Sad news for the bass world

I heard today that Niels-Henning Orsted Pedersen has died – NHOP is one of the greatest jazz double bassists in history. He was playing be-bop heads on upright bass before Jaco recorded Donna Lee on electric, could hold his own with just about any soloist on any instrument, but was equally at home make a beautiful contribution to ballads, with his two most famous band-leaders – Oscar Peterson and Joe Pass. His duet CD with Joe Pass, ‘Chops’, is a master-work, definitely one of the all-time great jazz-duet albums.

He inspired me to want to play jazz when I first got that album, and continues to inspire me today.

It’s a shame he was never as well known as he deserved.

Do yourself a favour and pick up ‘Chops’.

Soundtrack – Antonio Carlos Jobim, ‘Love, Strings And Jobim’ and ‘The Wonderful World Of Antonio Carlos Jobim’; Ron Eschete Trio, ‘Softwinds’ (features Todd Johnson on bass – a remarkable trio)

Beware Of The Dog

No, we haven’t just got a Dog (the fairly aged felines are particularly glad about that) – it’s the title of the new album from The Works, who used to be known as Woodworks, and are the brainchild of keyboard/guitar genius, Patrick Wood. Pat and I have played together a fair bit – it was fun getting him into my method of ‘spontaneous composition’ and we ended up with some fab stuff recorded, that still needs to be mixed and edited properly.

Anyway, this is his quartet, with Mark Lockheart on sax, Neville Malcom on bass and Nic France on drums – all major players on the London jazz scene – and it is, almost without doubt, the best album I’ve heard come out of that scene for ages. Actually, it’s on a par with Theo’s last couple of albums – which are equally amazing.

The compositions are quite Zawinul/Shorter-ish in places, but with a really strong singer/songwriter sensibility to them, which obviously connects well with me. It’s beautifully recorded, perfectly crafted, and has all four players playing right at the top of their game.

If anyone ever suggests that BritJazz is somehow inferior to US jazz, this is the album to play them to prove them wrong. If Patrick was from New York, this’d be selling tens of thousands of copies.

It’s fab, and you really need to get it. I’m going to talk to Pat about stocking it in my online shop.

Talking of which, I’ll have John Lester’s CD up there before too long.

SoundtrackThe Works, ‘Beware Of The Dog’.

Can't get started.

Just got back (well, ‘just’ meaning late Saturday night) from a lovely week in the south of france. Enjoyable holiday, and a chance to brush up on my v. rusty french. Really ought to go there more.

The problem with holidays is getting started again when you get back. It’s especially tricky this time as on Saturday afternoon, just before we got the plane back, I tripped over on Nice beach, grazed my shin and have strained the muscles in my arms and shoulders. So I’m aching lots, and tired from the journey, and out of sync with what I was doing before I went away.

Sunday was a Soul Space service at St Luke’s, which was lots of fun – more ambient noodling, which is always a creative pursuit. Ambient church services are a great place for trying stuff out like that as it gives that elusive musical element – context. Playing ambient music in my stupidly untidy office is pretty tough, so I need to tap into other things to inspire whatever I’m working on. In a space like the chancel at St Luke’s, with cool projections, low lighting, candles and a theme (this week was the road to Emmaus), there’s something to play for, something to soundtrack, something to be inspired by. I had planned to record it, but the lead that connects my mixing desk to the minidisc player was needed to plug a laptop into my set up in order to play a couple of tracks off CD.

So now I’m trying to get working. I’ve got normal stuff to do, like buying birthday cards (seems almost everyone I know was born in April), and some food shopping, as well as things to do with next week’s gigs and other stuff.

WAKE UP STEVE!!

SoundtrackSteve Lucas, ‘Gamma Jazz’; Muriel Anderson, ‘Heart Strings’; Andrew Cronshaw, ‘Ochre’.

One seriously overloaded server!

If you’ve ever clicked on the ‘Soundtrack’ link at the bottom of any of the blog entries, you’ll have been taken to my page over at – a site/plug-in thing that keeps track of everything you listen to on your computer and compiles charts – recent listening, weekly charts and top 50s for however long you’ve been on there.

They’ve been having some trouble, and now have over 10 million submissions cued on their server – that’s a serious amount of data! It remains to be seen if loads of playlists will be lost when they get this back together, but there’ll be some big changes in all my playlists when they get the thing up to date – I’ve listened to loads of stuff since my Top 50 artists was last updated…

SoundtrackBBC Radio 3 – Jazz on 3 (listen again).

Creative Church

tonight was a Soul Space service at – Soul Space is very much along the lines of the stuff I’ve been involved with at Grace for many years, in that it dispenses with trad ideas about service format and instead uses music/video/projection and installation to explore a theme in a more creative, left-brain, open ended artsy way than the more didactic, prescriptive right-brain version of church we’re all more familiar with.

This evening’s theme was ‘Tree Of Life’ – taken from the theme for this year’s , and we were looking at the idea of connectedness – branches being connections across the world to the global community and roots being a connection with our past, ancestors, tradition etc.

