Some very successful Recycling

Well, last night’s Recycle Collective gig was an absolute blinder! For starters, it was the biggest crowd we had so far (more than 80, possibly 90…), the air conditioning was just perfect after the sweatiness of London these last few weeks, and then there was the music…

I started off with a solo set – I sat down to play and realised that all my song-remembering space in my head was full of the New Standard tunes, and I wasn’t sure I could remember my own stuff! But thankfully they all went really well – definitely the best solo set I’ve played at the RC. Finished off the set with a lovely and slightly shorter than the album version of ‘One Step’ with Julie. Fab first set, well done me!

Then came The New Standard Edinburgh set – as y’all know, we’ve rehearsed long and hard for this, and it all went off without a glitch… well, without a noticeable glitch. Small screw up on the play out to the last tune, but I rescued it, and I v. much doubt anyone but Julie noticed. Julie sang beautifully, and the audience loved it. What fun!

And Set three started with two solo pieces by Cleveland Watkiss – the first a baroque counterpoint thing that was just sublime, and the second a dub/drum ‘n’ bass/gospel thing that was equally amazing. Two fine trio improvs finished off the evening, and everyone went away happy, Julie and I both sold lots of CDs (Cleveland is his usual style didn’t bring any merch).

I think Edinburgh’s going to be magique.

If you were there, please write a review, and post it in the comments here, or over in the forum – thanks for coming!

Too hot to do much…

No, obviously global warming is just a load of made up nonsense. Yup, this being the hottest summer on record is clearly just a fluke. Anyway. it’s far too hot to do anything for long. I’ve been practicing my solo stuff today (next rehearsal with Julie is tomorrow), and working out how to play Blue Planet off the new album, and refreshing my memory on ‘Nobody Wins Unless Everybody Wins’. Sounding good thus far.

The bad part of practicing is that my office/studio/skip is where the ginger fairly aged feline likes to lie as it’s the coolest room in the house, but he’s really not into me practicing, so he leaves, looking a bit pissed off.

He’s doing remarkably well, considering – I mean, he’s not skipping around like a kitten, but he’s looking better than he was when we came back from the vets not expecting him to last more than a couple of days. if he lasts for more than two weeks, TSP won’t be able to come to Edinburgh with me, and while I’ll miss TSP hugely (not only cos she’s great company, but she’s a wizard with flyering and selling t-shirts and CDs!) I am hoping that the little fella is still around and enjoying life. We’re not going to drag things on when he gets to the point where he’s not enjoying life at all, and aren’t going to put him through any more invasive vet stuff like drips and chemo, but he’s looking pretty good at the moment, so who knows how long he’ll last.

Anyway, I’ve been practicing, sending out CDs, emailing and texting people about Wednesday’s gig, and fielding lots of requests to book Julie and I for cabaret type things at the festival – we’ve really managed to create quite a buzz already! Could end up being the surprise hit of the fringe…

Right, back to learning the songs…

Deeper Still

just had a beautiful email from a friend in California about the new album. I didn’t know that this guy knew Eric Roche, but it turns out he was a big fan, and was deeply saddened by Eric’s death. Likewise he had no idea that I knew Eric or would have been inspired to write a tune for him.

His email spells out his own loss, and the feeling of something missing at NAMM this year with Eric (formerly an ever-present figure on the Avalon guitars stand) no longer being there. ‘Deeper Still’, it seems, says something that he was feeling as well as what I was feeling, and I’m once again reminded that this music lark is deeper than all the day to day stuff of marketing CDs and getting gigs and hoping people like it enough to buy it.

It’s emails like this that are the REAL reason for music. They aren’t, to be honest, what I have in mind in the day to day business of being a musician (it’d be easy to pretend that my motives are that lofty, but obviously they aren’t), but they are the reason why music is there. They are about what music gives us, a wordless language to tell stories that we’d never get round to telling with words, or where a particular form of words would alienate some who would otherwise get the message, just not the syntax.

I don’t write music to move people. i write music to tell my own story, and to try and get as deep inside that story as I can. There are certain things within that story – in my case, they are very often deaths, but also environmental, political, social and personal concerns – that can indwell a particular piece of music, and when that comes across, it’s a very special moment. Not everyone who hears that new album is going to get that much from ‘Deeper Still’ – clearly, that doesn’t happen with anything – but to make that kind of connection with someone is a very special thing, and one not to be taken lightly.

