Lawson/Dodds/Wood Pt 5 – What Patrick did with the improvs…

Here’s my favourite of the little Lawson/Dodds/Wood videos so far. After doing the 18 minute long group chat that the last four vids were culled from, I did two 7-8 minute interviews, one each with Patrick and Roy, about what they did specifically on the project.

With a project as well defined as this, it seems really important to set the scene as to where the music came from, what limitations we put on ourselves, how we managed to do edits and overdubs while sticking as close as we could to the improvised basis of the project. Patrick describes his (major) part in that really well here –

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Lawson/Dodds/Wood, the making of Numbers video #4

It’s back to me talking non-stop on this one, I’m afraid… actually, that’s not all true, Roy gets a look-in half-way, but there’s lots of me. 🙂

The next two are mini-featurettes on Roy and Patrick, so look out for those in the next few days. Til then, here’s #4

Lawson/Dodds/Wood – the Making Of Numbers Pt 3

Part 3 of the video-saga. Our lovely drummer, Roy Dodds gets a fair bit of airtime in this one, talking about his inspiration, about improv, about how he comes up with what he comes up with.

Today I’ve been editing the PDF that’ll come with the download version of the album – was hoping to have it up for sale in the shop this evening, but it’s not going to happen, sadly. Tomorrow… possibly…

anyway, here’s video #3:

Nokia Open Labs Pt 4 – The Future of Business

CT struts his stuff - photo by meAnd the last session was Join and Collaborate – CT did a nice job of setting it up with his facilitator bit, but this was where the Nokia-ness of the session first impressed itself upon the kind of discussion we had.

Everyone immediately assumed we were talking about the corporate world. About using social media in big corporations. And proceeded in that manner (something CT expressed some frustration at in his summing up). It was so pervasive that my attempts to suggest that any model/metaphor for running a big business that is predicated on an essentially organic/benign model is flawed in its conception due to it assuming the ‘right to life’ – Corporations can be entirely predatory, more like sci-fi monsters than corrupted humans… If your metaphor is that of a ‘business is just like a person’, then you assume they have an innate right to life, and that our job is to enable them to function. If they are a sci-fi monster, a different morality is at work, and they may be entirely malignant and need to be got rid of…

Such is the clumsiness of over-used metaphors, and while some good thoughts came up about the nature of business, It was largely a frustrating discussion (the root of the frustration goes back to my point yesterday about extroverts getting more airtime than they really deserved…)

But, it has since sparked off in me an idea about a mash-up of Schumacher’s ‘Small Is Beautiful: Economics As If People Mattered’ and the principles involved in running an information-age corporation… running it as though the people mattered, given them some investment in the process and the product, allowing departments to run as semi-autonomous collectives…

And this is how the indie side of the music biz has run for years – most indie record labels can’t afford big staff – they can’t afford PO Boxes let alone post-rooms. There’s little space for anonymous drones in the indie world, given that everyone really needs to earn their salary, and those salaries are probably tiny. As a result, everyone is there for the love of it, and brings in whatever skills they have to make it better.

I’m in two situations like this work-wise at the moment – small teams of ‘super heroes‘, pooling their skills as a collective, rather than as employees. The first, as you’ll have seen if you’ve watched the last two videos I posted, is Lawson/Dodds/Wood – my trio with Roy Dodds and Patrick Wood. We each have different skill sets, both musician-ly and para-musically – when we’re playing, Patrick and I can easily swap roles, I can do melody while he does texture/groove and vice versa. Roy can be very much a rhythm section player or entirely self-contained, happy to play beautiful percussion without any obvious bassline to ‘lock in’ to. It’s gorgeous free-flowing music.

And outside of playing, our skills are different too – Roy got us the most amazing drum sounds in the studio – great experience at ‘ad hoc’ recording – we had no separation for mics etc, just a tiny room that sounded great. So his experience in recording live bands in his own home studio was HUGELY helpful.

