Happy Birthday…

…Jesus (oh, and Dido)

The bells of waiting Advent ring,
The Tortoise stove is lit again
And lamp-oil light across the night
Has caught the streaks of winter rain.
In many a stained-glass window sheen
From Crimson Lake to Hooker’s Green.

The holly in the windy hedge
And round the Manor House the yew
Will soon be stripped to deck the ledge,
The altar, font and arch and pew,
So that villagers can say
‘The Church looks nice’ on Christmas Day.

Provincial public houses blaze
And Corporation tramcars clang,
On lighted tenements I gaze
Where paper decorations hang,
And bunting in the red Town Hall
Says ‘Merry Christmas to you all’

And London shops on Christmas Eve
Are strung with silver bells and flowers
As hurrying clerks the City leave
To pigeon-haunted classic towers,
And marbled clouds go scudding by
The many-steepled London sky.

And girls in slacks remember Dad,
And oafish louts remember Mum,
And sleepless children’s hearts are glad,
And Christmas morning bells say ‘Come!’
Even to shining ones who dwell
Safe in the Dorchester Hotel.

And is it true? and is it true?
The most tremendous tale of all,
Seen in a stained-glass window’s hue,
A Baby in an ox’s stall?
The Maker of the stars and sea
Become a Child on earth for me?

And is it true? For if it is,
No loving fingers tying strings
Around those tissued fripperies,
The sweet and silly Christmas things,
Bath salts and inexpensive scent
And hideous tie so kindly meant.

No love that in a family dwells,
No carolling in frosty air,
Nor all the steeple-shaking bells
Can with this single Truth compare –
That God was Man in Palestine
And lives to-day in Bread and Wine.

Christmas by John Betjamen.

It’s christmas day – happy christmas. Hope yours is a merry, fun, peaceful and debt-free one.

Seems weird to be celebrating the birth of the Prince Of Peace after a year of war, but it was a year when more people actively protested in favour of peace than at any time since Vietnam…

Maybe we’ll get some peace on earth and goodwill to all men and women after all.

one more christmas poem, this one by Steve Turner –

‘The Cast Of Christmas Reassembles for Easter’

Take the wise men to the Emperor’s palace.
Wash their hands in water.
Get them to say something about truth.
Does anyone know any good Jewish jokes?
The one about a carpenter
who thought he was a King?
The one about the Saviour
who couldn’t save himself?
The shepherds should stand with the chorus.
They have a big production number –
‘Barabbas, We Love You Baby’.
Mary? She can move to the front.
We have a special section reserved
for family and close friends.
Tell her that we had to cut the manger up.
We needed the wood for something else.
The star I’m afraid I can’t use.
There are no stars in this show.
The sky turns black with sorrow.
The earth shakes with terror.
Hold on to the frankincense.
We’ll need that for the garden scene.
Angels? He could do with some angels.
Avenging angels.
Merciful angels.
He could really do with some angels.
Baby Jesus.
Step this way please.
My! How you’ve grown!
Steve Turner

Soundtrack – Jools Holland’s christmas special on TV.

Gigtastic!

Right, so my phone line was finally fixed – had to replace the line from the house to the pole outside. Two days without BB access was really bad… but I got lots done… there’s a lesson in there.

Wednesday evening was the Tim Berne gig at The QEH in London. My interest was particularly high due to David Torn playing guitar, but the band also featured Marc Ducret on guitar, Craig Taborn on keys, Tom Rainey on drums and the Arte Saxophone Quartet.

Met up with Theo at the gig, and watched the first half – hard going, very dense writing for lots of saxes. Half time, moved back a few rows to sit with Bill Bruford, and musically it all became a lot easier to deal with. Firstly a piece just for the sax quartet, then the other quintet playing some amazing stuff. Ducret was oustanding – I was familiar with his playing from before due to Franck Vigroux being a huge fan of his and playing me a lot of his work, but seeing him live was a revelation – amazing stuff. The whole band was great, really energetic, some marvellous improv. After-show party was fun – nice to see Mick Karn again, who I met briefly a few years ago in my past life as a Bassist journo.

