Tag: jazz

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Stations Of The Cross

Last night’s ‘gig’ went really well… The event was called ‘UpLate’ and is a sort of alternative worship service at a lovely old church in Thame, Oxfordshire. Once a month they take a theme and set up a whole load of different artistic/musical/poetic ‘stations’ for people to wander round and look at/listen to/read/meditation on, etc. All very inspiring stuff – it’s a great building, and the quality of the art is top notch – it’s kind of like a themed multimedia art-gallery, with good coffee, and a glass or two of wine… ;o)

Anyway, last night, with it being their easter edition, Evil Harv, Jez and I were asked to come up with 14 improvs based on the stations of the cross to soundtrack the whole evening, we were set a time, and given 14 works of art to help inspire us – well, scans of them anyway… The list of station titles is –

(1) Jesus’ agony in the garden
(2) Jesus is betrayed by Judas and is arrested
(3) Jesus is condemned by the Sanhedrin
(4) Jesus is denied by Peter
(5) Jesus is condemned by Pontius Pilate
(6) Jesus is scourged and crowned with thorns
(7) Jesus is made to carry the cross
(8) Simon of Cyrene helps Jesus with His cross
(9) Jesus meets with the women of Jerusalem
(10) Jesus is crucified
(11) Jesus promises paradise to the repentant thief
(12) Jesus speaks to John and Mary on the cross
(13) Jesus dies on the cross
(14) Jesus is buried in the tomb.

So for each of those we did an improv. As you can tell from the subject matter, it wasn’t going to be a happy-jazz sesh, and some of what we played got really dark and atonal – trying to express in music the image of Jesus being whipped and having a crown of thorns rammed onto his head is always going to be a pretty brutal sonic experience! But it’s amazing the way having a concrete theme like this can focus the music way beyond just noodling. Often Jez and I when we’re doing duo stuff will latch onto a particular mood and work with that, in a more abstract, but still just as compelling (for us) way. This time, it was obvious to all three of us what the theme was before we started, and the beginnings of some of the improvs were particularly interesting while we settled into how we were going to tackle that particular image – was the music going to be mournful, confrontational, pain-wracked, hopeful. etc… the tension worked really well at dealing with the many many mixed emotions that the easter story brings up…

The good news is we’ve got some of it on minidisc. The band news is that the batteries ran out after about half an hour, so we didn’t get enough… We played for about two hours (only overran by about 45 minutes! :o) – and it would’ve been great to have it all, as there were some really special moments, so hopefully we’ll be able to do it again next year in a different setting…

Soundtrack – last night and this morning, I’ve been listening to some new recordings by a fabulous bass playing singer/songwriter called John Lester. John’s a californian, who until recently was living in Paris, but is now in London, and will hopefully be gigging all over the place pretty soon. He’s great, check him out. And before that yesterday, was listening to Michael Jackson’s ‘Thiller’ – another tune that was being done in a lesson (PYT), and then staying on the turntable (ahhhh, vinyl) for a few hours… It really is a very good album indeed.

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Back to the Troubadour

Last night was the gig at the Troubadour, with Modeste Hughes. Which was great fun! As I mentioned a couple of weeks ago, the Troubadour has changed a fair bit since I recorded my first album there three ‘n’ a bit years ago, all for the better – the venue is really cool, the food’s good, the stage is nice. Was suffering a bit from an earth hum on my amp – couldn’t work out if it was the amp, the lighting, the system or what… a little bit annoying, but not gig-destroying… Was really nice to see lots of familiar faces there (though it’s a mixed blessing to play to an audience where lots of them have already got all your albums, as they don’t buy stuff! LOL) Still, the gig went well, and seemed to be rather well received.

Modeste Hugues was also very good – quartet of him on guitar and voice, with bass, percussion and his son on shaker. Great party music, smiling music, and some fabulous musicianship. Well worth checking out if you get the chance.

