Tag: greenbelt

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Musical Friends…

…are keeping me happy…

so sang Bruce Cockburn in 1970, and indeed it’s true in my life too.

The latest installment in musical friendship began on Friday when I went to see Lifehouse play at Shepherd’s Bush Empire. What a fantastic band!! I’ve got both their albums, but the live experience is even better, and the new guitarist is amazing. I met Sergio, Rick and Jason a couple of years ago in LA, and have seen Sergio a few times since (he came to one of my gigs in LA), so had to go see them play when they were here. Great to hear them, great to get to hang out here in London rather than in LA this time!

part 2 of musical friends was Julian’s wedding on Saturday – Julian’s a former student of mine from Drumtech, who’s now doing big business on the session scene, and deservedly so, he’s a truly brilliant drummer (he was when I was teaching him too, so I’m not taking any of the credit for that!) – anyway, his wedding was naturally full of musos, lots of whom I hadn’t seen for ages, so it was great not only to see my friend get married, but to catch up with so many old aquaintances. Add to that the full on gospel choir hymns/worship section of the service, and some fantastic food at the reception, and you’ve got a magical day.

part 3 – meeting up for a beer on Sunday afternoon with Steve McEwan and Nick Paton. I’d not met Nick before, but he was in Friends First’ – one of the bands I’ve listened to most in my whole life (their album ‘We See A New Africa’ soundtracked about three years of my life in my mid teens). It was great to meet him, and be able to give some advice on indie promotion to someone whose music has meant so much in my life.

part 4 – Denison Witmer is a singer/songwriter from Philly who played at Greenbelt this year, and was fantastic. We chatted a bit at the festival and swapped CDs, and he was playing in Brixton on Sunday night, so The Cheat and I went down to hear another stunning gig from the man. Also gave me a chance to buy his other CDs, and go for a curry with Denison and The Cheat.

Then today, met one of my occasional students, Nick, for a coffee, and had a marvellous afternoon chatting about life, music, politics and everything in between.

So, music friends have indeed been making me happy, which got me thinking, and I came up with the notion of the Pillow Mountain Records extended family – a list of artists who are good friends, and whose music I endorse wholeheartedly, and will encourage as many people as possible to check out. So anyway, so you don’t have to go rummaging through the PMR site for the list, here are the links for you to peruse. All these peoples are amazing artists, and lovely people worthy of your patronage.

www.altruistmusic.com – Andre LaFosse
(turntablist guitar)
www.petermurray.ca – Peter Murray
(singer/songwriter)
www.denisonwitmer.com – Denison Witmer
(singer/songwriter)
www.kerry-getz.com – Kerry Getz
(singer/songwriter)
www.manthing.com – Michael Manring
(solo bassist)
www.johnlestermusic.com – John Lester
(solo bass singer/songwriter!)
www.nedevett.com – Ned Evett
(fretless guitarist)
www.tripwamsley.com – Trip Wamsley
(solo bassist)
www.unguitar.com – Luca Formentini
(unguitarist)
www.calamateur.co.uk – Calamateur aka Andrew Howie
(singer/songwriter/foundsoundist)
www.julielee.org – Julie Lee
(singer/songwriter)

there you go – check ’em out!

soundtrack – right now, Julie Lee (see above), ‘Made From Scratch’; before that, Denison Witmer (ditto), ‘Safe Away’ & ‘Philadelphia Songs’; The Choir, ‘Wide Eyed Wonder’; Bruce Cockburn, ‘World Of Wonders’; Nik Kershaw, ’15 Minutes’; John Lester, ‘Big Dreams And The Bottom Line’; Joni Mitchell, ‘Travelogue’.

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Bruce Cockburn Gig Pt 2

Part two of the Cockburn gig experience – this time at The Forum in Kentish Town, London, which is an OK venue, but not ideal. Still, Bruce and Julie were on top form, played enough material that was different from last night to make it all well worthwhile, including a couple of real surprises, including ‘Planet Of The Clowns’ from his early 80s album, Trouble With Normal – a great song.

Julie Wolf was on sterling form once again – more fine piano playing and atmospheric organ stuff.

