Tag: bass

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Bruce Cockburn Gig Pt 2

Part two of the Cockburn gig experience – this time at The Forum in Kentish Town, London, which is an OK venue, but not ideal. Still, Bruce and Julie were on top form, played enough material that was different from last night to make it all well worthwhile, including a couple of real surprises, including ‘Planet Of The Clowns’ from his early 80s album, Trouble With Normal – a great song.

Julie Wolf was on sterling form once again – more fine piano playing and atmospheric organ stuff.

Interesting to see SOOO many people I knew at the gig (probably 30-40 I knew by sight, and 25-30 by name), and we also had the now obligatory Bruce gig recognition thingie – ‘are you that bass player bloke? I saw you at Greenbelt, and recognised your beard’… :o)

Following the gig was a low key meet ‘n’ greet backstage – very nice to get a chance to compliment Julie Wolf on her marvellous playing, and say hi to Bruce, though whether he remembered me as the guy who interviewed him for guitarist mag 4 years ago is anybody’s guess.

Anyway, one of the other songs that Bruce did tonight that was left out of last night’s set was Call It Democracy – a marvellous insightful raging rant about the onward march of western economic and militaristic hegemonic practice – so good, that I’ve copied the lyrics here (there are a couple of naughty words in them, so if such things upset you for some reason, page down past the song)…

Padded with power here they come
International loan sharks backed by the guns
Of market hungry military profiteers
Whose word is a swamp and whose brow is smeared
With the blood of the poor

Who rob life of its quality
Who render rage a necessity
By turning countries into labour camps
Modern slavers in drag as champions of freedom

Sinister cynical instrument
Who makes the gun into a sacrament —
The only response to the deification
Of tyranny by so-called “developed” nations’
Idolatry of ideology

North South East West
Kill the best and buy the rest
It’s just spend a buck to make a buck
You don’t really give a flying fuck
About the people in misery

IMF dirty MF
Takes away everything it can get
Always making certain that there’s one thing left
Keep them on the hook with insupportable debt

See the paid-off local bottom feeders
Passing themselves off as leaders
Kiss the ladies shake hands with the fellows
Open for business like a cheap bordello

And they call it democracy
And they call it democracy
And they call it democracy
And they call it democracy

See the loaded eyes of the children too
Trying to make the best of it the way kids do
One day you’re going to rise from your habitual feast
To find yourself staring down the throat of the beast
They call the revolution

IMF dirty MF
Takes away everything it can get
Always making certain that there’s one thing left
Keep them on the hook with insupportable debt

There you go – what a great song. It’s from the album ‘World Of Wonders’, which is great, and there’s also a magic version on Bruce Cockburn Live.

Soundtrack John Coltrane, ‘Coltrane’; Paul Motian Trio, ‘Live At The Village Vanguard’; The Amazing Bud Powell Vol 1.

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There ain't nothing like The Dame

Just been listening to Dame David Bowie (was it Smash Hits who christened him that?? I think so… whoever it was, it does seem to fit…) Anyway, been listening to Heathen, his album before the brand new one, released about a year or so ago. And it’s really really good! like, marvellous. What a great thing it is to be in your 50s and still producing great art, carrying yourself with dignity and exercising the kind of creative freedom that Bowie seems to wield.

Anyway, what have I been up to, I hear you ask. Well, I finished that transcription for Total Guitar, though I haven’t heard back from them, so I’m waiting to hear if it’s OK or not…! I’m sure it will be.

Been practicing a lot – got the bug again a few days ago, after a while off from feeling inspired by new solo ideas. I was still enjoying playing the tunes in my set, but wasn’t hearing anything new. Then yesterday, I started to get some more ideas. Can’t wait to get my new bass, which should be here by the end of September… hopefully. As soon as it arrives, I’ll start work on the next solo album.