Lots of very nice feedback from the venue – the soundman and the venue manager both said they want me to go and play there again, so hopefully there’ll be some more me@thetroubadour stuff before too long… hopefully some interesting duets, and one of those increasingly rare me/jez gigs… finger’s crossed…

On a different note, church was very interesting on Sunday morning – the prayers bit of the service was arranged around a map of iraq on the floor in the middle of the church, and people were offered the opportunity to pray for peace, and light a candle, which could then be put on the map – a lovely symbolic gesture, handled without any political discussion, in deference to the messiness of the current situation and what we should do now it seems like the ‘coalition’ is, as Bono once sang, ‘Stuck in a moment, and you can’t get out of it’… Anyway, the symbolism of lighting candles is always such a simple yet effective focus for thoughts and prayers, and placing it directly onto a map of iraq, considering the lives of the iraqi civilians and soldiers, the UK/US military personel, the brave/foolhardy journalists, and those affected elsewhere, was a thought-provoking and moving moment.

Soundtrack – been repeatedly listening to Matt Garrison’s self titled solo debut album, which is marvellous. Also been listening to Best of EW&F, Naked City (the first album), The Pixies – Doolittle, and in the car an early Jonas Hellborg album (that someone taped for me when I was at college), and ‘Hipocrisy Is The Greatest Luxury’ by the Disposable Heros Of Hiphoprisy – there’s a track on the CD called ‘Winter Of The Long Hot Summer’, all about the first Gulf War, and it’s really really frightening how much of it could apply to what’s happening now… Also took a couple of CDs along to the gig last night to top ‘n’ tail my set – David Sylvian’s ‘Secrets Of The Beehive’ before I went on, and ‘Angel Song’ by Kenny Wheeler, Lee Konitz, Bill Frisell and Dave Holland to finish – ideal!

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Right my saaaan, you're nicked!!!!

My what an eventful last 48 hours I’ve had.

Wednesday evening, after spending a lot of the day on Wednesday practicing, I went off into central London to meet up with Evil Harv, as he was in town for a Greenbelt festival planning meeting. Got there, meeting was overrunning, so I sat in (strange feeling, as I was on the plannin group for the last three years…). When it had ended it was too late to go to a gig as we’d planned, but instead went off for a coffee, with Jude as well… So far so uneventful.

Heading back to the car, Jude and I see two of her majesty’s constabulary officers standing next to my car writing stuff… mmm, I was certainly legally parked, so initially assumed they were just making routine notes, what with the heightened threat of terrorism or whatever… sadly, I was wrong. I was in fact FIVE MONTHS OUT OF DATE on my car tax – steve, dear boy, you’ve taken absent-mindedness to a whole new level. How can I have not seen that for 5 months?? Anyway, was obviously very polite to the lovely officers doing their job – I was clearly in the wrong, so just chatted nicely with them while they took all the details, confirmed my address, date of birth, height (??), and all that jazz, had a bit of a laugh with them, and they then said they were letting me off the ticket they could have issued!! How nice is that?? ..I would however, still face a

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Long Time No See…

Haven’t blogged in a while – what’s been going on?

Er, lots of teaching, mainly. Did have a fun recording sesh with Theo Travis on alto flute – just doing improv duets. We got some great stuff down, some of which will be on the website before too long. However, it was all recorded in Mono due to the limitations of my recording set up, so I finally bit the bullet and got a new sound card, and a miniature desk – nothing flash, just an M-Audio Delta 44 card, and a Beringher 8 channel desk – but it will allow me to record two people in stereo separately, so that I can then mix it properly afterwards, and also record at a much higher resolution than before, meaning better fidelity… All in all, I’m rather excited about the possibilities. It is amazing what can be done now with such basic technology (or at least, basic by current standards) – stuff that 20 years ago would have taken weeks of studio editing and very expensive gear is now doable at the click of a button in a bit of free software that came bundled with your soundcard. Very nice.

Anyway, I shall start recording some new solo stuff before too long as well, as I’ll be able to route the Echoplexes to different channels, and mix the whole thing afterwards. It also means I’ll have to original material on one track, so that people can remix it, which I’ve had a few requests from remixers for…

What else? Ah yes, I just added a new MP3 to the site – it’s of Michael Manring and I playing together at The Anaheim Bass Bash in January – that was a lot of fun, organised by the people behind bassquake, and at the end of my solo set, I called Michael up to do a duo tune – he was on after me anyway, so it made for a nice smooth cross over. Anyway, he came up, got a sound, and I started playing a sort of dubby percussive groove, he joined in with the E-Bow and started playing a melody/solo idea, which I looped a tremolo chordal part of the top of my initial bass/percussive stuff loop. I then pickup up the E-Bow too and added an odd atmospheric line (sounds sort of like a bowed cymbal, if you’ve ever heard that), and then a strummy funk guitar line, all under Michael’s ever evolving melody line. Eventually I switch to a distorted melody line that’s pretty fractured and spikey – lots of dissonance and nastiness. I think that’s followed by us trade melody lines (interesting to hear how our different fretless tones sound together) and at the end Michael uses the sample and hold function in his VF1 to do an ambient loop, which I follow, fading out my loops and building a more soundscape-type piece to fade. All in all, a lot of fun – hope you enjoy it too – go to the MP3 page for more on that….

