Tag: art

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celebrating two old guys…

Yesterday I went to visit my grandparents – my Grandad is 93, and apart from his memory being really unreliable, he’s in remarkable shape for a guy his age. Last week he tripped over some broken tarmac while on holiday in Devon and damaged his hip. Had three days in hospital, couldn’t walk when he came out. Fastforward a week and he’s up and about on a zimmer frame, which is pretty impressive for a 93 year old body. I think part of it is forgetting that he’s ill…!

Anyway, he’s a fantastic old bloke, full of wonderful stories from his youth – I found out not that long ago that he was an avid record collector in his younger days, which must be where I get it from. I’m going to have to visit him soon armed with a minidisc recorder and get some of his great stories down for history. Aural history is an amazing thing… or do I mean Oral history? Do you speak it or listen to it? hmmmm. Anyway, rock on, grandad, you’re a star! Much credit must also go to my step-nan, Margaret, who’s one of the most amazing women I know – she’s well into her 80s, and looks after the old man incredibly well. She’s a retired nurse, and knows loads about most things. She’ll feed you til you burst. I’m very lucky to have two such marvellous grandparents…

Who’s the other old guy? Well, today is the aged feline’s birthday! He’s 18, which is in cat years about the same age as my grandad! He too is in remarkable shape for his age, and seems to be getting fitter over the last year not worse. His old joints are a bit creaky, and lying down is a bit harder than it used to be, but he’s not having any of those fits he was having anymore, and is still the most loveable snuggly little chap in the whole world. If you have a look at the sleeve to Not Dancing For Chicken, there’s a piccie of him inside (which is as good a reason to buy a CD as there has ever been…) Anyway, much birthday snuggling for The Aged Feline today – would love to give him lots of quality snacks, but he’s on a renal diet so we’ve got to be v. careful what we give him… if he’s lucky, he’ll get a few of his faves later – mushroom pate, cucumber and a little bit of red pepper…

What else is going on? ah yes, was recording today with BJ Cole, pedal steel genius – BJ’s a very nice bloke, and an awesome musician. The challenge of combining two such full sounds as my bass sound and BJ’s steel is a fascinating one, and one that we’re getting the hang of – some of the stuff we recorded today is fab!

Also been mixing the tracks for my album with Theo Travis this week. that’s the mixing this week, not the album. that won’t be out til september at the earliest. But it’ll be worth the wait – it’s gonna be fab!

Anything else of note this week? Lunch with Jam on Tuesday was class – he’s a comedy writer, and all round top bloke. Very funny (obviously), and a good friend. Sitting in a cafe in soho in the sunshine with jam is a pretty near perfect way to spend a tuesday afternoon.

soundtrack – right now, James Taylor, ‘October Road’ – this was lent to a friend for MONTHS, but I finally got it back, and it won’t be leaving the CD player for a while. It’s a work of god-like genius. Other than that, Charlie Hunter, ‘Return Of The Candyman’; Daft Punk, ‘Homework’; Simeon Harris, ‘Realms Of Elements’ and lots of me and theo!

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amusing article

DIY Glastonbury – it’s not a new article, but I was just emailed it without the credit, but this seems like the source…

Soundtrack – nothing! I haven’t listened to a single piece of music all day, and I think that’s a first for me, for a heck of a long time. I’ve not had the radio on, not put a CD on, or an MP3 or anything. Nothing, nada, nowt, bugger-all. Very bizarre. All I’ve heard is the sweet sound of tennis ball on tennis racket. Ah, wimbledon fortnight – gotta love it!

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Gigs seen, gigs played

long time no blog, appologies.

Anyway, last week I went to two gigs. First one was a guy called Michael W. Smith. Second one was Kelly Joe Phelps. The comparison was quite incredible. WH Smiths was playing at Hammersmith Apollo (cap. – 3,500), KJP was at The Stables (cap. – 350). The WH Smiths gig I went to cos his bassist is a friend of mine, and very nice bloke. The gig itself was pretty excruciating – it’s always hugely frustrating to see great musicians stifled by a really really bland act. It was clear that the guys on stage were very fine players, but the overall vibe was blandola. Safe in the extreme, sort of Richard Clayderman meets half-assed Riverdance. The chat between songs was cornball par excellence – Forrest Gump with a guitar. Clearly I was in the minority here as the largely frhu audience were well up for Smith’s crass between song chat and attempts at brit-relavence (favourite moment – at the end of one song, he starts reciting the words to ‘God Save Our Gracious Queen’, before waving a huge Union Jack and playing.. wait for it… ‘Pride’ by U2 – a band from Dublin. Which is in the Republic of Ireland. Oh shit, big mistake. Which WH was clearly oblivious to..)

Anyway, it was very nice to meet up with Anothony, a great bassist, and very nice guy. Next, I’ll just body swerve the gig, and spend more time chatting…

Onto Kelly Joe Phelps. so far from WH Smiths that it’s not true. The support act was Brian Houston, a fantastic dylan-esque singer/songwriter from Belfast that I’ve seen play lots recently. He’s brilliant. nuff said. KJP’s band was Scott Amendola on drums (last seen by me playing with Sex Mob in San Jose in July 2001) and Keith Lowe on upright bass. From the off, the gig was amazing – the communication between then was brilliant, the songs were really open to loads of improv, they were making eye contact, having a great time playing fresh, creative, free-wheelin’ music. It was fun, exciting, new, engaging, dangerous, moving wonderfulness. Everything that George Michael Dubya Smith wasn’t. I could watch that every night. Got the latest album, which is great. again. All three of his CDs that I’ve got are great. ‘Shiny Eyed Mister Zen’ is in my all time top 20. Get it.

What else? ah yes, recording session – hip-hop R ‘n’ B track with the guys from Commonwealth (I played on a remix of one of their singles last year) – there was already a synthbass part on the track, which was well played and written anyway, so a lot of it was about recreating that with a more live feel, then adding some fills and a slap line. It took a while to get the feel they were after, but it was worth it. I’m sure the final track will be very fine indeed. It’s a good song. I’ll let you know when it’s out.

The weekend was spent in Lincoln – Rick’s stag do – went out in Nottingham for a fun night out. Always nice to catch up with chums from Lincoln.

Oh, almost forgot – gig on Friday, with Lovesjones. A bit of a left-field one this, as I was covering for the keyboard player, and the stage was TINY so I could only use my processor and one bass for the whole set, but it went well. A few of the tunes were ones I’d not been sent, but playing keyboardy stuff is a piece of piss – it just involves waffling around in the key, you don’t have to be there on the downbeat, and you don’t even have to get the right root note! Bass is a far more satisfying role to play… Anyway, it was loads of fun, was was followed by a solo set, which also went well….

To this week… Monday was a teaching day, then the small person and I watched the 2nd Harry Potter film, which is fantastic, even better than the first (which I really enjoyed as well…) Tuesday Andrew arrived – not seen him for ages, great to catch up.

Gig with Theo Travis at the National Theatre went very well. Nice big crowd, we played very well except one bizarre moment when Edwina Curry walked past and we both fell about laughing… not easy to play flute whilst laughing. Anyway, good gig, boding v. well for future theo ‘n’ steve gigs.

After that, dropped stuff at home and headed off to The Klinker to see Rick Walker and Matthias Grob play. We got there half way through the set, which sounded really good. The Klinker’s a very strange club, but a great place for experimenting. V. much looking forward to tonight’s gig there with Rick Walker. Didn’t stay long at The Klinker as I was knackered.

Wedneday was a do-nothing much day (though I did buy a new Bonsai, so we’ll see how long I can keep this one alive for!)

and now today – gig tonight at the Klinker. See you there!

Soundtrack – Bruce Cockburn, ‘You’ve Never Seen Everything’; Public Enemy, ‘It Takes A Nation Of Millions To Hold Us Back’; The Smiths, ‘Louder Than Bombs’; THe Bears, ‘Live’; Coldplay, ‘Parachutes’; Kelly Joe Phelps, ‘Slingshot Professionals’; Medeski Martin and Wood, ‘The Dropper’; Bruce Cockburn, ‘Humans’; Chagall Guevara, ‘Chagall Guevara’.

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You've Never Seen Everything

a new Bruce Cockburn album is always a pretty big event in Stevie-ville. The new one, You’ve Never Seen Everything, arrived yesterday. I’d been forwarned by a couple of MP3s on the Cooking Vinyl website, but hearing the whole thing was still a delicious experience. Continuing Bruce’s flirtation with jazzier harmonies and more improv stuff than his late 80s/early 90s stuff, it’s also a surprisingly immediate album, with the usual inspiring and challenging lyrical stuffs. Some stellar basswork from Larry Taylor, John Dymond and Steve Lucas, and even a little loopage courtesy of violinist Hugh Marsh. All in all, destined to be a Brucie classic. Can’t wait for the UK dates later in the year.

Soundtrack – apart from the obvious, also been spinning Seal’s first album, Don Henley, ‘End Of The Innocence’ and more Coltrane. Oh, and MP3s of all the tunes I need to learn for the Lovesjones gig on Friday night

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Let's go round again…

busy weekend. Have spent a fair amount of time in the last few days recording with Matthias Grob – Matthias is the inventor of the Echoplex, and a stunning guitarist (he built his own guitar as well, natch) and we’ve been coming up with all manner of delicious improv, ranging from ambient soundscape stuff to more funky things through to some scary out noises. All rather marvellous and invigorating. As with all this recent duet activity, I’m hoping to have some up online before too long – now that Sarda is back from the states, maybe he’ll get this server of his happening, and I’ll be able to move my site away from zetnet for eva…

Anyway, I digress – Matthias and I have been looping and chatting for a couple of days – talking lots of what we do, why we do it and how to get it across to people… All very stimulating stuff.