5 things

5 things list – was tagged by Jan (not worth posting a link to Jan’s blog, as you have to be subscribed to it to read it)

5 things in my fridge:
smoothie
salad
M & S red onion chutney (mmmmmmmmm)
pita bread
hummus

5 things in my wardrobe:
80s pointy suede goth boots
two old grandad coats from my college days
a bass case
many other reminders of fashion disasters gone by…

5 things in my bag:
my new CD
a sharpie
my wallet
out of date recycle collective flyers
scissors

5 things in my car:
litter
crap tapes
not so crap tapes
a road atlas
last night, Marcus Miller. (!)

tagged? anyone reading this with a blog. :o)

Um, er, just stuff…

Getting ready to head out to a gig in Petersfield tonight – last one on this trip with Ned.

Been a good week so far – great rehearsal with Julie on Tuesday – our Edinburgh set has got to the point where we’re dropping great material to make way for even more marvellous stuff, and also medley-ing some of the songs, to get even more surprise and delight into the show. Our myspace page is getting loads of great interest, and many favourable comments, which is nice…

Yesterday was a bit of a disappointment in that I headed into town with the aim of getting my Cds stocked in a few shops – the manager of Ray’s Jazz wasn’t there, the dude in the Jazz dept at Virgin gave me the number of head office, the dude in the Oxford Street HMV said they have a jazz buyer but he wasn’t in, and the dude in the Bond Street one said everything has to go through head office!

I did drop a copy in for John Lewis at Time Out, so hopefully he’ll enjoy it and write nice things in the mag.

What else? Ah yes, Wimbledon has started, Henman’s out (no major surprise there as he met Federer in the second round), Andy Murray’s doing well, and some unseeded bloke who’s never got beyond the first round of anything til now has just taken the first set of Raphael Nadal… this could be a HUGE upset if it goes the distance. No breaks of serve as yet, just the tie-breaker between them…

Maybe see you in Petersfield later, fair bloglings of Hampshire, x

Beautiful songs

Pip asks the following question on his blog –

“What are two of the most beautiful songs you know?”

I thought this was going to be hard, but the two that came immediately to mind are so achingly beautiful that I think I’ve hit the jackpot straight away –

Inconsolable by Jonatha Brooke (from the album ‘Plumb’)
Everybody Here Wants You by Jeff Buckley (from Songs For My Sweetheart The Drunk)

both were fortuitous discoveries for me – the Jonatha CD (I think I’ve told this story before, but what the hell) I found on a listening post in Our Price (remember Our Price?) in Southgate – the write-up next to it said that she was like Edie Brickell and Carol King, both of whom I like, so I got the dude in the shop to put it on headphones for me. As I flicked through the booklet I saw ‘Bruce Cockburn appears courtesy of True North Records’, and that was it, I was buying it just for Cockburn completism’s sake. But the CD itself floored me. Every track was magical. I stood there and listened to about 25 minutes of it in the shop, grinning at the poor guy behind the counter, then bought it and played it non-stop for months.

The Buckley one I heard first when Lisa Ianson played it on Radio London. She didn’t pre-announce it and I thought it was Prince, and loved it so much I stopped the car on Finchley Road to hear it better. I was transfixed, and that’s when I finally got a copy of Songs For My Sweetheart… I’d avoided it up until that point, knowing that it was a record that Jeff would never have released, but just for that one song it was worth it… Actually, I was given it, so it was definitely worth it… :o)

There you go – the two most beautiful songs. What are yours?

Mammoth tour blog

Right, I said in the mini-post that it looked like things were going to be rough, but that was an understatement… please try to keep in mind as you read this that Ned and I aren’t Spinal Tap, and this shit actually happened…

So, the back story is that the promoter – Blooz Promoz, run by a guy called Nigel in Leeds – was someone that Ned had worked with last year, he’d organised a few gigs that had gone OK, so it seemed like a good idea to go there again. I’d not had any dealings with him, but as a proven entity, was more than happy to just let Ned take it from there. We had two gigs booked on a £250 promise for each gig, and a clinic at Sound Control in Leeds.

We drive to Wakefield, get to the gig, and the venue owner says he hasn’t heard from the promoter for weeks (at this point it’s worth pointing out that he was booked as ‘promoter’ not just ‘booking agent’…), but we assume he’ll be turning up.