Hang on! Talk of a next solo album is all too previous, given that ‘For The Love Of Open Spaces’ by Steve Lawson and Theo Travis isn’t out yet. At this moment in time, I’m listening through the extra material for the preorder CD special. IF you remember, last time I released a CD, the extra disc was ‘Lessons Learned From An Aged Feline Pt 1’, which features some of my favourite solo work anywhere – as you can see, this extra disc thing is not just a way of farming out a load of left over rubbish, for us it’s about getting more music out there, making it available and of course creating the incentive for you lovely people to part with your hard-earned crisp ‘n’ folding before the thing is even released. The reasons for this should be fairly obvious – we don’t have an external record company with a bottomless pit of cash. It’s us, doing it for ourselves, like the sisters, so any money we can make back before the thing is even out is a huge help to the cause.

So we release additional CDs, which entice you into buying more stuff, give us the chance to get more music out there, and help to pay the bills. Everyone’s a winner, baby!

So where was I? Ah, yes, the extra tracks for the Lawson/Travis album – these are freakin’ fabulous!! Easily good enough to have made it onto the CD itself. So do make sure that as soon as the new album goes on sale, you get a copy ordered. It’ll be a strictly limited edition…

Advert over. Start of new advert… :o) – I discovered the other day that my CDs are available at www.towerrecords.com and www.hmv.co.uk – just go to either site and search on my name! Wahey, solo bass goes mainstream! I guess the HMV one means that you can also order it from any HMV shop, so please do – it’ll really help with the distrubution of future CDs if you go and get Not Dancing and Conversations there now…

Tonight, I’m off into town to see Cathy Burton play – she’s a fab singer/songwriter, and is at Sound in Leicester Square tonight, on at 9.15 if you fancy it…

The Aged Feline was at the vets again this morning – good news is his weight’s gone up a bit (been going down for months), bad news is, his kidneys are failing a little more… hoping we can fix ‘im up soon… poor darling.

Soundtrack – right now, me and theo. also, David Bowie, ‘Heathen’; Michael Manring, ‘Thonk’; Denison Witmer, ‘Recovered’; Calamateur, ‘Son Of Everyone EP’; Athlete, ‘Vehicles And Animals”; Vigroux/Cury/Rives/Lawson;

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(In)Discipline

In the middle of an interesting musical challenge. Am currently in the process of transcribing, and learning so I can record, a bass solo piece by someone else, for a UK guitar magazine. Normally, when I learn a piece, I’m asked to inject some of myself into the process – people tend not to ask looping fretless 6 string bassists to play generic parts, funnily enough – but this time, my job is to sound as much like the original as I can. How bizarre does this feel? very bizarre indeed. It’s not that it’s particularly difficult (bit’s of the tune are tricky, but not of it is actually ‘hard’), it’s just that it feels… alien! My tendency is to reinterpret the piece, make it more ‘me’. Not allowed this time.

Anyway, it’s all good discipline. I’ve got a couple of weeks to do it in, which should be fine, even with all my teaching in between, and finishing off the album with theo…

talking of which, Theo came round this morning to make sure the mix/eq on all the tracks was where we wanted it to be. So I reinstalled my fixed harddrive, which is working marvellously (God bless Ted!)

So we tweaked some of the EQ, I added a tube amp simulator to one of the bass tracks, and we listened. And we liked what we heard. And got all animated about how much we’re looking forward to releasing the album. Which should be available for preorder in the next couple of weeks. I’ll be putting another MP3 on the site before too long… maybe later on today. Watch this space.

Soundtrack – last night, top banana radio was back on air – paul’s v. fine show. other than that, Talk Talk, ‘Spirit Of Eden’ (on of the world’s perfect albums) and lots of the track that I’m doing for that guitar mag I mentioned above.

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Greenbelt 2003

Just got back from Greenbelt – ostensibly a Christian Arts festival, but with a strong focus on justice issues, and some seriously great music and seminar speakers.