Interesting to see SOOO many people I knew at the gig (probably 30-40 I knew by sight, and 25-30 by name), and we also had the now obligatory Bruce gig recognition thingie – ‘are you that bass player bloke? I saw you at Greenbelt, and recognised your beard’… :o)

Following the gig was a low key meet ‘n’ greet backstage – very nice to get a chance to compliment Julie Wolf on her marvellous playing, and say hi to Bruce, though whether he remembered me as the guy who interviewed him for guitarist mag 4 years ago is anybody’s guess.

Anyway, one of the other songs that Bruce did tonight that was left out of last night’s set was Call It Democracy – a marvellous insightful raging rant about the onward march of western economic and militaristic hegemonic practice – so good, that I’ve copied the lyrics here (there are a couple of naughty words in them, so if such things upset you for some reason, page down past the song)…

Padded with power here they come
International loan sharks backed by the guns
Of market hungry military profiteers
Whose word is a swamp and whose brow is smeared
With the blood of the poor

Who rob life of its quality
Who render rage a necessity
By turning countries into labour camps
Modern slavers in drag as champions of freedom

Sinister cynical instrument
Who makes the gun into a sacrament —
The only response to the deification
Of tyranny by so-called “developed” nations’
Idolatry of ideology

North South East West
Kill the best and buy the rest
It’s just spend a buck to make a buck
You don’t really give a flying fuck
About the people in misery

IMF dirty MF
Takes away everything it can get
Always making certain that there’s one thing left
Keep them on the hook with insupportable debt

See the paid-off local bottom feeders
Passing themselves off as leaders
Kiss the ladies shake hands with the fellows
Open for business like a cheap bordello

And they call it democracy
And they call it democracy
And they call it democracy
And they call it democracy

See the loaded eyes of the children too
Trying to make the best of it the way kids do
One day you’re going to rise from your habitual feast
To find yourself staring down the throat of the beast
They call the revolution

IMF dirty MF
Takes away everything it can get
Always making certain that there’s one thing left
Keep them on the hook with insupportable debt

There you go – what a great song. It’s from the album ‘World Of Wonders’, which is great, and there’s also a magic version on Bruce Cockburn Live.

Soundtrack John Coltrane, ‘Coltrane’; Paul Motian Trio, ‘Live At The Village Vanguard’; The Amazing Bud Powell Vol 1.

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Bruce Cockburn gig pt 1

As you may or may not already know, I’m a bit of a Bruce Cockburn obsessive. He’s been my favourite singer/songwriter/guitarist/lyricist for over a decade, and I’ve got just about everything he’s ever released.

He’s currently on tour in the UK, and tonight I headed up to The Stables in Milton Keynes to see him play – my favourite musician at my favourite venue – how good does it get?

And it was as good as I could possibly have imagined. Better even. Just Bruce and Julie Wolf on stage – him on guitar, her on keys/accordian and BVs. Mix of stuff from the new CD and classics, including a couple of marvellous reworkings of tracks like World Of Wonders, Mighty Trucks Of Midnight and Nighttrain. All in all a marvellous gig – and what’s even better is I get to do it all again tomorrow in London – oh yes, I’ve got a ticket for the Forum as well (thanks to The Cheat for getting them…)

The other rather fun thing that happened this evening was having a bloke in the row in front say ‘don’t I know you?’ narrowing it down to Greenbelt, before asking my name, to which he responded ‘oh, I’ve been listening to your CDs for the last few days, had you on this morning in fact!’ – so there you go, with my hair tied back, I can almost go incognito. Still, rather nice to meet people who’ve been listening to my stuff at a Cockburn gig – what fine taste he must have – nice to meet you, bloke-in-the-row-in-front!

Soundtrack – right now, it’s Terje Rypdal, ‘Skywards’. This afternoon, Michael Manring, ‘Thonk’, Mark Knopfler, ‘The Ragpicker’s Dream’.

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Greenbelt Pt 2

So where were we? ah yes, Sunday. Met up with Patrick Wood, and gave him the passes for him and his family, then wen to the sunday morning communion service – 15,000 people taking the Eucharist is no mean feat, but it went without a hitch… oh, except the PA cutting out 10 minutes from the end.

Anyway That followed by another trip to Martyn Joseph’s songwriter thingie, The Rising, featuring Cathy Burton, Denison Witmer and Pierce Pettis – another fantastic sesh, and Martyn played a song or two of his own which was a treat – he’s kind of Greenbelt’s unofficial troubadour, and plays a full gig most years, often with fun special guests like Tom Robinson or Steve Knightly. This year, he just did The Rising.

