A couple of weeks ago, this review showed up on a French Website called indierockmag.com – with my paltry French skillz, I could tell it was nice, but it wasn’t til I asked on Twitter and Facebook the other night for a translation that I got what it really said… I got 5 translations sent to me, by 5 very lovely people. I’ve only included one here, for obvious reasons, but am v. grateful to Guylaine, Dave (who posted a translation on Facebook), Lorna, Michael and Wayne. Here’s Wayne’s translation – the link to the original review is http://www.indierockmag.com/article14847.html
“Since Steve Lawson became a father, the Londoner appreciates the weight of the years, philosophy, and still more the number three. And that’s good, because we are just as into the poetic meditations that the musician draws from the single six-string bass which, in his hands, becomes a tool of dreams.
“The first electric bassist to have performed solo at the Royal Albert Hall, he is a protege of Michael Manring, who said of Lawson’s 2004 album Grace and Gratitude that it was a real step forward in the art of the bass solo, doubtless referring to a world closer to the ambient music of Brian Eno or the subdued post-rock of Come On Die Young era Mogwai rather than the technical wizardry of Jaco Pastorius. Lawson continues in the same soft lyrical vein with his first album in five years, possessing the good taste to allow it to be downloaded for free. Knowing that the collection in question is even more gargantuan than its predecessors – easily passing 80 minutes – should especially not stop you pulling out your bank card should you turn out to fall in love with it.”
And, of course, you can listen to it here:
