Tag: guitar

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NAMM over for another year




Me and Lee Sklar

Originally uploaded by solobasssteve.

Wow, a crazy NAMM weekend – very little time for anything outside of NAMMness, hence the lack of blogging, but a great weekend nonetheless. One of the things I did this year that I always forget to do was to take a few pictures with people I like, such as this one with Lee Sklar – Lee’s an incredible bassist, and very very lovely man, who has been very complimentary about what I do for a long time. A great bloke and an amazing musician. go and check out my other Flickr photos for some others, including one of me with Alex Webster, the bassist from Cannibal Corpse – a lovely friendly guy who bought a CD and I gave an impromptu lesson to… completely at odds with the utterly sickening lyrics on a lot of their stuff… Never judge a book by it’s cover, or a bassist by the twistedness of his band’s album covers (sensitive readers are advised not to do a google search on CC’s album sleeves)…

OK, let’s catch up on the last few days – Thursday daytime was spent playing on the Looperlative and Accugroove booths, then the evening was The NAMM Bass Bash, where I was playing with Trip Wamsley. I was told it started at 7, but I got there at about 6.30 and TRip was already on stage playing!! So I set up next to him and joined in – we did a rather cool spacey version of Behind Every Word, which went into a huge sprawling ambient thing that briefly morphed into Radar Love… not sure what happened there. Still, Trip was on top form, playing beautifully. The rest of the evening was spent with friends – Doug and Vida, Claudio Zanghieri, Jeff Schmidt, Todd Johnson and Kristin Korb (whose duo set was amazing), Steve Bailey, Gary Husband and others… Much fun.

Friday day was more playing for Accugroove, Looperlative and Modulus, and in the evening a bit of a bass player hang for dinner with Peter Murray, Claudio Zanghieri, Dave Freeman, Chris Tarry| and Yves Carbonne – all great musicians and lovely people. Then late night I drove up to Hollywood to see Doug Lunn and Alex Macachek play with Terry Bozzio’s trio, which was excellent as always.

Saturday back at the show, yadda yadda, and in the evening was invited to play a house concert with the delightful and truly wonderful Vicki Genfan, which as with most of those kinds of gigs involved playing gorgeous music and wonderful people in a great house. What a fun night!

And today, the last day of the show, demoing the Looperlative, playing with Claudio at Modulus and catching up with more friends that I hadn’t seen over the rest of the weekend. All good nothing bad.

So all in a great time – here’s a partial list of the lovely people I got to catch up with, albeit briefly in the case of some of them – Claudio Zanghieri, Peter Murray, Kerry Getz, Anderson Page, Chris Tarry, Dominique Di Piazza, Hadrien Ferraud, Jonas Hellborg, Markus Setzer, Trip Wamsley, Jeff Schmidt, Gary Husband, Vicki Genfan, Thomas Leeb, Doug Wimbish, Yves Carbonne, Stu McKensie, Scott Panzera, Todd Johnson, Kristin Korb, Jake Kott, Mark Wright, Bob Amstadt, Lowell Packham, Jerry Watts, Doug and Vida, Lyle Workman, Jeff Campitelli, Lee Sklar, Leo Nobre, Alex Webster, Lynne Davis, Ron Garant, Justin Medal Johnson, Ed Friedland, EE Bradman, Bill Leigh, Terry Buddingh, Jean Baudin, Jeremy Cohen, Max Valentino, Norm Stockton, Joe Zon, Seth Horan, Marcus Miller, Monster, Steve Bailey, Alessandra Belloni, Joe Perman, Muriel Anderson, Alain Caron, Tony Levin… the list goes on and on, and I’ll add to it if you email me and remind me that we met and I’ve left you off – it’s 1am and I’m getting sleepy!

So, NAMM over for another year, lots of follow up to do now for gigs, teaching and new friends. All good nothing bad.

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Yet more time-zones…

So, I’m now in Newport Beach, California, staying with the oh so lovely Kerry Getz. Flew here from NYC yesterday, and am, it has to be said, in love with New York.

Spent the last few days in New York being v. lazy and ill. Walking in Central Park, going for dinner in Greenwich Village, going to see Jeff Taylor then Ron Sexsmith play, but having to leave Ron’s gig due to feeling really rough (sad, because he was great… the support, Kim Taylor, was utterly magical too), having lovely times with S & N in their Manhattan palace, taking L. to the hospital with suspected Strep throat, but finding out the expensive way it was a non-serious and pretty much untreatable viral infection requiring salt water gargling and rest, cooking dinner for S, N, L and Janek, playing through a load of Janek’s songs with him on guitar and voice, me on bass which sounded v. lovely, going to see Chris Tarry‘s amazing band featuring Keith Carlock on drums (one of the greatest drummers I’ve ever seen) with L. and the lovely Susan… so much done, while not really doing anything, in a great city, with cheap cabs and 24 hour subway (that’s transport not sandwiches).