What else? ah yes, saturday there was a party for the 30th anniversary of the Greenbelt festival – a fun event, held at Lambeth Palace (the official residence of the AB of C – a nice gaff, which makes up for the rather crappy salary that goes with the job, as interestingly enough, all Church Of England Clergy are on the same wage, whether parish priest or Archbishop…) Anyway, was a fun time to catch up with lots of GB related chums that I’d not seen for a while.

This week is going to be BUSY – first up, I’ve got a recording sesh on Thursday )(more on that later, no doubt), then Friday night I’ve got a rather fun gig, filling in for the keyboard player in Lovesjones. ‘What, you don’t play keys!” – indeed I don’t, but I do make odd noises with a bass, so will be covering the keyboardish role on bass… then doing a solo set.. at Jazz After Dark in Soho… on Friday night.

Also got to relearn some of the improvs that Theo and I have done over the last couple of months for our gig next Tuesday at the National Theatre. So busy week of learning stuff. Still editing the tracks with theo. And the news stuff with Matthias. And hopefully hooking up again with BJ Cole. And listening through the tracks with Patrick Wood. Blimey, how much recording have I been doing lately???? loads, I tell yer!

What else is new? Oh, The CD shop at Bass Guitar Magazine’s website has started stocking my CDs, which is nice of them.

And a track from Not Dancing (Amo Amatis Amare) is on the cover disc that comes with Bassics Magazine – oh, have I mentioned that already? well, here’s the confirmation that it is indeed Amo Amatis…

Soundtrack – been listening to loads of the duo stuff with Matthias, obviously, and the tracks with Theo, and Matthias’s CD, which is great (out on Pillow Mountain Records v. soon) other than that, Kenny Wheeler’s album ‘Angel Song’ has been going round a lot in the kitchen, and today I’ve been listening to Coltrane’s ‘Complete Africa Brass Sessions’ which is incredible – I put it on to play during Mark’s lesson this morning, and it’s been in the player ever since…

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SLOPS…

If anyone knows the origins of this, do let me know, I’d love to credit it… I got it from the Humans list – a Bruce Cockburn discussion list…

“The World Health Organisation today issued a new warning against non-essential travel to the entire Western hemisphere following renewed concerns about the spread of Severe Loss of Perspective Syndrome (SLOPS). Officials are warning travellers not to visit the UK, the US, almost all of Western Europe, and Canada, following further outbreaks of the disease, which has led to mass panic among the media, thousands of ecstatic children being kept out of school by their credulous and moronic parents, and increased profits for DIY stores as the idiot public rush to bulk-buy face masks and boiler suits.

A WHO spokesman said, “You’d be much better off going to somewhere like Thailand or China, because all you’ve got to worry about there is SARS, and let’s face it, you’re about as likely to die from that as you are to get kicked to death by a gang of zombie nuns.”

The SARS virus has now claimed a staggering 500 lives in only six months, which makes it considerably more deadly than, say, malaria, which only kills around 3000 people every single day. Malaria, however, mainly effects only darkies what speak foreign, whereas SARS has made at least one English person feel a bit iffy for a couple of days, and is therefore considered much more serious.

The spread of SLOPS has now reached pandemic proportions, with many high-level politicians seemingly affected by the disease. The rapid spread of SLOPS has been linked to the end of the war in Iraq and the need for Western leaders to give the public something to worry about. Otherwise, they might start asking uncomfortable questions about domestic issues, and that simply would not do. Anyone who appears to be exhibiting symptoms of SLOPS should be dragged into the street by their genitals and shot.”

Soundtrack – Scritti Politti, ‘Cupid and Psyche’; Joni Mitchell, ‘The Hissing Of Summer Lawns’; Theo Travis, ‘Heart Of The Sun’; Medeski Martin and Wood, ‘The Dropper’; and some Howie Day live tracks from The E-Tree Music Archive

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I Don't Know What You Did Last Summer

right, I’m getting complaints that I haven’t done any top 5s for a while… so, in the spirit of the pathetic suppliment that came with this month’s Q magazine entitled ‘things to do this summer’ or something like that (that included stuff like dressing up as famous people and ‘buy these trainers’ – yeah, right….), I shall give you my alternative top 5 things to do this summer…

  • spend as much time as you can outdoors, but don’t get sunburnt.
  • go and see at least one gig a month by an artist you’ve never heard
  • read. lots.
  • If you’re going to go to festival, ignore all the crappy ones listed in Q that involve having your tent stolen and getting showered with piss whilst watching soem bunch of half-assed stoned clothes-horses play poorly, and instead, go to greenbelt
  • watch all the cartoons at www.homestarrunner.com.

a much better way to spend your time.