We arrived Friday afternoon, pitched our tent (oh yes, proper camping), and went to watch Eden Burning (reunion gig – their final gig was infront of 10,000 people at Greenbelt 97, and they reformed for a one off this weekend to celebrate this being the 30th year of Greenbelt), then saw Pierce Pettis, Iain Archer, Juliet Turner, Boo Hewerdine with Rob Jackson, Kate Rusby and Old Solar – all marvellous, and a great start to the weekend, in fact, too much great stuff to take it all in, and I missed a lot of artists that I’d have to catch in other venues over the weekend. Watching that many amazing gigs in one evening does make you a bit blase about the genius on offer, but any one of the acts listed about would be worth driving 50 miles to see on an ordinary evening – Pierce I’ve seen lots of times before, and played with in Reading earlier this year, Iain Archer has been getting better and better over the decade that I’ve been watching him play (new album out in a few months, which promises to be a blinder), Juliet is another singer I’ve been familiar with for a long time and have got both her albums, Boo Hewerdine I was more familar with as a songwriter than a singer, but he was marvellous and Rob Jackson who was guesting on guitar is a solo looper that I’d had contact with before, and showed himself to be equally adept providing gorgeous pedal steel-esque guitar parts to Boo’s finely crafted songs.

Kate Rusby’s gig was a particular treat as she had Ewan Vernal on bass – former Deacon Blue bassist, and one of my earliest and biggest bass influences (check out the bass/voice tracks ‘Orphans’ and ‘Trampoline’ by Deacon Blue for a taste of his genius)…

Old Solar are old faves, and old friends, and played a very fine set.

Saturday began with a Dave Andrews seminar – Dave is an radical activist/speaker from Australia, and regular speaker at Greenbelt, this time expounding on the notion that we’re in the new dark ages with the financial and governmental institutions in the west providing a heavily protected fortress for the extravagance of the world’s rich to the exclusion of the poor, who are battled in a feudalistic way to protect the already disproportionately huge share of the world’s wealth that those of us in the so called developed world have. His answer was to look to St Francis for a model – Francis having been an aristocrat who gave up his wealth to work with the poor. He wasn’t a politician, and didn’t set out to change the world, just to live right. As Schumacher put is ‘think global, act local’… all great stuff…

after Dave, it was off to a Mike Riddell seminar – Mike’s an author from New Zealand, and another Greenbelt fave, talking about artistic integrity and freedom – nothing new but very encouraging and helpful nonetheless.

Next up, Martyn Joseph’s songwriter’s circle event, The Rising – lots of great songwriters playing their songs and discussing them. What a treat to see MJ, Juliet Turner, Pierce Pettis and Brian Houston talking about their songs and playing together. Amazing stuff.

Other gigs – Elan (very good), Juliet Turner and Pierce Pettis (genius, obviously), Cleveland Watkiss (with Orphy Robinson on Vibes) – outstanding, joint best gig of the weekend, Calamatuer (marvellous) and Denison Witmer (another new discovery for me this weekend – fantastic singer/songwriter from Philadelphia).

But as always, Greenbelt is about people – meeting up with loads – hundreds – of friends, meeting loads of people I deeply admire, amazing musicians, great speakers, writers, actors, and just really nice people that I aspire to be like. Spent lots of time between gigs drinking apple tea in the tiny tea tent and enjoying the gorgeous weather.

..and tomorrow I’ll tell you about Sunday and Monday!

(and in case you’re interested, the virus email count for over the weekend was in excess of 650!!!)

Soundtrack – right now, the first mixes of the tracks I recorded with the quartet on my most recent trip to France – more on that when I’ve heard them some more. Before that, Denison Witmer, ‘Recovered’ and Jaco Pastorius, ‘Jaco Pastorius’.

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You Call That Hot???

….London’s heatwave, described below, suddenly didn’t seem quite so amazing when I stepped off the ‘plane at Verona Brescia airport, and into a furnace. Now THAT’S hot!

What a marvellous time I’ve had for the last few days – great music, great people, great food, great weather.

