Tag: bass

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…and while I was watching SuperSize Me…

…the leaders of the three main parties were being interviewed over on Question Time – thank God for the BBC archiving such things, so we can all watch it online, and find out what was said…

The election is next Thursday, DON’T FORGET – the polling stations open early, and are open ’til late.

I’m a big supporter of exercising your democratic right to vote. Not least of all because low voter turnout helps the fascists, and we don’t even want the BNP to get their deposit back, let alone get any kind of political kudos for a good placing. (they aren’t actually going to get any MPs).

However, having read some of the stuff on notapathetic.com, I can see some great reasons for not voting. People who see it as an insult to their right to vote for them to have to choose between three flavours of dogshit, people who feel like a low voter turnout will show just how disillusioned we all are with UK politics (we could well be heading for the lowest voter turnout ever anyway). It’s an interesting site, and well worth a visit.

As it is, I’m going to vote – my approach is vote for the best you can find, and then hassle them to do a good job. It’s like the US election – Kerry was hardly the most glowing lefty on the political scene, but at least he could have been called on to instigate some policy decisions that were in keeping with the democratic tradition… Trying the same thing with Bush, you’d just have to suggest that he be a little less obvious about his military action abroad, and take the Reagan method of backing right wing paramilitary groups instead of sending in your own troups for anything other than training…

Anyway, I digress – please vote, keep the Tories out – they need to know that spreading racist lies is no way to run an election campaign – and let Blair know that illegal wars that lead to the deaths of over 100,000 civilians are not acceptable, and can’t be supported. I’d suggest checking out either Lib Dem, Green, SNP, Plaid Cymru or whoever else offers an anti-war alternative (I can’t bring myself to back Respect, the unlikely alliance of the Muslim Association of Great Britain and the Socialist Workers Party – I’ve never been a fan of the SWP, and don’t like political groups with a strict religous agenda – smells too much like the GOP in the States…)

Soundtrack – more of me and Cleveland.

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Gawd Bless Morgan Spurlock

I’d seen it before, but last night was the UK TV premier of SuperSize Me – Morgan Spurlock’s documentary that follows his challenge to live for a month on nothing but McDonalds.

He did it in response to the legal cases in america where obese kids were sueing fast-food companies for making them fat. Now, apart from the initial reaction of incredulity that people couldn’t know that a McDiet would mess up your health, the challenge to the psuedo health nonsense put out by the burger giants makes pretty compelling viewing. Spurlock is fantastic on camera, and his range of interviewees is superb and enlightening.

The failure of anyone from McDonalds PR to get back to him speaks volumes, as does this supremely bogus site that comes up tops if you do a google search on Morgan Spurlock a psuedo-debate site, claiming to debunk the film, run, of course, by McDonalds themselves.

Fried, GM, reheated, reconstituted meat products should not constitute any part of a healthy balanced diet. If they don’t make you ill, it’s just a fantastic testimony to the ability of our bodies to recover from invasion. Just don’t do it – that crap is addictive, unhealthy and won’t actually sort out your hunger.

If you must eat fast food, get a salad sandwich from Subway or something!

I’ve also just found that Morgan Spurlock has a blog – yippee! Top man, three cheers for Morgan Spurlock – bring on the closure of every McDonalds in the land.

Soundtrack – the rough mixes from yesterday’s recording session with Cleveland Watkiss – some fantastic stuff, some overly-long sprawling stuff ripe for editing. But over-all, a very promising first session!

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A flurry of musical activity!

Yesterday was a very busy organising day!

First up, I was contacted about playing at an Italian Bass Day in July – looks like that’s going to happen, just sorting out flight costs etc. It’s all good!

Then, Ahmad at Darbucka returned a call from a few weeks ago about a gig there, so it looks like I’ll be back playing there on May 25th, with a gig in Petersfield on the 26th, and Southampton on the 27th. I’ll probably use these gigs as a change to show off some new tunes, and try out some things for the Edinburgh show in August.

And then just now (between that last paragraph and this one) Theo calls, and we confirm not one but TWO gigs on the South Bank in June – one in the RFH foyer on June 2nd, and one in the National Theatre on June 14th.

So, as soon as Orphy confirms the dates we’ve been talking about, my gig calendar will be looking much more healthy!

