A Blogger's Favourite Blogs blog-meme

OK, here’s a meme for all y’all who blog out there –

If you were stuck on a desert island with an internet connection to only one blog, whose would it be?
Which is the blog that makes you laugh the most?
Which blog is most likely to make you cry?
Which blog is most likely to inspire you to part with cash for a CD/DVD?
Which blog is most likely to cause you to change your mind about an issue?
Which blog do you read first in the morning?
Of the blogs you read by people you don’t know, who would you most like to meet?

And here’s my answers –

1) – assuming that www.howtobuildboatsoutofsand.blogspot.com doesn’t exist, It’d probably be Liz’s – I’m sure if there was a decent curry house on the island, she’ll blog about it at some point, as well as somewhere to purchase stylish footwear should the opportunity arise.
2) – either Liz’s or Going Jesus.
3) – er, probably Sleepless In Sudan – which could also fit into the above category – equal parts hilarious and heartbreaking.
4) – Most likely Sid’s blog.
5) – Hugo’s blog – either him or his comments. Lots of great brain food there. There are a couple of others that teach me a lot – George Monbiot and Jyoti but I don’t often change my mind on an issue because of them, just discover an issue I wasn’t previously aware of.
6) assuming all the blogs I read have got new posts listed, it’s normally Gareth’s, knowing that we’ll be chatting about whatever we’ve both blogged about within about 5 minutes of me switching my computer on. Though, it may actually be the Shark, as she lives in NYC and thus blogs later than anyone else I read, so is more likely to have posted after I went to bed… And this was in no way influenced by her offence at not being mentioned in the rest of the list. Not at all.
7) Either Sara, Hugo or Jyoti – all very interesting peoples.

Right, there you go – now go answer them on your own blogs!

Soundtrack – Duke Ellington, ‘The Classic Tracks Of The 40s’ (featuring the legendary Jimmy Blanton on bass).

Jazz is dead?

Spent a wonderful evening yesterday with Orphy Robinson – just called round to drop off a CD of the tracks for the gig with Rise on Oct 13th, but as is always the case with Orphy, ended up spending hours putting the world to rights, and listening to some great stories.

Orphy and I have some very similar thoughts on music, and while our own music sounds quite different (he can actually be bothered to write lovely complex through composed music as well as doing the more free improv/spontaneous composition stuff), the genesis of it is similar – both of us have spent a lot of time around people who play ‘proper’ jazz, who studied Bird, learned the omni-book and did what you’re supposed to do – transcribed thousands of licks by your favourite artists. But both of us were turned off by that in favour of looking to the narrative aspects of music, drawn to musicians like Coltrane and Monk who told stories within a jazz framework, rather than just looking to burn their ‘opponents’ in a jam.

Both of us had a fear of screwing up when playing ‘real’ jazz, but when it came to soloing wanting something of ourselves to come out, and so looked to freer improv as inspiration for self expression. I learn so much whenever I chat to Orphy about where his music comes from – he’s been pro for at least 10 years more than me, and having been signed to Blue Note and played with loadsa big names, has a heck of a lot more experience than I.

But we both see our role as story-tellers, and as such are willing to take from any musical tradition that works for us. Our origins are different – Orphy’s background is Caribbean and its musical heritage. Mine is prog-rock and 80s art-rock/pop. So both of us bring that to the table when we play, and both had a rude awakening into the world of free improv (the first free record I ever bought was ‘Montreaux Suisse’ by Air (not the french pop band), and Orphy had gigged alongside members of the band…!)

And it seems like our journeys are becoming to norm for ‘instrumental improvising’ musicians – that all the interesting stuff is ‘jazz plus’ – taking a jazz framework and dropping loads of other influences in. Whether it’s players like Theo Travis and Ben Castle who bring prog elements to their writing and improvising, or the current golden boys of the brit-jazz scene Polar Bear and Acoustic Ladyland who bring elements of classic rock, electronica and hardcore to their music, it’s the everything else that is keeping jazz vibrant, vital and renders moot the bollocks talked about Jazz being dead. Wynton has done his best to turn Jazz into a museum piece, and the rest of the world has ignored him, thank God.

And coincidentally, there’s an interesting interview with Brad Mehldau in the Guardian talking about this very thing.

Soundtrack – King Crimson, ‘Discipline’.

since when was constructive criticism a 'bias'

For the last few days, the news of Tony Blair’s whinging about the BBC’s coverage of the Katrina Disaster has been in the news – he claims it was ‘full of hate for America’, largely due to its overt critique of the Bush government’s response to it.

Since when was pointing out the abject failure of a government to do its job ‘Anti-Americanism’ – surely an anti-american stance would have been saying that the country deserved it, or would have been gloating over the scenes of the disaster. There was nothing of the sort of course, and the reporters seemed genuinely moved by the plight of the people they were reporting on. Indeed, it seemed more like their closeness to those who lost the most was the thing that was driving them to look for answers and that search lead them to the top of the pile. Bush even admitted he was at fault (when he realised it was one PR war he was losing tragically).

