they need to be. And one of the things I’m always searching for is better metaphors for what it is we’re trying to do.

So, today we’re going to talk about painting and decorating, OK?

Imagine you were asked by someone to decorate their house – to paint all the rooms, the stairs, hallway, all the doors, fittings. Everything needs doing. There’s a lot of work there, and you’ve not really done any painting before…

There are a number of ways to approach it, so let’s break them down, then you can look at their parallels with learning an instrument: Continue reading “Decorating Tips For Musicians (How To Learn Like A Painter)”

A Little “Buy Music With Bandcamp” Primer…

As you know, all of my albums come out first on Bandcamp (as of writing, I’m in their top 5 ‘current best-sellers’ thanks to you – I won’t bother linking to it (though I did get a screengrab).

I may or may not put this on iTunes/Amazon/eMusic etc. I haven’t decided yet. I’d MUCH rather you got it from Bandcamp, for all our sakes. Here’s why:

  • You get to choose your file type. With Bandcamp I can release 24bit audiophile FLAC versions and the highest possible quality MP3 versions (we well as AAC/ALAC and OGG) all in the same place. No faffing about for you searching out the best format, just choose the one you want.
  • Sleevenotes, artwork, extras. I can add PDFs of sleevenotes, photos, lyrics, individual art for each track. and I can change it. As often as I want. Freedom 🙂
  • The ‘Pay What You Want’ thing. It just makes sense – not only does it let you put in the price that represents both what you can afford, and what you think it’s worth, but it means that people who are in parts of the world where they otherwise can’t get ‘legal’ digital music can download it without paying, and if you ever lose your copy in a harddrive crash, you can just come and download it again for free. Or if you decide you want to give FLAC a go and see what all the hi-res fuss is about – again, you can replace it for free.
  • Payment is easy. OK, so not quite as easy as buying on iTunes if you’ve got an iTunes account, but its’ way more friendly. If you’ve got a PayPal account, it’s 3 clicks and a password confirmation. If you haven’t, you can pay with a credit/debit card.
  • Full previews. Let’s be honest, in the grand scheme of things HARDLY ANYONE HAS HEARD OF ME. Even fewer have heard my music. Hiding it away behind 30 second previews on iTunes/Amazon is utterly insane. As would be hosting it all on a listening service that’s separate from the buying/download bit. It’s utterly vital for indie musicians to remember, you don’t get an audience by selling music, you have the chance to sell music ONCE YOU HAVE AN AUDIENCE. The unlimited listening makes people hearing what I do as easy as possible. You can listen on the site, on Facebook, other people can blog it. It’s just great! A lot of the people who may hear my stuff are likely to need quite a while to decide they want it enough to buy it. It may take years. I don’t want to stop them listening in those intervening years. I’m in this for the long game, not some get rich quick plan. You can listen on the site as much as you want. That’s great. …it’s also worth noting that the pages will also play on an iPhone/iPad, thanks to them being HTML5, not Flash-driven – you can’t download from Bandcamp to either of those, but that’s because Apple are idiots, nothing Bandcamp can do about that.
  • Sharing via social media. Bandcamp is SO friendly. the URL turns into an embedded player on Facebook, anyone can blog it and have it playable to their friends, every page (album or track) has facebook and twitter share buttons, when you’ve bought it and it’s downloading, there are sharing buttons there too. It’s made for sharing.
  • Sharing the love via Creative Commons. iTunes and Amazon don’t give me the option to change the license terms on my music. It’s All Rights Reserved or nothing. But I don’t want to make it illegal for you to share the music with your friends. I don’t want to make it illegal for you to add the music to your videos, to remix it, to sample it… If you’re not making money from it, you can do what you want with it. If you want to make money off it, we negotiate the terms as normal. That’s friendly, right?

Convinced? Here you go:

New Album Out Next Week!

If we’re friends on Facebook or Twitter, you may already know that I have a new album coming out next week.

It was recorded live in Minneapolis, after a fortuitous sequence of events (outlined in the sleeve notes) lead us to play in an art exhibition by a fabulous artist called Geoff Bush.

The music was all improvised in response to Geoff’s beautiful art. His theme for his work is ‘Believe In Peace’ – which is also the title of the album, and his work is based on the I Ching from which the four track titles come.

So we have four tracks, all played on my fretless 6 string bass (I only take one bass with me on tour in the US), and there’s some clever weirdness going on from my Kaoss Pad.

Here’s the opening track from it. Like all my recent stuff, it’s mixed and mastered for good speakers/headphones, so if you’re listening to this on a laptop, you’re going to miss a lot…

Enjoy, please tell your friends, and look out for the finished thing on the 1st or 2nd of January! 🙂

Two New Recordings On Soundcloud

I’ve got loads I need to blog about, sorry for the silence here. First up, here are two new recordings.

Firstly, here’s a rough mix of one of the pieces from my improv gig with Corey Mwamba last week in Derby. Corey’s a remarkable musician, and we had a wonderful gig. The whole show should be up on Bandcamp at some point (projects are backing up and I need to start releasing some of them!)

This is the 2nd thing we played on the night – I missed all but the last 15 seconds of the first thing with the recording. Corey starts out on recorder, then switches to vibes. His restraint through the first half is a great lesson in the parameters of improv. Too often, improvisors play all over everything, particularly melody players, rather than ‘arranging on the fly’ and creating space, colour and texture. Throughout the gig, Corey’s choice of when to play and when not to, as well as what to play when he did, was brilliant. A truly remarkable musician.

Please check out the other gigs Corey’s putting on at Deda in Derby. It’s a lovely place to play, and he’s doing good things there. Here’s the tune:

Also recently added to Soundcloud, this is a thing I was playing around with a couple of weeks ago, that I LOVE the feel of. Sadly, I don’t have the recording of how I came up with it, just these two loops that were there at the end. It’s going to be really tough to match the gentle flow of this, and it may be that I end up leaving this as is for the next record. we’ll see…

Please feel free to share both of those with your friends, to click the ‘like’ button, tweet the link to it… all that kind of help sharing the recordings around is SO important to us as musicians who can’t afford promo budgets and magazine adverts to let people know what we’re up to!

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