And then there’s today – Cleveland Watkiss is coming round in about an hour to demo some material for a project together – we played together about a month ago, and it sounded marvellous, so now we’re going to get some stuff recorded and start touting around for some gigs. So I could be on the road for much of the summer!

Oh, and I’ve also been listening to the latest batch of mixes/remixes of the Calamateur vs Steve Lawson project, which is sounding very good indeed. Could be that after years and years of doing nothing with singers, I’ll be releasing stuff with two of them in a year. Ah, the madness of being a musician.

It’s all very exciting!

Soundtrack – Sophia, ‘People Are Like Seasons – new album from bloke out of The God Machine (fab early 90s indie band) – shades of everything from Lloyd Cole to The House Of Love via Smashing Pumpkins and something more mellow and miserable – the first Coldplay album without the poppy sheen maybe? Anyway, it’s very nice.

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Some Listening Stats.

These are all taken from my Audioscrobbler top 50 artists playlist for the last 10 months or so.

  • number of artists that I know personally – 22/50
  • number I’ve played bass with – 9/50
  • number of bass-fronted acts – 5/50
  • number of singer/songwriters – 22/50
  • number of instrumental artists – 12/50
  • number I’ve seen live – 27/50

I wonder how that stacks up alongside your listening habits? If you’re a musician, do you listen to music by people you know, or people who play your instrument? do you buy many CDs at gigs, or do gigs inspire you to buy CDs?

Soundtrack – Joe Pass and NHOP, ‘Chops’.

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Election message…

What should we do when an election gets dull? Do what we always do – take the piss – here’s a great lil’ video message, having a pop at Tony, dubya, Blunkett, Howard, Kilroy and just about anyone else involved in politics. Top stuff.

And the message at the end? Go out and vote. Simple.

Soundtrack – Jim Hall/NHOP, ‘Chops’; Francis Dunnery, ‘Man’.

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Jonatha gig number… 6? 7? I've lost count

Jonatha‘s back in the country, as the UK version of Back In The Circus came out yesterday. Last night she played one of the Bob Harris Presents… gigs that used to be at The Stables in Milton Keynes, and are now at The Brook (no E on the end, but close enough for Jonatha to feel at home) in Southampton – a nice enough venue, but nearly all standing, so doesn’t win out over The Stables for me…

Anyway, Jonatha was on first, and fab as always. It’s a great feeling when you go to see someone fantastic that most of the audience aren’t really familiar with – it’s the same feeling going to a Julie Lee gig – you just know that half an hour from now, there are going to be a whole load of Jonatha/Julie/Whoever converts in the audience.

As expected, the response was like she was the headliner. Marvellous.

Brian Houston was up next – I’ve not seen Brian play for a few months, and he was on top form – great songs, great stage show. He’s a really really engaging and entertaining performer. Great stuff.

And Finally Thea Gilmore, who was headlining. She’s good, though the stripped down simplicity of her songs didn’t really follow either the glorious complexity of Jonatha or the bouncy exuberance of Brian so well. Still, most of the audience were there specifically to see her, and she played really well, particularly the cover of The Buzzcocks’ ‘Ever Falling In Love With Someone’.

Sadly, we had to leave early as the Small Person, who had been wilting all evening, got progressively iller and iller as Thea’s set went on. I was doing merch by this time (whole catalogue of disaster for Thea – her tech was in A & E with concussion, her merch dude didn’t turn up), so handed that over to Thea’s manager, and took TSP home.

So, go and buy Jonatha’s album!

Soundtrack – Masse, a demo of stuff by solo looping bassist/flautist – very inventive indeed; the Works, ‘Beware Of The Dog’.

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another nice review… but what's a ronin??

This mag –

is Bass Guitar magazine (not to be confused with Bass Guitar Magazine, which is British) – it’s a good mag, if a little focussed on metal for my own reading tastes.

Anyway, they reviewed Grace And Gratitude in their new issue. It’s a small but friendly review, but I’ve no real idea what a ronin is – obviously it’s meant to be slighty cryptic, give the italics in the review, but I’m not sure how it applies to what I do…

(thanks to Fenderbird from the dudepit for sending me the scan!)