And here I am in California, got a gig tonight in Santa Barbara, and then tomorrow i need to a) finish my column for BGM, and b) submit my tax return and pay my bill! eeeek…

but for now, New York, I miss you – California, we’re old friends, so you’d better for on good form…

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David Ford gig at Bush Hall

One of the guests at Duke Special’s gig last week was David Ford – fantastic singer/songwriter, and from the two minutes I spent talking to him, a seemingly v. nice bloke. He mentioned at that gig that he had a show coming up at Bush Hall, but it was sold out, and apologised for not being able to invite me to even buy a ticket and go… Fear not, for where bands can’t get tickets for their own shows, the mighty Catster can employ the dark forces of the evil empire to procure tickets to just about anything (if I was planning on having Christmas dinner at Bono’s house with his family, and I’m sure Catster could sort out a guestlist place… :o)

So, Catster, The Cheat and I all went to the gig, after a lovely curry at the Ajanta (scene of many many a curry with Jez when he was living in Shepherd’s Bush – come home, you fool – Canada is clearly not the place for you, I haven’t done a wedding gig since you left!)

The gig was an annual charity show that David does, with special guests, to raise money for different projects – this year’s was a YMCA project that took kids from problem situations and put them on a scheme for a few months that apparently helps them look at self-esteem and lifestyle issues before sending them off to Durban in South Africa to work on an HIB/AIDS project out there. Amazing stuff, gotta love the YMCA.

And the gig was amazing. David’s own songs are big emotional singer/songwriter affairs, like a more angry Damian Rice, and the choice of crazy covers for the night was briliant. Fran Healy from Travis did a fab version of Dancing Queen, then a completely acoustic version of Driftwood, stood on top of a grand piano played by David – that’s almost certainly on YouTube by now; if not I’ll upload my video of it, cos it was great.

David then picked songs at random out of a ‘number one hits of the last 30 years’ book, and played a blinding version of ‘My Heart Will Go On’ – how clever is Celine that she managed to make me hate what is now clearly a very very beautiful song? That takes quite a skill, a sort of reverse alchemy… Anyway, David played it fairly straight to start with, then went all uptempo and spoilt it, but still, it proved that with just a guitar and a voice, it’s an incredible song. He also did Like A Prayer with big audience sing-along, which worked brilliantly too, and Ashes to Ashes, but couldn’t remember the melody on the middle. Same for ‘If You’re Not The One’ by Daniel Beddingfield, another song I’ve loved since I first heard it (see Catster, I’m not ashamed to admit it!), which David again hinted at doing a beautiful version of before giving up… He could SO do an incredible covers album of tunes like that. maybe he will one day.

Anyway, all in a great night – extra kudos to his drummer, who was tops. The rest of the band were fun but a bit shambolic – great for a night like this, but not what you’d want on a proper gig. The drummer though was v. funky. Great player.

So now I need to catch a normal David Ford gig some time, to see what he does then. I’ll be the one down the front asking for ‘My Heart Will Go On’.

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Duke Special and BJ Cole live at the Purcell Room.

Great gig last night – Duke Special and BJ Cole at the Purcell Room. I’ve known Pete Wilson, AKA Duke Special, for years – he’s a lovely bloke, hugely talented, and is finally getting the acclaim he deserves.

Last night’s gig was part of a ‘Cool Yule’ pair of gigs – the next one being the Juliet Turner gig next week, and I felt in some way proudly responsible for this one as the lovely promoter JJ met BJ at the gig BJ and I did together at the Half Moon a few months back.

The gig started with BJ’s set, with his ‘Trouble In Paradise’ trio, featuring Ben Bayliss on laptop monkeyness and Eddie Sayer as percussion hobbit – it’s a really great trio, with Eddie in particular adding a crazy human element to all the looped and programmed beats etc. The steel was a little too quiet on the gig, frustratingly so at first, but still ’twas a great set.

Then Duke’s set – it’s the first time I’ve heard Duke Special with a full band – tonight featuring the ever present Chip Bailey on percussion, Paul Wilkinson on fantastic bass and guitar, Ben Hales from Aqualung on guitar, bass, keys, BVs, percussion etc. Ben Castle on sax and clarinet, and then David Ford and BJ Cole guesting on three tunes. ‘Twas a great gig – moving, funny, beautifully played, all good nothing bad. Duke Special is going to be huge in the new year, so go and see him/them as soon as you can…

the aftershow party was magic – a room full of really lovely people, 80% of whom I already knew, and a load of other lovelies that I didn’t previously know.