Er, what else? not much. Been reading more of ‘Stupid White Men’ by Michael Moore, a very vital voice in the current world political scene (which seems to be sinking deeper and deeper into the mire, just when you thought it couldn’t get any lower… Michael’s film, Bowling For Columbine is by far the best film I’ve seen in the last couple of years, and is the biggest grossing documentary of all time (he’s got #2 as well, with ‘Roger and Me’) – it’s a must see.

Soundtrack – lots of things of late. Right now, it’s Greg Mathieson and Abe Laboriel – a CD I first heard 3 years ago, and which has finally been released – an awesome bass/piano duo record, and part of the inspiration for Conversations. What else? Madonna – ‘Something To Remember’, Ron Eschete – ‘Mo Strings Attached’ (with Todd Johnson on bass), Ornette Coleman – ‘The Shape Of Jazz To Come’, Genesis – ‘The Lamb Lies Down On Broadway’, Cyndi Lauper – ‘She’s So Unusual’, Sugar – ‘Copper Blue’, The Minutemen – ‘Double Nickels On The Dime’, Donnie Hathaway – ‘Live’, Julie Lee – ‘Made From Scratch’ and the tracks that Theo and I recorded last week…

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Lucky pt II

Last night was the gig with Tess Garraway and Joss Peach in Brighton… another free improv gig as listed the other day. what fun, though not without ‘issues’ – mainly that we got there and the venue was double booked (hoping this isn’t going to become a feature of my gigs to come after the San Fran show last month…) – anyway, the other people who had the venue moved next door, and war was averted (maybe we should be negotiating in the middle east right now…) – anyway, as little to no promo had been done for the gig, the audience was very small, but as always, given the choice between great music and a big audience, I’d take the former. Obviously both is a bonus, but still, the music was great, the venue was nice, and it was all recorded and videoed, so could have some nice resource stuff for future useage. Thanks Tess and Joss – I very much enjoyed it!

Other than that, it’s been lots of teaching, and not much tidying (office still a tip, really really need to get this place sorted ASAP… this week, no really, honest…)

Tonight I’m going to see Julie Lee play – she’s the bluegrass singer from Nashville that I was playing with last summer (and who I’ll play with again next week, on Tuesday, in Reading) – tonight, however, I’m going to listen. She’s great, I’m really looking forward to it!

Am contemplating moving my website to a new server… at the moment, the main site (not this page, this is separate) is with zetnet, but it’s not a great service, and not that cheap, so perhaps it’s time for a change… a few people still seem to be using the old email address (if you’ve got stevelawson@zetnet.co.uk in your email address book, switch it for a steve-lawson.co.uk address now!), but 99% of what I get on that address is spam anyway… I own the domain name, so I can move it anywhere… can I be bothered? we’ll see…

Soundtrack – all day today been listening to a CD that arrived this morning, ‘Double Nickels On The Dime’ by The Minutemen. Yup, more Mike Watt. Great stuff – a mixture of punk, free jazz, rock ‘n’ roll, funk, and all sorts of other bits ‘n’ pieces. Very creative, very earthy, 43 songs in 74 minutes, amazing stuff.

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Improv…

I’m feeling rather lucky at the moment – Tuesday night, lovely Jez came round, went out for a curry, then had a jam for an hour… playing music with Jez is always a treat – he’s a very very musical chap, great listener, and exceedingly creative improviser (as those of you who have conversations will no doubt be aware) – the kind of stuff we play changes depending on our mood, the instrument (normally he’s playing an electric piano, here he was playing a real one), the room, whether I’m looping or not (I wasn’t), and whatever we’ve both been playing recently. So it really is very conversational, and quite revealing as to how we’re feeling…