After the Rising, it was back to Cheatsville, AKA The Performance Cafe, for an afternoon of astoundingly good acoustic music – Stephenson and Samuel (Stocki with Sam Hill), Ben Okafor, Old Solar and Denison Witmer all one after the other! Even though the programme was put together by Evil Harv, and it pains me to say this – it was fantastic.

The evening’s music began with Brian Houston in The Performance Cafe, then Cathy Burton rocking out on the mainstage (bit of a shock for those who’d only seen her in The Rising, especially the QOTSA cover!), and back then the catching the last train to cheatsville to see Pierce Pettis and my other join fave gig of the weekend (along with Cleveland Watkiss) Duke Special, AKA Pete Wilson (not the former govenor of California). I’ve known Pete for years, heard him as The Booley House, and just Booley, but Duke Special is a whole other level – beautiful songwriting, outstanding performance, and Greenbelts own Hobbit, Chip Bailey on drums and percussion, playing perfectly, dramatically, sensitively. A genius pairing, playing oustanding music, with the occasional backing track on minidisc, but with a replica gramaphone there to make it less rubbish! A truly awe-inspiring performance – they are on tour loads, so check the website to see them when they come near you.

Monday and we’re into the home straight. It’s also the day when stevie-thoughts momentarily turned to work, as Patrick Wood and I had a gig in Cheatsville in the morning, and an improv workshop in the afternoon. The gig went very well, was equal parts mellow ambient and dissonant scariness, lots of fun for us, and a very positive reaction from the audience. The rest of the afternoon involved listening to Peter Tatchell (fascinating and no doubt hugely disappointing the representatives of the national press that were there due to the total lack of sensational material – Peter was friendly, charming, and laid out his thoughts on human rights in great detail, and there wasn’t really much for anyone to disagree with), then off to hear Anita Roddick speak about trade (oh, it was Trade Justice day, in partnership with Christian Aid), then back to the performance cafe to hear Nick Harper (Catherine Street Team – you were right, he’s a genius and a very nice bloke), Cathy Burton (minus rock posturing this time), then off to sort out stuff for the improv seminar, which went well, and over ran by half an hour.

The day finished with The Polyphonic Spree (good but not my bag) followed by Billy Bragg, who was so breath-takingly wonderful it was almost contrived. Almost too good – all that he said and sang was great (except some new song called ‘no power without accountability’ that was turd-on-toast). Finished off with ‘waiting for the great leap forwards’ into ‘a new england’ and an accapela encore of the old hymn jerusalem. A real spine tingling moment.

All in all, one of the best Greenbelts ever. Great music, great speakers, great atmosphere, great weather, great food, great campaining stuff, great friends. All good, and because I was playing music less than usual, I was able to spend loads of time with The Small Person, which was a treat I’ve not had at Greenbelt for many a year, and the thing that pushed it into the top 3 greenbelts ever for me. I’ve been going to Greenbelt since 1990, and only missed 91 and 96 since then. lots of great greenbelt memories, and this weekend swelled the stash of marvellous moments. It’s truly the finest weekend of the year.

soundtrack to follow in next post…

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Greenbelt 2003

Just got back from Greenbelt – ostensibly a Christian Arts festival, but with a strong focus on justice issues, and some seriously great music and seminar speakers.

We arrived Friday afternoon, pitched our tent (oh yes, proper camping), and went to watch Eden Burning (reunion gig – their final gig was infront of 10,000 people at Greenbelt 97, and they reformed for a one off this weekend to celebrate this being the 30th year of Greenbelt), then saw Pierce Pettis, Iain Archer, Juliet Turner, Boo Hewerdine with Rob Jackson, Kate Rusby and Old Solar – all marvellous, and a great start to the weekend, in fact, too much great stuff to take it all in, and I missed a lot of artists that I’d have to catch in other venues over the weekend. Watching that many amazing gigs in one evening does make you a bit blase about the genius on offer, but any one of the acts listed about would be worth driving 50 miles to see on an ordinary evening – Pierce I’ve seen lots of times before, and played with in Reading earlier this year, Iain Archer has been getting better and better over the decade that I’ve been watching him play (new album out in a few months, which promises to be a blinder), Juliet is another singer I’ve been familiar with for a long time and have got both her albums, Boo Hewerdine I was more familar with as a songwriter than a singer, but he was marvellous and Rob Jackson who was guesting on guitar is a solo looper that I’d had contact with before, and showed himself to be equally adept providing gorgeous pedal steel-esque guitar parts to Boo’s finely crafted songs.