Then Patrick took over on editing it – with Roy and I offering support, advice, opinions (more Roy than me, as for a lot of the editing time, I was away in the US) – Patrick produced the record, sorted out the sax/vocal additions to our trio improvs, edited them down. Really really amazing skills. (there’ll be more about this on the video).

And what’s beautiful about it is that it’s all done in an atmosphere of mutual fandom and gratitude – Patrick and I are Roy’s biggest fans. He’s our favourite drummer, and are both hugely grateful to work with him. Likewise, Patrick’s editing and recording skills are something I’m happy to pimp out to anyone looking for that kind of world class expertise. There’s no boss, no focus group, no board of investors. Just three skills people pooling their resources for the greater advancement of the whole.

The second project is JFDI/The Social Takeaway, but I’ll write more about that later, as I really have to go and teach!

Lawson/Dodds/Wood – the making of Numbers Pt 2

And here’s part II – if part I felt like I was taking over, that was at least partly because the other two were just unsure of the format, really (it is a bit odd, filming yourself with a phone for uploading to the web, I guess!) – but by this part, they’ve started to get a bit more talkative, first Patrick talking about the editing of the album, and then Roy about improv… Some good stuff. Enjoy!

Lawson/Dodds/Wood – the making of 'Numbers' Pt 1

The download release/CD preorder for the Lawson/Dodds/Wood album ‘Numbers’ is only a day or so away from happening, so last Thursday the three of us got together to record some videos – (gawd bless the Nokia N95!) – talking about the making of the album.

The first of them was an 18 minute chat about the album, which I’ll put up in its entirety on Vimeo at some point, but here’s the first chunk of it on youtube, which is largely me talking about the genesis of the project…

More videos coming very soon…

Lawson/Dodds/Wood album launch news.

As if all the geeking in Helsinki wasn’t enough, we’re actually in the home stretch with the release of the Lawson/Dodds/Wood album, which is now officially called Numbers. The album should be available for pre order and download in the next few days, and what’s more, we’ve got a launch gig booked, and therefor an official release date!

The gig will be on November 24th, at The Vortex in Dalston, London.

I’ll be heading over to see Patrick and Roy on Thursday, with the aim of recording some videos telling the story of the project. That will be lots of fun.

Oh, and for those that case about such things, this entire post was written on my Nokia N95, using a WordPress posting app called Scribe – proper mobile blogging FTW!

So watch this space for news of the album going on sale in the next day or so…

Back from Italy… Finland-bound..!

grapes, selva capuzza, italyGot back from Italy yesterday, having had a fantastic time. Check out the photos on Flickr or my latest video on Qik for more on that – a lot of the photos were uploaded direct from my N95 phone, via wifi, and the Qik post was streamed direct to the site from the phone, leaving me feeling like I really don’t need to take a laptop with me on trips like that anymore – I was checking my email where possible (wifi access is pretty sporadic in Italy – next time, I think I’ll buy a local sim card), updating twitter and collecting lots of groovy photos and videos. Lobelia took LOADS of great video, which hopefully she’ll get uploaded soon (rather than streaming the lo-res versions to Qik, she recorded at hi-res, so hopefully she’ll put them up on Vimeo or some other service like that v. soon).

And tomorrow I’m off to Helsinki, to The Nokia Open Lab organised by Nokia/WomWorld all about this mobile social media stuff. I got back to find a Nokia E71 waiting for me. I’ve been using the Nokia N95 8gb since Greenbelt, and
LOVE it. It really is the ‘laptop killer’ for most daily use. Email, photos, video, even short-form blogging on it is a treat. The screen is big enough for reading long emails, blog posts, news etc, and with the TV-out you could even carry ripped films with you to watch on a TV wherever you were going… I’m a big fan of T9 predictive text, so have little problem typing about as fast on a T9-enabled numeric phone keypad as I can with one hand on a normal keyboard (I can touch type, so the ideal for me would be a bluetooth portable keyboard, but we’ll get to that eventually).