And if you want something to do now, email 3 friends telling them about the new MP3 on this site, and suggesting that they check it out before buying all of my CDs… ;o)

Soundtrack – today, it’s been King’s X, ‘Black Like Sunday’ – new album, got it through the post this morning. v. good indeed.

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To loop or not…

To Loop – have a read of this article by david torn, archived on the loopers delight website, it’s very good.

To Not Loop – well, to loop a tiny bit – have a listen to the new MP3 of me and Theo Travis that I’ve just added to the MP3s section on the site. It’s very good, and involves very little looping.

One gig I went to that I forgot to mention was Iain Archer, last thursday at Delicatessen in Reading – Deli, you’ll remember is the club that hosted me and Michael Manring and David Friesen, as well as being where I’ve played with Airstar, Julie Lee and Pierce Pettis, and is run by Evil Harv aka The Cheat, and Jimbob aka Sarda aka TAFKA-The-Man-Who-Knows. Anyway, Iain was brilliant – I’ve seen him play countless times before, and recorded and gigged with him as part of Andy Thornton’s band. His new single and album are out very soon, and are certainly eagerly awaited in this house (The Small Person and The Agen Feline are both Archie fans as well….) Also on the bill on Thursday were Electric Gaudi (used to be called Gaudi, but got threatened with legals by la famile de Gaudi the artiste…) featuring my student howard on bass, and a fine job he did too!

Soundtrack – just been listening to ‘In A Silent Way’ by Miles Davis, streamed from launch.yahoo.com – what an amazing bit of music! must buy the album v. soon. before that, was listening to Lucious Jackson, ‘Fever In Fever Out’ and Muriel Anderson, ‘Theme For Two Friends’ – both very fine albums.

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duets…

What a fine week! – Monday, as mentioned was a day recording with Theo. Thursday was a day recording with BJ Cole, and Friday was a day transfering music from Patrick Wood’s ADAT to my computer, and then recording a bit too. These three duo projects are rather fun and invigorating and are producing all manner of fascinating music. The duets with BJ are from a looping perspective going to be the most technically demanding, as we tend to be heading towards tracks with lots of sections, which is great, cos it’ll force me to learn some new EDP tricks – probably time to pay Andre’s site another visit. Talking of looping – there have been some rather heated discussions on the looper’s delight mailing list the theme of what on earth ‘live looping’ means – does it refer to a technical approach to music making? does it imply anything specific in terms of style/genre/aesthetic? is it enough of a hook to build a festival round? While the discussion has been fascinating, the main bizarre thing about it has been just how upset some people have got with it all – it’s way too easy to let email lists encroach on your ‘real’ life, and also to get disagreements mixed up with personal attacks…

Anyway, duets – lots of cool stuff already played/recorded, and lots more to come. I’ll be editing some of what’s already gone, and will hopefully have some stuff up on the site soon… Talking of duets, If you’re in Southern California, Todd Johnson – solo bassist extraordinaire – is hosting a fantastic series of duet gigs in a coffee shop in the Santa Clarita Valley – see Todd’s Site for more info…

what else? Yesterday – teaching and gardening – gardening should have just involved cutting the lawn, but The Small Person had left a large pile of sticks on the lawn, which last time I’d cut the grass I just cut round. So this time the sticks were still there, and the grass had grown through it, making moving the sticks a bit of a big job. Anyway, I did move them, and cut the rest of the lawn, but was knackered afterwards. How dull was that? you don’t care to you? and quite rightly so, there are far more pressing bits of info you could be reading.

And today? church this morning, followed by a day of musical tinkering – bass practice, listening to duet stuff, drum programming etc. The off to see The London Improvisors Orchestra – lots of very skilled musicians making a very inspiring racket. The ones I’d heard of included BJ Cole (who’d suggested I go along), Evan Parker, John Edwards and Steve Beresford.

Soundtrack – lots of interesting stuff over the last few days. Michael Jackson, ‘Off The Wall’, Holly Penfield, ‘Fragile Human Monsters’, an Esquivel compilation (do a search for him on line – he’s great), Medeski Martin and Wood, ‘The Dropper’, and right now I’m listening to Jeff Kaiser/Brad Dutz, ‘The Order Of Her Bones’ – an experimental duet CD for trumpet and percussion, Jeff’s own pfMENTUM records, which is also the label that released Ted Killian’s fantastic ‘Flux Aeterna’ album.

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