Then, last night was the radio broadcast for LCR, which included lots of duo improv with Antoine Farfad – a bassist who was using a V-Bass processor to get some great synth sounds. More improv, very different context, and with someone I’d never met before let alone played with. So the whole thing was very different from the jez setting, but just as rewarding. Antoine’s playing was marvellous – something you’ll be able to check out next week when the show gets archived at the radio station website. I’ll add a link as soon as it’s there…

Then, this Sunday, I’m off to Brighton to play with Tess Garroway (see gigs page for details) – a jazz singer with a heavily improvisational slant. Just got a CD of her stuff yesterday which is excellent (listening to it right now). What fun – all this improv is great for developing listening skills, new approaches, learning new ideas, and finding new contexts for stuff that I already do…

What fun!

What else has been happening? er, lots of teaching, which has been great – new students, old students, lots of very interesting people with a desire to learn.

Got the new copy of Q through… very disappointing. Christina Aguilera on the cover? Q? huh? not good. And, in their 50 most outrageous people in rock article, GG Allin doesn’t get a look-in. And frankly, if there were a more outrageous person in the music industry, they’d probably be dead by now… GG made Marilyn Manson look like Cliff… a true nutter, very sad case, and now dead, which wasn’t a surprise to anyone. Supposedly there’s a documentary about him somewhere, but I’m not sure I’d have the stomach to watch it… dark stuff…

but I digress.

So today – teaching, and a workshop for a church band down in Kent tonight, which should be a lot of fun.

Soundtrack – lots of Mike Watt, mainly ‘Ball-Hog Or Tug Boat?’, which is marvellous. Also, this Tess Garroway CD, which is a mixture of live and studio stuff, and is very good. what else? ah, Lewis Taylor’s first album, which is unbelieveably good. Amazing. Genius.

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A Play What He Wrote

Last night I went to the theatre (er, beginning to sound like a 12 year old writing his summer project – “we went on holidays and it was really good and then we went to the beach and it was really good and my dad fell in the sea and we all laughed and then my mum laughed so much she dropped her ice-cream and we all laughed but she wasn’t laughing any more because she said she had ice-cream on her best clothes and if daddy thought that was so funny…’ etc. etc. or, er, something like that)

Anyway, as I said. Theatre, Last night. Brilliant. Genius. Speechless.

The play in question was called ‘The Madness Of George Dubya’, and is apparently an update on Dr Strangelove (or at least that’s what the review in the Guardian said – I’ve never seen Dr Strangelove, so can’t really comment on the veracity of that… but I digress) – anyway, if it is an update, it’s an incredibly topical one. It was, in fact, written in three days in January, and rehearsed in 6, before beginning a sold out run at Theatro Technis in London, then moved on to The Pleasance Theatre in Holloway, London.

The story revolves around a gung-ho US general on an airbase in the UK, deciding to order an all out nuclear strike on Iraq, and being the only one who knows the code to call the order back, you’ve now got your suspence. However, the play revolves around the idiotic mumblings of the US president, and the pathetic attempts to solve the problem by our own prime ministerial buffoon, Blair. Throw into the mix Yasmina The Cleaner – an Al Quaeda operative working as a cleaner on the air-base, a couple of US pilots flying the first plane ordered to drop it’s payload (all the while discovering their long buried desires for eachother), some useless British civil servants, more US army generals and a breath-taking speech by an Iraqi Ambassador and you’ve got yourselves one of the most powerful, funny, moving, disturbing, remarkable theatrical performances I think I’ve ever seen.

Justin Butcher, the writer, has been carving a reputation for himself for a few years now – last year his play, The Seven White Masks Of Scaramouche Jones toured with Pete Possilthwaite delivering the one man show to sold out audiences round the UK. But Dubya is a whole other kind of triumph – it would have been impressive if he’d written it in 3 months. 3 days suggests some sort of pact with the devil in exchange for genius, or conversely an angelic visitation, complete with finished script. Truly unbelieveable. And on top of that, one of the most vital, vibrant and controversial comments on the current impending (pleasegoddontletithappen) war.

‘If’ they get another run at it, you would have to be stark staring mad to miss it. Already they’ve had coverage on CNN, in various US newspapers including the Chicago tribune, on MSNBC, 4 stars in the Guardian, 5 in What’s On, been in the Independent’s top 5 theatre shows in London for weeks on end. Seriously, it’s magical, you have to see it.

phew, that was exhausting. Tonight’s the last night – if you’re in London, you can catch it at either 5 or 7.30. But I’m certain it will get another run. It HAS to.