It gets to gig time, still no promoter, punters start to show up, in small numbers, all via my mailouts and friends of those people. Not one from any contact with the promoter, and he wasn’t there to collect the money on the door, so WE DIDN’T GET PAID. Not a penny. The people that were there loved it, and we sold a lot of CDs and t-shirts etc, but still nowhere close to the £250, and anyway, merch money wasn’t in anyway factored into that figure.

So we head to where we’re staying (with Nicola from Greenbelt – thank God we weren’t in a hotel as well!) and crash.

Friday morning we head into Leeds for a wander around, and serendipitously Ned recognises in the market the area where Nigel promoter-monkey has his stall. We head down there, and some dodgy mate of his is looking after it, who clearly not knowing where we were playing, let it slip that the venue was ‘shite’ telling us that Nigel wasn’t booking there anymore… uh-huh.

Nigel eventually appears, and after some chasing around and half-made apologies, claims he’s been ill (an email or two telling us that if it was true would have gone a very long way) gives us £100 for the previous night’s gig (hmmm – £100? what happened to the other £150?) – I’m in a rather strange position at this point as I’ve had no contact with him up to this point, so can’t argue from any real knowledge of what has been said/agreed/emailed, but Ned does a sterling job, and Nigel assures us that the Oceans Eleven gig is going to be fine, and he’ll have someone there to meet us at 8ish, and we’re on at 9. We then say ‘so we’re all fine for Sound Control this afternoon then?’ – er, apparently not. That’s not going to happen. WTF? excuses blah blah bullshit blah blah fucking nonsense etc. etc. Cancelled. Not happening. Let’s face it, almost certainly not booked in the first place.

So we head off back into Leeds city centre in search of wifi, and notice that there is NO mention of the gig anywhere (remember, promoter not booking agent) – no posters up in the music shops, no nothing. The guys in one of the guitar shops haven’t even heard of the venue…

Out for a much needed and much appreciated curry, then down to the venue. Which is closed. And by ‘closed’ I mean closed as in ‘in receivership’. Notes on the door saying ‘this property has been purchased by ************, please phone *************** for details’. So our fuckwit promoter has added barefaced lies to his catalogue of fuck ups (remember, this is Blooz Promoz in Leeds).

So grand totals for Leeds area leg of the tour –

  • gigs ‘booked’ – 3
  • total guarantees agreed prior to this leg of the ‘tour’ – £600 (£250 for each gig, £100 for Sound Control – all of which are low figures anyway, but you figure when a promoter is planning to give the band £250, there’s going to be an audience, and therefor decent merch-ops, and the chance to make it all worthwhile…)
  • gigs played – 1
  • total income – £100
  • petrol costs – about £30
  • curries eaten – 2 (each)
  • venues no longer in existence – 1
  • effect of stench of bullshit from the catalogue of lies and misinformation – overwhelming.

Now, at this point we meet up with Greenbelt chum Steve Thackray – lovely bloke, very friendly and helpful, who in 10 minutes (10 minutes!!!), gets us closer to having a gig than Blooz promo buffoon does in four months. Given 24 hours, Steve could have given us a range of venues, and found us an audience. Next time I go to Leeds, I’m talking to Steve first – he’s a man with his finger on a pulse or two…

So Saturday we get up and head to Stockport for masterclass at Riffs Guitar School, which was much fun, but underpaid. But hey, it actually existed so we’re already ahead on Leeds, and we met lovely people, sold lots of CDs, had a great time, and we had a gig in the evening anyway, so all in a fab way to spend an afternoon.

We then head into Manchester to Iguana – it’s funny how after the nonsense of the previous two days, normal treatment suddenly feels luxurious. We get there, one of the bar men comes to help us with gear and there are lots of staff there to advice, provide drinks, and the venue has many posters up advertising the gig (OK, so their own adverts say that I’m an ex-member of King Crimson and Level 42, but you can’t get everything right).