The history of Tony Blair’s relationship with the Bush administration is so sickening sycophantic that he doesn’t even seem able to admit when he’s beloved George has been so obviously shown up as not caring about the poor within his own borders. Katrina has revealed such a gaping sore at the heart of the American project, one that the vast majority of americans are sickened by and want to see changed. It’s by no means anti-american to point out that the one person with the authority to have done something about it chose to a) not do the preparation years ago (neither did Clinton), and b) delay the rescue attempts when the whole thing kicked off, despite them having a few days notice that it was going to happen!

to be labeled as ‘un-American’ or ‘anti-american’ has for a long time been the worst thing you can accuse someone of in certain sections of US life – they are words that have been employed to keep people in line to prevent questioning of the government, to stop people asking questions about the constitution, and to draw a thick line between those for us and those against us. Thank God there are now millions of Americans who are dissenting because they see it as their right and duty as Americans (OK, so all the nationalism leaves me cold, but for now, I’m seeing it as a big step forward from the blind support for all things Governmental…) – it’s great to hear Americans being openly critical of some elements of the ‘American Dream’ and the effects it’s had in creating a massive poverty problem within the US. In the same way that poverty in Britain has to be a concern for anyone who likes living here or claims to ‘love’ their country, those who claim patriotic allegiance in the States need to acknowledge that a country born out of the genocide of one nation and the enslavement of a continent to build its infrastructure is never going to just fall into being one with ‘freedom and equality for all’ (or whatever it says in the declaration thingie – i think I’ve got the ‘all men are created equal’ bit and the ‘justice and liberty’ bit mixed up).

It’s so sad to see the destruction of so much of the American south – New Orleans, Louisiana, the Texas coast… I’ve got friends who’ve lost their houses, some whose houses are still standing but in the middle of a sea of toxic mud, and I can’t even imagine what I’d do in such a situation. But I do know that I’d be expecting the people i’d been paying taxes to for so many years to do something to help put it right, and if they didn’t I’d be kicking up one hell of a stink, and anyone from the overseas media who helped to highlight the cause of those who’d been left stranded would be considered a friend and ally, not accused of anti-British sentiment.

Soundtrack – King Crimson, ‘Three Of A Perfect Pair’.

A srobblesque game

How well do you know the listening habits of the fans of your favourite bands?

OK, the game goes like this – pick a band, any band. Now, draw up a list of what you think are going to be the top 10 most listened to tracks by their fans on last.fm – Last.fm isn’t a record of the tracks people say are their favourites, it’s a record of what they actually listen to.

So take a band – it’s more fun with someone with a big back catalogue like The Beatles, Queen, The Who, Metallica, Tori Amos etc. draw up the list, then go to the artist search page on the site and see how many you got right!

It’s quite a revelation with most acts – I’ve not got close with any of my guesses so far.

Blog back?

Blog seems to be back – server problems took it away for a few hours. All seems to be working fine again… finger’s crossed.

Soundtrack – King Crimson, ‘In The Wake Of Poseidon’.

Lost and found part 2

So, other than my speeding ticket, I’ve unearthed a couple of long-missing CDs – ‘the Free Story’ and Michael Jackson’s ‘Off The Wall’; both great CDs that I’ve missed over the last few months. Especially ‘Off The Wall’ – ignoring for a moment the fact that for the last 16 years or so, Mr Jackson’s private life has made far more impact than his music, he has been responsible for some awesome music in his time, and Off The Wall is arguably his masterpiece.

It didn’t sell as well at Thriller, but then, nor did any other record ever made, so that hardly makes it a ‘hidden gem’. It contains some of the funkiest songs he’s ever recorded – Rock With You, Don’t Stop Til You Get Enough and Get On The Floor – the only track that doesn’t quite maintain the quality is ‘She’s Out Of My Life’ which is a nice ballad, but not up there with the funky stuff.

Anyway, if you haven’t got it, set aside thoughts of the recent court case and weirdness involving surrogate mothers, oxygen tanks, pet monkeys, Liz Taylor and baby-dangling and pick up one of the finest soul/funk/pop albums ever made.

Soundtrack – Michael Jackson, ‘Off The Wall’.

Some indie solidarity…

BDB just sent me a link to a band called The Books – two blokes from the states who make odd noises with samples and one of them plays cello and bass (can’t work out what the other one plays) – they make their own samples, release their own records, and have a very odd website. All fine stuff.

A quick look at their stats on Last.fm reveals that they have over 74,000 listeners on there!! A truly remarkable statistic.

Which made it all the more sad to find the following notice on their website –

A Note About Our Finances:

We feel the need to dispel any notions that we are financially sitting pretty because of the acclaim our music has enjoyed. It’s true, we’ve released a couple of records and we’re grateful to all of the writers who have taken the time to write about them, but unfortunately our record sales do not reflect this. Our work, although deeply satisfying to us, has left us both on the brink of financial collapse since we began, so we are asking you: Please, do not steal our music thinking that we can afford it. We barely get by, and aren’t able to afford basic things like health insurance, let alone raising a family, etc. We love what we do, and we love that people listen, but if you would like to see our work continue, please support us, and all of the artists you enjoy, as directly as possible. The sad fact is, we can make a much better living selling t-shirts than we can selling music, so please help us keep this going.