So to the E71 – first impressions aren’t great. It’s a ‘blackberry-style’ device, with a mini-qwerty keyboard, designed for lots of writing, emailing etc. I’ve never been a fan of that kind of interface, and while the design of this is better than any other that I’ve tried thus far (the raised keys and layout mean it’s fairly quick, but still WAAAAY too small for my bass-playing fists). The camera is not up to the N96/N82 standard, and so far, the web-browsing experience doesn’t match up. It’ll be great to get to talk it over with some of the other geeks out in Helsinki. I’m REALLY looking forward to checking out the N85 too – sounds like the business.

At least as interesting as the hardware stuff will be the conversations about the future of mobile, both social media applications and what it means for musicians (I’m not sure if this is built into the program, but I’ll be talking about it, blogging about it, streaming video about it, and generally making a noise about it 🙂 ) – there are some great people going, including James Whatley and Phil Campbell.

So, there’ll be lots of mobile chat here over the next few days, hopefully some fun stuff to look at and listen to for those of you who couldn’t give a shit about the geekness of it all, and THEN some new music… (I am SO overdue getting the Lawson/Dodds/Wood album up online for sale – the thought that it would get lost in a flurry of geeky-stuff is terrible, given that it’s such a fantastic album… Will focus on that lots ASAP, I promise!!)

Lawson/Dodds/Wood album… release is nigh. :)

Lawson/Dodds/Wood by Helena DornellasI’ve finally heard the proper mixed ‘n’ mastered version of the Lawson/Dodds/Wood album. It sounds amazing – Patrick has done an incredible job both of the editing and mixing mastering.

In case you missed it, Lawson/Dodds/Wood is a trio that came out of my Recycle Collective project (which is currently on a temporary hiatus). I’d played with Patrick a lot over the years, mainly in our respective home studios, and he was one of the musicians that inspired the Recycle Collective – we were making great music behind closed doors, so why not do it on stage?

Anyway, Patrick and I were thinking about doing a Recycle thing with a drummer, and both of us thought of Roy Dodds. Roy’s one of those rare drummers who understands what ‘quiet‘ actually means, but can rock out with the best of ’em. An endlessly creative musician, and perhaps most importantly, one of the nicest people you could ever hope to meet.

So we did a Recycle gig at Darbucka, and had a really special show. Some amazing music came out of it, and we decided there and then that this would be ‘a band’ – more than just a one-off collaboration for the RC, we’d do some more shows. And some recording.

We went into the studio for a couple of days in Dec. 07. We did it just like a Recycle gig – set up, play, see what happens. We spent two days doing that, and recorded some amazing beautiful sprawling improvs.

When I got back from a couple of months in the US, Patrick and Roy had already set about editing the big improvs down, distilling them, finding ‘the deeper magic‘ – it’s not the way I usually work, but in this instance, especially due to Patrick’s diligence and focus, the edits were really spotlighting what was best in each tune. We brought in Mark Lockheart to play sax and bass clarinet on a couple of tunes, and Gwyn Jay Allen on one track. The essence of the pieces is improvs – largely the edits were for length. It’s not a ‘remix’ project.

Along the way, each person who’s been involved, from the other musicians to artwork designers, mastering engineers and the like have got as excited about it as we are. Some really amazing music has emerged from a free flowing collaborative project, that is very much the sum of its parts. It made it particularly hard to decide on a name for the band, given that there was no ‘band leader’ in the trad sense. We arranged our names in various orders, and settled on the one that looked least like a firm of chartered accountants. But this is as much a Roy Dodds record as it is a Steve Lawson record. Same for Patrick. Their personality and musical magic is evident in every second of the music. 1+1+1=a very big 1. 🙂

And now the music is finished, and we’ve got a CD release date, vaguely – we’re going for mid October.

But thanks to the wonders of modern technology, we’ll have a very special digital version, with some lovely exclusive material, available very soon. You best bet is to sign up for my mailing list on the front page here, or follow @lawsondoddswood on twitter.

You can hear one tune from the album on my Reverb Nation page, and one on Roy’s myspace page. And I’ll post more about it here ASAP.

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