Here’s one explanation of Ronin, from This site –
“The samurai is an elite warrior in service of a lord and bound by codes of obedience and bushido. He is expected to be absolutely loyal to his master, no matter what the personal consequences of his duty are. The ronin is a masterless samurai who have lost their status due to their own misdeeds or the untimely death of their lord. Ronin became farmers, monks, soldiers of fortune or even bandits, beggars, and assassins. Many committed ritual suicide.”

…not sure I like that!! Farmer? Bandit?? SUICIDE??????

Someone help me out here…

Soundtrack – Ron Miles, ‘Heaven’.

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First signs the drought might be over…

Yippee, I wrote my first bit of completely new solo music this evening, for about 9 months! I guess the practice I’ve been doing over the last few days has paid off… I got a rough version of it demo’d (just me getting to know the two sections really, not a proper arrangement or anything), and even that sounds lovely.

here’s hoping there are more tunes on the way!

(oh, BTW, the site should work properly in IE now…)

Soundtrack – Bill Frisell, ‘Before We Were Born’; Ron Miles, ‘Heaven’.

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Internet Explorer… GRRRRRRRRRRR!

What a load of bollocks internet explorer is. It’s not compliant with some of the most basic of css standards and totally unintuitive at dealing with anything it doesn’t understand. Why does anyone still use it?? It’s rubbish, pure and simple.

If you’re on a PC, PLEEEEAAAASSSSEEEE Get Firefox – it’s compliant with all the relavent standards, looks great, works really well, had a whole load of features that IE doesn’t even have, and is generally better. Just get it. While you’re at it, you might want to try Thunderbird – the mozilla email client. I switched a while ago, and much prefer it to outlook express.

So now it’s back to trying to find some way to keep all the browsers happy…

Soundtrack – Sheila Chandra, ‘ “This Sentence Is True” (The Previous Statement Is False)’; Bruce Cockburn, ‘Joy Will Find A Way’; Bill Withers, ‘Best Of’.

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Finally, Michael Manring's CD has arrived…

It’s was one of those questions that had taken on an almost Monty Python-esque level of absurdity; ‘when’s Michael Manring‘s album coming out?’ – for the last 18 months or so, I’ve been asked this a few times a week, sometimes a few times a day! I started off telling people whatever spurious deadline Michael had told me that week – ‘well, we just need to blah blah blah and it’ll be ready in about three weeks’ etc. etc. It got more and more laughable as Michael missed more deadlines than end-times loonies predicting the end of the world.

So I gave up answering, other than to say ‘your guess is as good as mine, why not email him?’. Hopefully his inbox wasn’t flooded with requests that he was no better placed to answer that I was…

Anyway, his launch gig was last week, and my copy of the CD, ‘Soliloquy’, arrived this morning. My 10 o’clock lesson was cancelled due to illness, which has given me time for a first listen.

OK, these are first impressions, and I’m sure I’ll have more to say when I’ve heard it 20 times (some time tomorrow afternoon, I suspect!), but this really is the album that Michael’s been needing to make for a long time, the one that all of us have been waiting for.

It’s all solo, no overdubs, bass guitar pieces. He uses a whole range of basses, and an even wider range of techniques and sounds, but it’s all live all him (we like the sound of that – actually that reminds me of Michael mention at a gig once that he was going to release a live version of Selene, to which I answered, ‘we like live’, and he came back ‘you like live!’ – this was not long after And Nothing But The Bass had come out)

Anyway, all the live faves are here – Selene, Helios, Greetings Earthlings, Excuse Me, Mr Manring, Makes Perfect Sense To Me etc. and a load of other previously unheard magic.

I’m sure Michael will be unhappy with it in some way – he’s got that kind of analytical approach to these things where there’s an ideal in his head that he’s constantly chasing, refining and I imagine never quite gets to. It’s what makes his gigs so exhilerating. The rest of us will hear this as his best album to date, by quite some margin, and be inspired and scared by what’s possible on solo bass.

It also comes with a beautifully produced 20-odd page book in PDF format (if you work in an office with a colour laser printer, you’re really in luck!) with tonnes of great background info.

I’ve got some practice to do – it’s inspiring ideas for me already.

It will, I’m sure be available in my webshop soon (though, as with most things Manring-esque, there’s no knowing when!), but for now, you can order it from Michael direct – best to email him via his website, if the details still aren’t there (they weren’t a few days ago – how does this guy make a living?????)

Soundtrack – Michael Manring, ‘Soliloquy’.

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