Yay for Duke!

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Pre-christmas must-see gig

I’m a huge huge fan of Juliet Turner, an amazing Irish singer/songwriter, who is a bit of a huge star across the water there, and has a pretty big following here too. I’ve just seen that she’s doing a gig at the Purcell Room as part of the Cool Yule series on Dec 22nd. You SO shouldn’t miss this. Head over there now (click that link above) and get tickets. Go on!! She’s got Boo Hewerdine doing the gig as well, who’s great, and her guitarist, Brian Grace is amazing too.

Go on! I’ll see you there…

I would mention the other Purcell Room Cool Yule gig i’m going to this wednesday with BJ Cole and Duke Special, but it’s sold out and I don’t want to rub your nose in it :o)

x

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MamaYo gig




MamaYo live in London

Originally uploaded by solobasssteve.

Went to a fab gig this evening – MamaYo at Jerusalem, on Rathbone Place in London. Cool venue. Had arranged to meet Yo and Miles before the gig, but thanks to their phone being on vibrate and in the wrong pocket it took 20 minutes to find them… Anyway, once I did, dinner was had, and then back to the venue. I very much doubt there are two nicer people on the planet – both utterly lovely, and as tonight’s gig more than ably proved, awesome musicians. Yolanda is without doubt one of the best funk bassists in the country. That she’s now getting to grips with playing like that AND singing at the same time is too much. Tonight’s gig was a trio gig – they were a quartet last time I saw them play in Manchester at Bass Day, but I think I prefer the more open trio sound – all three are such great players that it just gives everyone more room to shine.

Anyway, a fab night. In fact, my second fab night out in a row, cos last night was Seth Horan at which a very, er, ‘select’ audience were treated to some amazing playing and singing from the man himself. Seth’s definitely one of my favourite bassist/singers, and deserved a bigger crowd (don’t we all), but put on a great show, as did his guitar monkey for the evening, Peter Fisher – a really talent germany guitarist. Very nice to see Seth as always, and looking forward to seeing him again at NAMM in January.

Those of you that missed it, shame on you! Make sure you go see him next time he’s in London…

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Last night's gig with BJ and Emily

Lovely little gig with BJ Cole and Emily Burridge last night – the Enterprise in Camden. It does have the steepest stairs in London, and after loading my stuff in, I wasn’t sure if my arms would be working in time for the gig, but they were. I also nearly brought the scaled down travel rig, but I’d have been in deep shit if I had because the PA there isn’t even close to being up to the task of reproducing StevieSounds. So Emily ran her cello through my rig as well, and BJ had his most beautiful fender amp with him, which always sounds like the music of heaven.

It’s a little room, and we had a little audience, but they were most appreciative. Nicest surprise for me was that during the afternoon I’d been thinking about older tunes I haven’t played for a while at gigs, and decided to do Danny And Mo from ‘Not Dancing For Chicken’ – a tune dedicated to Mo Foster and Danny Thompson. And who should walk in just as I started playing but Mo Foster. Always nice when the inspiration for a song is there to hear you explain why they’re so fantastic. Do you want to know the story behind the tune? OK – when I first started working on the tunes that would become Not Dancing For Chicken, I had just got a Gibson Echoplex, which offered loads more looping options – I was rather inspired by a guitarist in California called Andre LaFosse who was doing some amazing unique things with the echoplex, and was certainly a very long way from the long chord progressions, melodies and ambience that I was working on at the time.

So when I went into Jez’s studio to record the first version of the album, I was experimenting with a lot of really spikey angular electronica – using the replace and sus functions in the EDP all over the place, and getting some fairly cool effects.

however, when I got home after the sessions, I was listening to ‘Time To Think’ by Mo Foster, and had an epiphany, realising what was missing from the record – TUNES! I had nothing with any of the big romantic melodies that are what I do best, and all the ambient stuff was punctuated by bleeps and squeaks, some of which was great (and ended up on Lessons Learned Pt I) most of which wasn’t that good…

So I went back to the drawing board, and the first thing I wrote, straight after listening to that album of Mo’s was ‘Danny And Mo’. So there.

Anyway, back to the gig – I played Behind Every Word (with a huge cock-up on the B-section first time round – just had a brain freeze), then Danny And Mo, Despite My Worst Intentions, MMFSOG, What A Wonderful World and Deeper Still. I’d planned to do a whole load of improv, but went with sweet tunes instead. :o) And ’twas v. well received, which is most heartening.