Kate Rusby’s gig was a particular treat as she had Ewan Vernal on bass – former Deacon Blue bassist, and one of my earliest and biggest bass influences (check out the bass/voice tracks ‘Orphans’ and ‘Trampoline’ by Deacon Blue for a taste of his genius)…

Old Solar are old faves, and old friends, and played a very fine set.

Saturday began with a Dave Andrews seminar – Dave is an radical activist/speaker from Australia, and regular speaker at Greenbelt, this time expounding on the notion that we’re in the new dark ages with the financial and governmental institutions in the west providing a heavily protected fortress for the extravagance of the world’s rich to the exclusion of the poor, who are battled in a feudalistic way to protect the already disproportionately huge share of the world’s wealth that those of us in the so called developed world have. His answer was to look to St Francis for a model – Francis having been an aristocrat who gave up his wealth to work with the poor. He wasn’t a politician, and didn’t set out to change the world, just to live right. As Schumacher put is ‘think global, act local’… all great stuff…

after Dave, it was off to a Mike Riddell seminar – Mike’s an author from New Zealand, and another Greenbelt fave, talking about artistic integrity and freedom – nothing new but very encouraging and helpful nonetheless.

Next up, Martyn Joseph’s songwriter’s circle event, The Rising – lots of great songwriters playing their songs and discussing them. What a treat to see MJ, Juliet Turner, Pierce Pettis and Brian Houston talking about their songs and playing together. Amazing stuff.

Other gigs – Elan (very good), Juliet Turner and Pierce Pettis (genius, obviously), Cleveland Watkiss (with Orphy Robinson on Vibes) – outstanding, joint best gig of the weekend, Calamatuer (marvellous) and Denison Witmer (another new discovery for me this weekend – fantastic singer/songwriter from Philadelphia).

But as always, Greenbelt is about people – meeting up with loads – hundreds – of friends, meeting loads of people I deeply admire, amazing musicians, great speakers, writers, actors, and just really nice people that I aspire to be like. Spent lots of time between gigs drinking apple tea in the tiny tea tent and enjoying the gorgeous weather.

..and tomorrow I’ll tell you about Sunday and Monday!

(and in case you’re interested, the virus email count for over the weekend was in excess of 650!!!)

Soundtrack – right now, the first mixes of the tracks I recorded with the quartet on my most recent trip to France – more on that when I’ve heard them some more. Before that, Denison Witmer, ‘Recovered’ and Jaco Pastorius, ‘Jaco Pastorius’.

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You Call That Hot???

….London’s heatwave, described below, suddenly didn’t seem quite so amazing when I stepped off the ‘plane at Verona Brescia airport, and into a furnace. Now THAT’S hot!

What a marvellous time I’ve had for the last few days – great music, great people, great food, great weather.

The solo gig was at the Rivolta Art Restaurant (or something like that – not sure what the official name was) – a marvellous place in Rivotella, on the banks of Garda Lake. The gig was outside the front of the restaurant, so I had people who’d come just to listen, people who’d come to eat at the restaurant and people who were just walking by (which kind of reflects the healthy attitude to the arts that seems to be pretty widespread in that part of Italy, but that may just be the very groovy people I was spending my time with) – anyway, the gig went really well, despite a bizarre introduction from a slightly crap clowning troupe who decided to do a 10 minute show about 20 feet from where I was playing! Time to take a break… sold a pile of CDs, and paved the way for quite a few more shows in that part of Italy.

The next three days involved lots of recording – duo with fab guitar user/abuser, Luca Formentini, quartet with Luca and a rhythm section of Gianni Sabbioni and Frank Moreno, and trio with Luca and Moreno. The duo and Quartet were very good, Trio was good, but I think due to the kind of sound we’d go with the quartet, we slipped all too easily into trying the same thing, and in the quartet lineup I’d not been playing much in the way off basslines, leaving that to Gianni, so the trio was a little empty sounding when attempting the same thing…

Anyway, it was all good, got tonnes of stuff recorded.