The solo gig was at the Rivolta Art Restaurant (or something like that – not sure what the official name was) – a marvellous place in Rivotella, on the banks of Garda Lake. The gig was outside the front of the restaurant, so I had people who’d come just to listen, people who’d come to eat at the restaurant and people who were just walking by (which kind of reflects the healthy attitude to the arts that seems to be pretty widespread in that part of Italy, but that may just be the very groovy people I was spending my time with) – anyway, the gig went really well, despite a bizarre introduction from a slightly crap clowning troupe who decided to do a 10 minute show about 20 feet from where I was playing! Time to take a break… sold a pile of CDs, and paved the way for quite a few more shows in that part of Italy.

The next three days involved lots of recording – duo with fab guitar user/abuser, Luca Formentini, quartet with Luca and a rhythm section of Gianni Sabbioni and Frank Moreno, and trio with Luca and Moreno. The duo and Quartet were very good, Trio was good, but I think due to the kind of sound we’d go with the quartet, we slipped all too easily into trying the same thing, and in the quartet lineup I’d not been playing much in the way off basslines, leaving that to Gianni, so the trio was a little empty sounding when attempting the same thing…

Anyway, it was all good, got tonnes of stuff recorded.

Sunday night was spent at a marvellous Italian family birthday celebration, and due to my total lack of Italian linguistic skills (Ciao, Gracia, and a bunch of musical terms is about as far as it go at the moment, but I’ll be learning more soon… ;o) I ended up talking in French to a marvellous Italian artist called Albano Morandi. All in all, a great way to spend a Sunday night in Italy.

So I’m home now, glad to be back with the small person and aged feline. Time to get ready for Greenbelt next weekend, and to get back into finishing the work off on the album with Theo…

Soundtrack – now it’s Janis Joplin, ‘I Got Dem Ole Kosmic Blues Again Mama’, before that Sigur Ros, ‘Agaetis Byrium’; David Bowie, ‘Heathen’; in Italy, Bruce Cockburn, ‘You’ve Never Seen Everything’; Mark Knopfler, ‘The Ragpickers Dream’; Fripp/Sylvian, ‘Damage’; The Cure, ‘Disintigration’; The The, ‘The Naked Self’; David Sylvian, ‘Gone To Earth’; Bill Withers, ‘Best Of’.

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Essential Reading…

following on from essential listening, how about essential reading – a by no means exhaustive 5 essential books for musos – feel free to email me with other suggestions…

  • Beyond The Bass Clef – Tony Levin (stories, tips, anecdotes. Genius)
  • The Inner Game Of Music – Barry Greene (probably THE most important. A life changing book)
  • Effortless Mastery – Kenny Werner (tonnes of great advice here, in amongst some new age waffle. Enough top quality wonderfulness to more than warrant the cover price)
  • Improvisation – Derek Bailey (his writing is way more exciting than his music, IMHO – a fascinating book)
  • The Jazz Theory Book – Mark Levine (much more nuts ‘n’ bolts that any of the others, but pretty darn comprehensive!)

There you go.

SoundtrackPrince, ‘Sign O’ The Times’; Joni Mitchell, ‘Travelogue’; King Crimson, ‘Discipline’; Stevie Wonder, ‘Songs In The Key OF Life’.

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essential listening

earlier on today, I was listening to ‘Straight From The Heart’ by Patrice Rushen – a truly remarkable funk record, which features, amongst other great tracks, Forget Me Nots. The whole record is a repository of amazing bass playing, and is truly essential listening for bassists. Which got me thinking about essential listening for bassist, so here are 5 essential bass albums (not neccesarily the top 5, but 5 nontheless) –

  • Straight From The Heart – Patrice Rushen (Freddie Washington on bass)
  • Hejira – Joni Mitchell (Jaco Pastorius and Max Bennett on bass)
  • What’s Going On – Marvin Gaye (James Jamerson on bass)
  • Michael Manring – Thonk (Michael on bass)
  • Secret World Live – Peter Gabriel (Tony Levin on bass)

….we’ll take it as read that all three of my albums should be in the list, but I’d hate to blow my own trumpet.. :o)

and while you’re here, check out some really good lyrics.