My part was to provide much ambient goo to underscore the whole thing, along with Techie Dave, who provided a few basic loops for us to build the goo from, taken from the One Giant Leap DVD. We also used the two singles from One Giant Leap – Braided Hair and whatever the other one with Maxi Jazz and Robbie Williams in is called. So the loops were in the same key as the songs so we could bring them in and out…

The audio highlight of the evening was the opening 10 minutes in which a recording of Meg reading Jesus’ Genealogy (that long list of names at the beginning of the book of Matthew) which was run into my loop set up so that while I was providing goo I could also loop chunks of Meg’s reading, and feed them into the loops, reversing them, processing them, and creating a more other-worldly effect with the initial recording. It was a heck of a lot of fun and I hope I get to do much more of it! I’ll post here when the next one is in case you fancy coming along! And there may well be some photos that appear from tonight on Vicar Dave’s Blog.

Life affirming music

So last night I went to see Gary Husband’s Force Majeure band play at Ronnie Scott’s. Unbelieveable. Truly marvellous, energising, inspiring, life affirming music. Very dense and complex and spooky at times, but never less than awe-inspiring. The quality of the musicians is one rarely seen on one stage – Matthew Garrison was obviously a big draw, being one of my favourite bassists in the whole world, a great player and a lovely guy. He played really really well, and the rest of the band, made up of some of America’s finest fusion musicians were all on top form.

The audience was chock full of lovely bassists, including Mo Foster, Dave Swift, Nick Fyffe, Oroh Angiama, Michael Mondesir, Nathan King, Dave Marks – it’s rare that we all get to meet up, so much fun was had.

If you can get to any of the gigs, please please do – it’s not easy listening, it’ll demand your attention and energy, but it’s a band not to be missed, playing Gary’s beatiful compositions.

Go on, go and book tickets!

Aha, I think it's fixed…

Well, after much marvellous help from , It looks like the new paypal thingie in the shop is now working! The PHP troubles are dealt with, my paypal account is upgraded to a ‘business account’ and I can now take any old Credit/Debit card orders via paypal without the need for people to sign up to paypal in order to use it! This is marvellous news, believe me! If anyone feels like trying it out please, be my guest. It’s even set up to copy your address details across into the paypal pages, so that you’ve got less typing to do, at least, that’s the idea… Hopefully all of this will mean lots more lovely CD sales for me!

Soundtrack – Finley Quaye, ‘Maverick A Strike’; , ‘Shapeshifter’; , ‘Big Dreams And The Bottom Line’.

maybe it's time to learn php…

So, I’ve spent most of the afternoon and evening battling with the software on my webshop, trying to impliment a new payment processing thingie via . Paypal have finally made it possible to pay for things through their site without having to sign up for a paypal account, which means that my shop can now handle payments from loads more people – all those people who previously didn’t want to get a paypal account in order to pay!

So, , the lovely open source programming community that came up with the shop interface I use, have implemented a new payment module that allows this new ebay functionality to dovetail nicely with the shop, and with a secure transfer of info, using security certificates, and all that jazz… the problem is, the information on how to actually get all that jazz to work is written in geek-speak, and while I’m reasonably computer-savvy, I’m largely self-taught, so don’t know all the terminology.

Which means I’ll just have to wait to The Captain or Sarda have a spare 20 minutes to help me sort it out. ‘Til then I’ll just keep wasting the hours trying to find new tweaks that will fool php into working.

So maybe it’s time I got a book on php (the language that all these pages and scripts are written in) and found out how to do all this stuff…

Soundtrack, ‘Speed Your Love’; Free, ‘The Free Story’; Bill Frisell, ‘Live at Pizza Express’.

A timely reminder.

Was rehearsing with this morning for the couple of gigs we’ve got coming up over the next two weeks, and was reminded once again how much fun playing with Theo is! It really is the simplest most immediately effective musical hook-up I’ve ever had, and I’ve had quite a few others that were pretty painless. When we were trying to remember how ‘Flutter’ goes (the opening tune from For The Love Of Open Spaces), we actually played the first minute of the tune twice in a row – that’s the most work we’ve ever had to do on anything!

Anyway, we were sounding just fine, and it gave me renewed impetus to get more gigs with Theo. He’s a fantastic musician and a top bloke. If you haven’t got his new CD, Go here to get it.

And now I’m listening to – those of you in the US will probably have heard her (she was on Letterman recently), those of you in the UK might have heard of her if you keep up with David Torn-related news (he produced the record), but she’s pretty much unknown on this side of the pond at the moment. She’s a solo acoustic guitarist, in the Hedges/Forcione/Roche/Ross school of playing, and is magic. Writes great tunes and is a great performer. I’m hoping to bring her over for some gigs together this coming summer. ‘Til then, check out her site and buy the CD on-line from the states!

SoundtrackKaki King, ‘Legs To Make Us Longer; Steve Lawson and Theo Travis, ‘For The Love Of Open Spaces’; , ‘Matthew Garrison’.

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