In other news, last night I was on nightshelter duty again (meant to be next week, but I swapped) – as was evil harv. He wasn’t meant to be, but while we were in the theatre, some sort of serious police ‘incident’ took place outside, and Harv’s car was in the cordoned off zone, and he was unable to move it til this morning!!! So the poor guy ended up sleeping in a freezing church hall on a couch… :o)

Came home, slept, got woken up about five times by the phone. One of the calls was telling me about the funeral details of a friend of mine who died of lukemia last week. I’m not sure what to think about that one. I didn’t even know he was ill til the day he died. 11am – a text saying was on life support. 3pm phone call saying he’d died. WTF???? What? Where? When? How? Andy was officially my land-lord when I live in Lincoln, but the house for most of that time was more like a live-in community. He was a fantastic cook, so we’d throw dinner parties fairly often, there were up to 5 of us living there at any one time – me, farmer Joe, DJ Ben, Biker Wendy… it was like some poorly scripted sit-com, with some very bizarre events. One favourite was Farmer Joe trying to make his own garlic bread, and misunderstanding the difference between a ‘clove’ of garlic and the whole bulb. So he crushed three whole bulbs of garlic, and put them on two slices of bread under the grill. The dogs were yowling for days. Ah yes, the dogs – Max and Polly. Insane and ever-present. Andy doted on them. He married Sharon just before I left Lincoln, and they’ve now got at least two kids (could be three, who knows). I can’t even begin to imagine how she must be feeling. He was only in his late 30s. Still officially a ‘youth’ (18-40). And now he’s gone. I can’t get to his funeral on Thursday – it’s in Lincoln and I’m already mad mad busy that day. But I’ll be thinking about him. About live on Richmond Road, dinner parties, mad dogs, video nights, trips to the pub, Dave Elcock at his wedding reception.

Last time I saw him was at Martin Clarke’s 40th birthday last year. he was smiling from ear to ear, telling me his news and looking remarkably pleased to see me. I wasn’t overly friendly with him (it’s always odd being back in groups of people from Lincoln – too much weirdness left there for me), but he was very eager to hear what I’d been up to and to tell me about his kids.

And now on a lighter note, tonight I’m going to see Muriel Anderson play at The Troubadour in Earl’s Court – lovely venue, I’m playing there myself at the end of March, and it’s where I recorded my first album! Muriel’s great, so I’m really looking forward to that one. If you’re going, I’ll see you there…

Soundtrack – been listening to a CD by Ollie Collins ‘Make Time Last’ – rather nice acid-jazz influenced layered bass and keys stuff, with some great sax playing. Before that, it was more of Michael Manring and I…

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California III – this time it's serious

…or maybe not…

So anyway, 26th was the Echoplex Clinic at Bananas At Large in San Raphael, just north of San Francisco. Nice town, great shop. The clinic went really well, and I stole loads of ideas from Andre LaFosse’s tips on using the Echoplex – if you’re interested in the EDP at all, you HAVE to check out his site with the Echoplex tips page on it, and all his MP3s…

Anyway, the curry after the clinic was lovely, Scott Drengsen (solo bassist from the Bay Area) came along to the clinic, which was great, and Dan and I stayed with Anderson and Laura – very good friends who live in San Raphael. A lovely time was had by all!

Couple of days off spent with Billy-Bob and Mavis which was lovely, then onto the dates with Michael Manring along with the trio – the first of which was at Henflings in Ben Lomond (sounds Scottish, actually just outside Santa Cruz) – great venue, good turn out, lots of very cool music, and a bizarre moment when Rick Walker jumped on stage to join in with Michael Manring’s set…

the Next day we were up in Sacramento (this was a mucho-driving tour). Started out with a radio interview that Michael and I did for KVMR – very very cool station, we did a duo piece and then Michael did Red Right Returning (as featured, uncredited on the new Royksopp CD).

The gig was great – loads of people there, lots of CD sales, the line up was Michael and I (solo and duo) and Orbis (Mike Roe, Mark Harmon and Nick Willow). What a fun evening. It was also the venue owner’s birthday, and his name turned out to be Tim Looper – what a fine coincidence… :o)

Couple more days off, spent in Sacramento, then the gig at the Little Fox Theatre, with Michael and David Friesen. The three of us works really well as a show, so that was very cool. Lots of good people there, etc. etc.