Soundtrack – KD Lang, ‘Ingenue’; Price, ‘Sing O The Times’; Patrice Rushen, ‘Straight From The Heart’; me, ‘Not Dancing For Chicken’ and ‘And Nothing But The Bass’.

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Can't… Get… Motivated…

Loads to do, can’t seem to get on with any of it. Good job I’ve got lots of teaching on, or I’d be sat around doing nowt. Really need to start working… lots to do… must stop reading bass discussion groups… practice… prac. tice. wash-up, tidy, work out some teaching stuff for next week. Anything, just get on with it!

Soundtrack – now, Keith Jarrett Trio, ‘Inside Out’, before that Phil Keaggy, ‘Acoustic Sketches’; Patrice Rushen, ‘Straight From The Heart’; Ben Castle, ‘Four From The Madding Crowd’.

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Trip the light fantastic

there’s a really cool interview with Trip Wamsley over at www.talkbass.com at the moment – Trip is a fantastic solo bassist, with a new CD out called ‘It’s Better This Way’, that I can’t recommend highly enough – head over to his site to get a copy, he’s very good indeed. The interview is marvellous, written by Max Valentino (another fine solo bassist), and mentions me a few times, which is nice, but not the only reason why it’s a cool interview – for someone who is clearly as mad as a sack-full of badgers, Trip makes a lot of sense in interviews.

Soundtrack – right now, Bill Frisell, ‘Ghost Town’ (another one of my most listened to albums in my whole life – at one point is spent a few weeks both in my CD player and my Minidisc player, so I was permanently listening to it), before that, Horace Silver, ‘Jazz Masters’; Mary Chapin Carpenter, ‘Time, Sex, Love’; Ghost 7, ‘New Directions In Static’; Joe Burcaw, ‘Dichotomy Theorem’ and Chris Bowater, ‘Still’ – I played on this one, the session was a couple of months back, and Dan Bowater who engineered and co-produced it has done a fantastic job – it’s a worship/devotional/gospel album, and I play loads of melodic fretless stuff on there, and a few bits of Ebowed ambient stuff that blends right in with the keyboards and string pads. Very nice stuff.

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Bass overload!

This morning was fun – Victor Nicholls, a very fine looping bassist came round for a jam and to swap a few ideas. He’s a very fine musician, and rather annoying from the point of view of my constant harping on about the need for fretlines on fretless basses in that he plays an unlined fretless with marvellous intonation! Still, that’s one more on the plus side to outweigh the millions of tuneless warblers using excessive vibrato to simulate being ‘in tune’… you’re not fooling anyone!

Anyway, I digress. Victor came round, and made some great noises – he really ought to do a solo album (victor, you really ought to do a solo album). the other projects that he’s been involved with that I’ve heard have been very good – you can check one of them out and find out some more info about Victor at www.big-hair.co.uk.

Yesterday, I hooked up a TL Audio 5051 preamp that I’ve borrowed from student simon into the FX loop on my Lexicon MPX-G2 – it sounds amazing. Really really great tone. I’m going to have to get one of these for the solo rig. On thursday I used it as a mic pre for BJ Cole’s sound, and that’s pretty damn fine too. So it’s going to be time to buy a bigger rack very soon, so I can get my other echoplex and this preamp into the rack. Also time to switch to a stereo set up for live work – powered speakers are on the horizon…

this afternoon I’ve been mocking up some artwork for the me and theo album – we haven’t even got titles for the tracks yet, or even agreed on a final running order, but it’s always nice to have something to work from, so he can come round, have a look at what I’ve done so far and say whether he loves it or hates it! The whole process of putting an album together is so much fun – I could quite easily do it four or five times a year, given the budget (so go and buy some CDs now, as it’s all dependent on how fast the last album sells… ;o)

soundtrack right now, it’s Daft Punk, ‘Homework’; before that Nik Kershaw, ‘To Be Frank’, and lots of me and theo and me and BJ!

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