Thanks!
Paul and Nick

Sad reading but I know exactly what they mean – I get way more interest, and have way more people who know my music than my CD sales would suggest. I remember a stat pre-internet that said that for every album sold, two copies were made. I’m guessing that’s at least doubled now. But it’s tricky – we all want people to listen to our music, and don’t want to have to go the route of disabling CDs from being copied onto iPods, or only having really shitty quality MP3s available. But it can be tough to make it all pay. One argument suggests that if people are swapping your MP3s then they’ll turn up to your gigs, and I’m sure there’s some truth in that, but on a week by week basis, it’s still tough to keep a record label functioning at the ‘profile’ level that the artists have when the sales don’t neccesarily reflect that.

From their statement, compared to their listening figures on last.fm, I’m in nothing like the dire situation that The Books appear to be in, but then I also haven’t got every track of every CD of mine available for download (all of theirs are on their site, I’m not sure if you can actually download them all).

The sales of the download versions of my CDs are doing well, and like the Books, I can see t-shirts being a good earner as time goes on.

I was talking at one point about doing a CDR amnesty – that anyone who sent me their copied version of one of the albums, or a signed statement that they’d just made MP3 copies off their friends could have a replacement for it for a fiver… I still quite like the idea but it was pointed out that it was in effect rewarding piracy and penalising those people who bought the CDs in the first place. I like to see it in more pragmatic terms than that, but I’ll hold off for now.

Still, you do have the opportunity to head over to the online shop and buy a CD/download/T-shirt/gig ticket if you like! There’s even a paypal tip-jar on the MP3s page (though I’m not sure if that just a way of absolving people’s conciences for downloading over an album’s worth of material but only giving me £2 for it!)

Either way, I feel sorry for The Books if things are really as bad for them as the statement above suggests, and I’m glad that my fan base is generally more forthcoming with the money for Cds!

SoundtrackEric Roche, ‘With These Hands’; The Cure’, ‘Greatest Hits’; Cathy Burton, ‘Speed Your Love’.

Reasons to be tidy, Pt III

Oh shit, I’ve just found, sealed in an envelope, addressed ready to be sent, a signed form admitting that I was driving my car at the time it was caught on a speed camera back at the end of august. I was SURE I’d sent this, but just now, having a bit of a tidy up (not so as you’d notice, but still) I found it, sealed. And it’s now 29 days from when it was supposed to be sent – shitty shit. I’ve no idea how fastidious the police are about the dates on these things – does the fine go up? Will I get a summons? I’ll post it first thing in the morning, and hopefully they’ll get the letter before they instigate whatever proceedings they are thinking of instigating. it’s ironic that I no longer own that car… no, actually it’s not ironic, it’s just because I sold it. There’s no irony in selling a car, what am I talking about?

Anyway, fingers crossed/prayers whispered that it doesn’t go any further than this, just the usual fine/three points deal (fortunately since my last speeding offence, my first speeding offence has expired, so that’ll be three points coming of my licence just as these three points are going on.)

time for some sleep I think, and then to post the letter first thing!

Soundtrack – The The, ‘Singles’; Talking Heads, ‘Stop Making Sense’.

Are we living in a police state??

I just read this article in the guardian, thanks to a post on Jyoti’s Blog – it’s the story of a guy that was arrested on the tube under the ‘prevention of terrorism act’, had his flat searched, DNA and fingerprints taken and has now been landed with what looks like it may be a permanent police record despite being found innocent, just because he was carrying a rucksack and wearing a coat.

This is some seriously fucked up stuff. Really really scary – if it had gone another way he might have ended up with a bullet in his head like that poor Brazillian lad. He’s done nothing, is entirely innocent, and yet is now ‘on file’.

Why is London turning into some crap version of a Judge Dread cartoon? This doesn’t make us safer from terrorism. It makes all of us more distrustful of the police – surely that’s a really bad policy at this time, when trust in the police is already pretty damned low. It’s not going to put terrorists off, just make them more determined to beat the system that has presented them with this challenge.

If they need to stop people, surely the least they can do is wipe records clean when a person is proven to be utterly innocent, to treat them and their possessions with respect. Instead, he’s treated with suspicion all along, has his privacy violated in a number of ways, his girlfriend is terrified, and his chances of ever getting a work visa in the US are now utterly buggered.

It’s nice to know that the people that are supposed to be looking after us are doing such a damn fine job of breeding fear.

Once again, I feel sorry for those police officers who entered the force to actually protect and help people. They are going to be labeled along with the muppets that arrested David Mery as some kind of Miliitia.

Very scary stuff. Way way scarier than the threat of a terrorist attack, seriously.

Soundtrack – my last.fm ‘neighbours’ radio station. (no, that doesn’t mean I spend all day listening to tracks by Kylie Jason and Stefan Dennis)

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