The next show was probably the low-light of the tour – Cafe Du Nord, nice venue in San Francisco, had been looking forward to this. Got there, and noticed in the local paper that it was billed as a singer/songwriter night, with David Friesen and I listed as acoustic singer/songwriters! Huh? Turns out it was double booked, the guy who organised the acoustic night got really annoyed about it all, tried the cancel the night, it ended up with David and I playing truncated sets, and then the acoustic thing happening afterwards. All a bit miserable and a bit of a let down… Oh well.

Stayed in a motel 6 that night, then off to Santa Barbara – very nice town, had a wander round the farmer’s market. Clinic at Instrumental Music (is this beginning to read like bullet points???), which was great fun – the store manager is a friend from last year, Jamie Faletti, so it was great to see him, lots of great questions at the clinic, loads of CDs sold, all good fun.

Next night was another clinic at another branch of instrumental music, great turnout, the whole thing was videoed (bits of it may turn up here, who knows), some cool people there, nice curry afterwards with Jeff Kaiser (avante-garde composer and trumpeter), and some people from the shop. All good fun, good people, good food, good music. yadda yadda…

Ploughing on through busy schedule, the next day, I gave a masterclass at The College Of The Canyons, normally taught by fantastic solo bassist and jazz educator, Todd Johnson. Nice to hear from Todd afterwards that I’d just confirmed all he’d been telling them for weeks :o)

The second low-light of the tour was to follow – clinic at Jim’s music in Irvine – the shop hadn’t even put up a flyer in the shop for it, no promo, no-one knew, ergo very small number of people there. Bit of a waste of time, travelling 6000 miles to play in a shop that couldn’t care less if you were there or not. Still, kick the dust from your shoes and move on. etc.

The following night in Valencia more than made up for the Irvine balls-up. Great gig at Java and Jazz. Loads of people there, including lots of lovely Level 42 fans from the web digest. Todd Johnson, who organised the gig, played a fantastic solo set, then I did my thing, followed by some fun little jazzy duets.

The tour finished off with a nice little clinic thingie for Churchbassists in San Dimas…

All in all, a lot of fun. Well worth doing, loads of good gigs, tonnes of CDs sold, lots of good press (there’s a review of Not Dancing in the current issue of Bass Player magazine, and the loop trio gig in Santa Cruz made it onto the cover of the Santa Cruz newspaper…)

Hopefully I’ll be back in the US before long…

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None More Dull

Yippee – tax bill paid, tax return sent off, which for you lot means no more fist-chewingly dull stuff about my tax return! :o) Now I can lull you to sleep with Bonsai talk instead… although, as I’m off on tour tomorrow, there should be plenty to talk about for the next four weeks!

Yesterday was another big teaching day – exhausting but rewarding.

Today will involve teaching from 12-2, then driving my CDs over to Chelmsford to be shipped off to LA on Monday morning. Then I’ll be packing, repacking, remembering things I’ve forgotten and repacking again, tidying up here to try and leave the house in a reasonable state for the rest of the household to inhabit for the next four weeks (not really fair to bugger off and leave the poor aged feline with all the cleaning duties – his lack of opposable thumbs makes filing a nightmare…)

I’ll be moving my ickle Bonsai tree out of the office so it’s not ignored in the plant watering ritual of the next few weeks. I’ve been unsubscribing from the myriad mailing lists and discussion lists that I’m on so as to reduce the volume of email traffic while I’m away (just the 50 bits of spam and viruses to deal with each day then…) – does anyone else get as many viruses sent to them as me? Is this intentional and malicious, or just that I’m on so many people’s email lists that whenever someone with my address gets got I get sent a copy? Norton picks them up OK, and the ones that get into my inbox without being deleted are easily recogniseable (I just delete most things with attachments unless I’m expecting them – so warn me first if you’re trying to send anything, and don’t send me unsolicited MP3s!! Nothing is more likely to put you on my email s**t-list than sending me a 10 meg file with no warning… grrrrr (evil harv!)

anyway, better get started on the tidy, before the teaching, before the CD delivering, before the packing, before the sleeping before the journey to LA, before the tour!