Bj and Emily’s set was, as expected, beautiful. There’s an amazing empathy between them as players, and the classical arrangements work better than any rearranged classical works I’ve ever heard. It’s usually a recipe for disaster, but them playing Satie is a thing of great beauty. Emily’s a fab Cellist, with an amazing tone and touch. And BJ’s, well, BJ – a completely unique figure in the world of music.

in the second set they got me up for an improv, which started out as a gentle naive duet between BJ and I, swapped to a duet between Emily and I, then I looped a progression in D, and BJ and I started building up the ambience while Emily played beautiful melodic lines over it… and the fade got really dark with my big Sigur Ros guitar sound, and BJ’s twisted MoogerFooger distorted steel… amazing.

And so you have it, the story of gigs in london – small appreciative crowds listening to world-beating music. It’s the kind of thing that should be filling concert halls the world over. I guess it will… patience, dear boy.

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Not an 80s vid…

despite it being a Nik Kershaw song. Nik’s album ’15 Minutes’, released in 1999 is a hidden masterpiece, a tour de force of stunning songwriting, great guitar playing, and proof if ever it were needed that he was always a cut above just about everyone else who came out of that decade… Go and buy 15 minutes, you’ll thank me later. He’s got a new album out, which I need to get.

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John Lester at the 606

Fine gig last night – John Lester was launching his new album, So Many Reasons, last night at the 606 in Chelsea. His band was him, Theo Travis on sax, flutes and marvellousness, Andy Hamill on bass and magicalness and Roy Dodds on drums, percussion and groove-based tremendousness. And then, in the second set, me for two tunes. No looping, no Ebow, no fretless, no big delays… just my 6 string fretted and some rather fun jazz guitar parts. I played on Union Street (which is one of my favourite songs of John’s – no mean feat in a set packed with favourite songs of mine) and Good Intentions, another great song off the new album.

Ever since I started playing solo I’ve wanted to be in a position to give other people a leg up. It’s what I want people to do for me, and in the spirit of ‘do unto others as you’d have them do unto you’ (what wise-ass came up with that? pretty simple formula for changing the world, huh?) I have always wanted to use whatever meagre platform I have to give other musicians a boost. And John is probably the best example of that, even though it was through a tour with Michael Manring that the push came about (and I always pull much bigger crowds when I tour with Michael, for some inexplicable reason… ;o) – anyway, John came out and opened for Michael and I on a bunch of gigs, and was quite frankly awesome. Awesometacular, if you will. He sold a shedload of CDs, won himself an army of new fans, and it helped to establish him in some way in London. Since then – with no help from me at all! – he’s been touring and playing bass for Gretchen Peters, where he plays in her band and opens the show, blowing away audiences night after night, and winning himself so many new fans along the way. He’s a great performer and great songwriter, and last night he had the cream of London’s musicians playing with him – Andy’s one of my favourite bassists in the world, Theo’s, well Theo, i don’t think he’s ever played a bit of music I didn’t think was outstanding, and Roy’s the perfect sensitive groovy player to be in that band. A magical evening all round.

So, now go and get John’s CD, from his website, or at least have a listen to some tracks on his myspace page.

Finally, a blog post that doesn’t feature a video from the 80s… hang on, gimme a minute here, I’ll find one for you…

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A gig and some deep listening…

Forgot to blog about last Friday’s Rodrigo Y Gabriela gig at Shepherd’s Bush. Went along with gig-buddy extraordinaire, Catster, not having heard them but having heard lots of great things from other people. And was not disappointed in them at all – flair, style, energy, incredible playing, and lots of hilarious and gratuitous swearing; they’re Mexican and have been living in Ireland, so have learned to swear with an Irish brogue… it’s very funny.

Anyway, their set is a mixture of originals and metal classics by Metallica, Slayer etc. all done on two acoustic guitars. It works brilliantly, and if it ever were possible to mosh to a gig without drums, this was it.

The big problem though, as always, was that the Bush is a Carling venue, so the music is provided as a soundtrack to drinking. And drinking goes hand in hand with talking. So there was the constant din of people get drunk and chatting through this incredible music. It’s insulting to the band, and awful for people who’ve paid £15 to hear some acoustic music! Breweries should be banned from running venues.

And then last night was Steve and Yo’s listening night – snacks, chat and piles and piles of great CDs. An evening of musical wonder and therapeutic conversation to feed the soul. Yo discovered the new Spearhead stuff, Rosie Thomas and John Lester, and I discovered early Parliament, Don Blackman, a Bill Withers album I’d never heard, and an amazing recording of some Bartok that I was unfamiliar with. A very late night, and I’m paying for it now. But today is shark day, which only comes round a couple of times a year, so is much cause for celebration. Yay!

Get well soon, Miles – your turn to pick the tunes!

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