Sunday night was spent at a marvellous Italian family birthday celebration, and due to my total lack of Italian linguistic skills (Ciao, Gracia, and a bunch of musical terms is about as far as it go at the moment, but I’ll be learning more soon… ;o) I ended up talking in French to a marvellous Italian artist called Albano Morandi. All in all, a great way to spend a Sunday night in Italy.

So I’m home now, glad to be back with the small person and aged feline. Time to get ready for Greenbelt next weekend, and to get back into finishing the work off on the album with Theo…

Soundtrack – now it’s Janis Joplin, ‘I Got Dem Ole Kosmic Blues Again Mama’, before that Sigur Ros, ‘Agaetis Byrium’; David Bowie, ‘Heathen’; in Italy, Bruce Cockburn, ‘You’ve Never Seen Everything’; Mark Knopfler, ‘The Ragpickers Dream’; Fripp/Sylvian, ‘Damage’; The Cure, ‘Disintigration’; The The, ‘The Naked Self’; David Sylvian, ‘Gone To Earth’; Bill Withers, ‘Best Of’.

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clearing out my closet..

…no, not in the eminem sense! With the impending release of my duo CD with Theo Travis, I need to make some space for the new CDs, hence the ‘special offers’ link now posted in the sales bit of the website front page… if you or any of your chums have been waiting for some reason to get my CDs, now’s the time to do it – cheaper than ever if you buy all three! :o)

Anyway, talking of new releases, I’m just listening through some of my recordings with Patrick Wood, keyboardist and guitarist extraordinaire, with whom I’m playing a duo set at Greenbelt. We’ve been talking about the possibilitiy of doing a limited edition CD for the festival, so I’m listening through the recordings with a view to editing some of it down…

Oh, I’ve just noticed that this is my hundred and first post in this version of the blog! happy birthday for yesterday, I Guess… silly of me not to notice and post something of great pith and moment in my last blog entry, but still, it’s a landmark and must be made mention of somehow. I’ve no idea how many blog entries were in the old version – maybe I’ll go back and read some.

What else? nothing much. Just parcelled up a box-load of CDs to send of the cdbaby.com – cdbaby is an excellent site for independent musicians. The way my cd sales breakdown, the majority are either at gigs or through evinsol.co.uk, but that’s largely because evinsol tends to get them listed before anyone else, and is the place I use for pre-orders of a new CD when it comes out (the usual deal will be available when the CD with theo comes out, with advanced orders getting a very limited edition free extra CD!)

But aside from that, cdbaby has been a really good sales outlet for me, as it’s made my music available to a lot of people who wouldn’t otherwise have found it – the search functions there are really intuitive, and it seems like a lot of people shop there as a way of finding new hidden gems, and of supporting independent music – something I obviously endorse wholeheartedly. I’ve bought some great cds from cdbaby – cds by Pamela Sue Mann, Ron Miles and Alex Skolnick, all three of which are Excellent, and highly recommended. click on any of those links to head over to cdbaby and hear samples of their stuff!

…it’s a simple as that, which is the odd thing with the internet – the potential market at any one time is ENOURMOUS. I mean, huge. millions. but it’s the same for any artist, and we’re all vying for people attention. The best we can hope for, being fair and realistic, is that people who connect with what we do can find it. The mainstream industry relies on sensationalism, titilation and crass hype to foist sub-standard music onto the public. The indies having neither the money of a billionaire not the morals of an alleycat can’t really stoop to that, so we’ve got to rely on actually being worth listening to (imagine that!) – so far, it’s working out ok… ;o)

Soundtrack – right now, it’s the duo tracks with patrick wood, before that, Cara Dillon‘s album – she’s a folky singer with a beautiful voice, and some gorgeous songs – well worth investigating.

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Let's go round again…

busy weekend. Have spent a fair amount of time in the last few days recording with Matthias Grob – Matthias is the inventor of the Echoplex, and a stunning guitarist (he built his own guitar as well, natch) and we’ve been coming up with all manner of delicious improv, ranging from ambient soundscape stuff to more funky things through to some scary out noises. All rather marvellous and invigorating. As with all this recent duet activity, I’m hoping to have some up online before too long – now that Sarda is back from the states, maybe he’ll get this server of his happening, and I’ll be able to move my site away from zetnet for eva…

Anyway, I digress – Matthias and I have been looping and chatting for a couple of days – talking lots of what we do, why we do it and how to get it across to people… All very stimulating stuff.