Soundtrack – yesterday I got ‘Jordan – The Comeback’ by Prefab Sprout. I’m increasingly convinced that Paddy McAlloon is one of the all time great British songwriters – I don’t think as yet I’ve heard a duff song by him. Right now, I’m listening to Calamateur again – this is so so beautiful and haunting, you really have to get it – the juxtaposition of FSU beats, ambient sounds, acoustic guitar and loads of samples of speech/interviews/news etc. all relating to cars, car accidents, traffic police. It’s awesome – Andrew – make sure you send a copy into The Late Junction on Radio 3, they’ll LOVE this!

BTW, I’ve just seen that the BBC Radio 3 Website has all the previous week’s Late Junction programs archived for listening on demand – GO AND LISTEN, it’s brilliant – a fascinating mix of world music, new music, eclectic pop and prog, bits of jazz, ancient music – all kinds of stuff, and now you can listen any time of the day! There really is no excuse…

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Christmas time, no mistletoe, no wine

…just a very relaxed day, watching TV and videos, cooking and eating nice food and not doing very much at all!!

Went to church in the morning, which was fun and chaotic in the usual style of Christmas day services, came home and started our now traditional pattern of eating one course every three hours throughout the day. Started off with soup and garlic bread. That was after opening the pressies – I got a couple of books (Rich Hall’s autobiography, and Vanishing Footprints, subtitled ‘native voices speak’ it’s a book of gorgeous photos of indigenous people from around the world, telling their own story. Beautiful), the new Eddie Izzard video , Circle, which is very good, especially the hour and half of his Paris show, in French. The set from New York is very funny, but he comes across as slightly out of practice with standup, having spent so long in hollywood… and some other bits ‘n’ bobs.

Dinner was nut roast with a homemade spicey tomato, red pepper, mushroom and onion sauce, steamed veg and jacket potato (mmmm, delish!!), followed by watching the Izzard vid…

Oh, we watched Christmas top of the pops – was it worse than usual or am I just nearly 30??? 80% of the stuff on there seemed to be teenage girls dressed as hollywood hookers, singing out of tune. What on earth has happened to the record buying public??? On ‘I love 1984’ last night, there was a bit about the soul/jazz revival of ’84, with some talking head or other mentioning that it was a backlash to the rubbishness of pop at the time. Here’s hoping that something similar happens to end the reality TV horse-shit that seems to be taking over the charts. for the two biggest selling singles of the year to be Will Young and Gareth Gates is just nonsense. It’s not even like they sold because they were lowest-common-denominator catchy pop tunes – I’d rather see some PWL pre-fab crap there – they are there purely because of the exposure and media manipulation of the Pop Idol TV show. The songs themselves are sub-Barry Manilow bland MOR holiday camp bollocks. Grrrrrr.

Here I am listening to Theo Travis – outstanding saxophonist, playing original, moving, music, beautifully written and played and selling a few thousand copies, as opposed to the millions shifted by the losers. No, I’m not expecting Theo to start selling millions (he’d have to bland-out for that to happen), but it’d be nice if radio in particular, and TV programmers started to give some air time to quality music regardless of formatting and dull stylistic constraints…

Right, rant over.

I’m knackered at the moment, thanks to having taken the small persons car out of the drive with the intention of getting it valeted as an extra christmas pressie, only to have it stall on the road, and then have to try and push it back onto the drive, failing miserably but pulling lots of muscles in the process, then having to tow it back up with my car (which didn’t like that at all – I’m lucky I didn’t wreck the chassis!!). My muscles are aching like anything, and my shoulder is bruised from trying to push it.

Now it sounds like I’ve had a pain-filled misery-christmas, complaining about pop-nonsense. Not true. I’ve had a marvellous time, very relaxing. The Office is being repeated nightly at the moment, and is outstanding – Ricky Gervais is one of the most talented comics to emmerge in this country for quite a while…

Soundtrack – currently Theo’s album (see above), I’ve also been playing the MINIDISC of Theo and I playing together from Monday a lotl; I bought ‘Acoustic Soul’ by India.Arie for the Small Person for Christmas, and that’s excellent, really enjoying that, and I finally bought ‘Steve McQueen’ by Prefab Sprout on CD (very cheap from www.101cd.com ) – one of my all time faves…

BTW, Evil Harv can now be reached at evilharv@evilharv.com should you have any questions about all things eville… his evil blog will no doubt emmerge soon… :o)

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