Once set up, we head to the MEN Arena, where Ned’s buddy Curtis Stigers (yes he of the mullets and power ballads in the late 80s) is opening for George Benson, and we’ve got time to catch his set before we play. Yes, you read that right, I’ve got a free ticket for a George Benson gig, and I’m leaving before he comes on. I’m crying as I type this. No, really, it hurts. A lot. George frickin’ Benson – one of the greatest human beings ever to pick up a guitar. I’ve half a mind to blow our gig and stay to watch. But we don’t, we watch Curtis, who is actually not bad at all, perfect for the audience, does a rather cool little beatbox thing in one tune, and scats a hilarious and very impressive upright bass solo in another, and while not being world-class jazz singer material by any means, does a pretty fine job and was worth going to see.

Back to the venue and lots of lovely friends have arrived – students of mine, web buddies, greenbelt friends, and people from MySpace. A proper gig with a proper audience that actually know where the gig is, and a venue that’s real, open, and has a cheque waiting for us when we finish.

We play well, sell CDs, chat to all the lovely people (special treat to see L1z there – yay!), and eventually head off home at about 12.30. Without the cheque. It’s made out to Ned. Doh! It will be sorted, no problem. Iguana’s a lovely place, and I really hope to play there again.

And we drive home through the night. Laughing about the fuck-ups of the last few days, glad to have had the last fine gig, and wondering what on earth can be done to get the dismal promoter to pay up. Believe me, if he does, I’ll amend this blog so it’s less likely to be the top hit on Google should you go looking for info on Blooz Promoz in Leeds. But right now, they’re on my black-list, shit-list and every other list that says don’t even think about working with them in a million years. We’re down £500 on a tour, Ned’s had to fly from Boise Idaho for this!!!

Next on the tour list is either Saucy Jack or Jazz Odyssey.

What’s wrong with being Sexy?

CDs are here! CDs are here!

Yay! Just as I was teaching this morning, a TNT delivery lorry pulls up outside and a man with a palette and a hand truck thing arrives at the door, bearing CDs by the shit-load. Loads of copies of ‘Behind Every Word’.

the first load of orders have been posted already (you’ll have received an email if yours has been sent – if it hasn’t it’ll go first thing tomorrow), and because the ‘release date’ is the 20th, it means that if you order the CD now, not only will it go out in the next day’s post, but you’ll still get the free download album. How great is that? Go on, you know you want to… :o)

It’s been a busy couple of days – I’ve been booked to play at Greenbelt at the end of August, and have a gig or two in Italy the second weekend in July. Now the CD’s here, I need to get sending that out to press peoples, along with the press release for the Edinburgh festival gigs… I’m going to be sick of jiffy bags before too long…

Anyway, off you go and order the new CD, fair blogling.

Friday random 10…

seems to be a bit of an online tradition to post a random playlist generated by your iTunes or whatever on a Friday. ‘Til now, there hasn’t been much point for me, as I didn’t have enough stuff to do it with. But now that I’ve got the new harddrive, and am furiously copying CDs across, it’ll be a little better –

1- Steve Lawson, No More Us And Them (seriously, it’s not a fix!)
2 – Charlie Haden/Pat Metheny, Tears Of Rain
3 – U2, Tryin’ To Throw Your Arms Around The World
4 – Paul Simon, Senorita With A Necklace Of Tears
5 – Steve Lawson, Here Endeth The Lesson (again, it’s what actually came up!)
6 – The Works, Meeting Place
7 – James Taylor, Line Em All Up
8 – Mary Chapin Carpenter, I’ll Take My Chances
9 – Jeff Buckley, Corpus Christi Carol
10 – Lleuwen Steffan, Gwahoddiad

there you go!

:o)

my beautifully flawed design work…

Spent a bit of time this morning updating and redesigning pillowmountainrecords.co.uk – it looks lovely, until you change the font size in your browser away from the default. Then it goes all weird. Must find out how to do scaleable boxes in CSS… the Lovely Rev. G gave me some tips, so will check them out.

Anyway, I like the look of the site, and it’s up to date. Will finish it at some point, I’m sure. :o)

Had a rather nice lunch today with BJ Cole, catching up on news, planning for the gig on Thursday at the Half Moon, and then finally letting him hear his own fine work on ‘Scott Peck’ from the new album. What a lovely way to spend the afternoon.

Sales update – the new CD is selling really well, thanks so much to all those of you who’ve already ordered it. The sooner you do, the greater my peace of mind over the cost of releasing it in the first place! :o) I hope y’all are enjoying ‘Lessons Learned From The Fairly Aged Felines’ (if you’ve had any trouble with the download process, let me know and we’ll sort something out…)

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