What else? ah yes, saturday there was a party for the 30th anniversary of the Greenbelt festival – a fun event, held at Lambeth Palace (the official residence of the AB of C – a nice gaff, which makes up for the rather crappy salary that goes with the job, as interestingly enough, all Church Of England Clergy are on the same wage, whether parish priest or Archbishop…) Anyway, was a fun time to catch up with lots of GB related chums that I’d not seen for a while.

This week is going to be BUSY – first up, I’ve got a recording sesh on Thursday )(more on that later, no doubt), then Friday night I’ve got a rather fun gig, filling in for the keyboard player in Lovesjones. ‘What, you don’t play keys!” – indeed I don’t, but I do make odd noises with a bass, so will be covering the keyboardish role on bass… then doing a solo set.. at Jazz After Dark in Soho… on Friday night.

Also got to relearn some of the improvs that Theo and I have done over the last couple of months for our gig next Tuesday at the National Theatre. So busy week of learning stuff. Still editing the tracks with theo. And the news stuff with Matthias. And hopefully hooking up again with BJ Cole. And listening through the tracks with Patrick Wood. Blimey, how much recording have I been doing lately???? loads, I tell yer!

What else is new? Oh, The CD shop at Bass Guitar Magazine’s website has started stocking my CDs, which is nice of them.

And a track from Not Dancing (Amo Amatis Amare) is on the cover disc that comes with Bassics Magazine – oh, have I mentioned that already? well, here’s the confirmation that it is indeed Amo Amatis…

Soundtrack – been listening to loads of the duo stuff with Matthias, obviously, and the tracks with Theo, and Matthias’s CD, which is great (out on Pillow Mountain Records v. soon) other than that, Kenny Wheeler’s album ‘Angel Song’ has been going round a lot in the kitchen, and today I’ve been listening to Coltrane’s ‘Complete Africa Brass Sessions’ which is incredible – I put it on to play during Mark’s lesson this morning, and it’s been in the player ever since…

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I Don't Know What You Did Last Summer

right, I’m getting complaints that I haven’t done any top 5s for a while… so, in the spirit of the pathetic suppliment that came with this month’s Q magazine entitled ‘things to do this summer’ or something like that (that included stuff like dressing up as famous people and ‘buy these trainers’ – yeah, right….), I shall give you my alternative top 5 things to do this summer…

  • spend as much time as you can outdoors, but don’t get sunburnt.
  • go and see at least one gig a month by an artist you’ve never heard
  • read. lots.
  • If you’re going to go to festival, ignore all the crappy ones listed in Q that involve having your tent stolen and getting showered with piss whilst watching soem bunch of half-assed stoned clothes-horses play poorly, and instead, go to greenbelt
  • watch all the cartoons at www.homestarrunner.com.

a much better way to spend your time.

And if you want something to do now, email 3 friends telling them about the new MP3 on this site, and suggesting that they check it out before buying all of my CDs… ;o)

Soundtrack – today, it’s been King’s X, ‘Black Like Sunday’ – new album, got it through the post this morning. v. good indeed.

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Right my saaaan, you're nicked!!!!

My what an eventful last 48 hours I’ve had.

Wednesday evening, after spending a lot of the day on Wednesday practicing, I went off into central London to meet up with Evil Harv, as he was in town for a Greenbelt festival planning meeting. Got there, meeting was overrunning, so I sat in (strange feeling, as I was on the plannin group for the last three years…). When it had ended it was too late to go to a gig as we’d planned, but instead went off for a coffee, with Jude as well… So far so uneventful.

Heading back to the car, Jude and I see two of her majesty’s constabulary officers standing next to my car writing stuff… mmm, I was certainly legally parked, so initially assumed they were just making routine notes, what with the heightened threat of terrorism or whatever… sadly, I was wrong. I was in fact FIVE MONTHS OUT OF DATE on my car tax – steve, dear boy, you’ve taken absent-mindedness to a whole new level. How can I have not seen that for 5 months?? Anyway, was obviously very polite to the lovely officers doing their job – I was clearly in the wrong, so just chatted nicely with them while they took all the details, confirmed my address, date of birth, height (??), and all that jazz, had a bit of a laugh with them, and they then said they were letting me off the ticket they could have issued!! How nice is that?? ..I would however, still face a

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