It was so good in fact that I did it all again on Thursday! Though not before meeting John Lester for lunch, and spending a couple of hours on the anti-Bush march. The march was amazing – huge, colourful, noisy and featuring some particularly, er, ‘forthright’ slogans…

Then off to Oxford for the Tim Berne gig again. This time at the Zodiac, a club I’ve played at with Airstar. More of a rock club vibe, and a very different sound for the improv bits, another blinding gig. Loved it.

And today has just been about teaching, answering stuff on thedudepit, talkbass and my own forum, which let’s be honest, kicks the ass of all those lame-o forums… :o)

Soundtrack – right now, Billy Bragg, ‘Must I Paint You A Picture’, before that, Pat Metheny, ‘One Quiet Night’ (fantastic); Shawn Colvin, ‘Fat City’; Bill Frisell, ‘Good Dog Happy Man’.

A trip back in time…

Saturday night, The Cheat and I went to see Level 42 in Guildford, which was obviously a very different trip down memory lane than it was for the people who’d just come to hear some great pop tunes from their childhood… It was great to catch up with the guys in the band and crew, and to say hi to a few people in the audience who remembered me from the support slot last year (and to be refered to as ‘Chicken Man’… which was slightly unnerving and flattering at the same time… perhaps I need a feathered coat instead of the furry one… :o)

Anyway, it all brought back lots of fine memories, and the band played really well – slightly different set list from last year, with some really nice unexpected additions to the set list. Didn’t get home til the early hours of sunday morning.

Sunday was fun – one of the tunes from ‘Open Spaces’ was used as a musical interlude in part of the St Luke’s service, and then last night I spent a few fun hours catching up with David Torn – a very busy chap, and astonishing musician who’s playing around England this week with Tim Berne, so I’m going to three of the gigs – London, OXford and Birmingham.

And today, the new dyson arrived… :o) Ahh, domestic bliss. Took me a while to figure out how to get it working properly (what? programming effects units and operating four loopers at once I can handle, using a vacuum cleaner is a whole other world…) but once I did, we were away!

And now I’m waiting for a BT engineer to arrive, and while I’m doing that I’m listening to The Late Junction on BBC Radio 3, who last week played Flutter from ‘For The Love Of Open Spaces’ – fantastic! The Late Junction is a very very cool and very eclectic show, which I listen to a lot anyway, so getting airplay there is marvellous. you can hear an archive of the show – it’s the wednesday show in the ‘listen on demand’ archive, and you can see the playlist here – if you do listen to it, please email them and tell them how much you enjoyed hearing us on the radio!

so now I’m going to get on with mixing some of hte tracks from the Italian sessions of a few months ago…

Soundtrack – right now, The Late Junction. before that more of Rob Jackson, and John McLaughlin, ‘Que Alegria’.

Hi, honey, I'm home…

after being away for about two weeks.

First week was in Denmark, visiting the International People’s College. IPC is a ‘folk high school’ – a scandinavian educational model that looks at learning as something that’s worth doing for its own sake rather than just for the piece of paper you’ll get at the end of it. The various folk high schools around Denmark, Sweden, Norway etc. have different emphases (emphasise?? no idea…) – some are all about sport, or film making or whatever, and this one is an international school (the clue’s in the name), drawing currently from 32 different countries as diverse as nepal, england, argentina, tibet, bangladesh, malta, poland, USA, romania, uganda, kenya, australia and brazil.

the focus of the college is on conflict resolution, cross cultural studies, development issues and for most of the students it’s seen as a great place to learn english. The staff are an amazingly diverse bunch – from cambodia, mauritania, denmark, australia etc. etc. and the food’s great.

The reason for the visit is that my mum’s involved in trying to set up a folk high school in Berwick On Tweed (middle of nowhere and turn left), and I taught on their summer school this year. So we both went on a fact finding trip, to see if all this folk high school stuff was hippie idealism or a the answer to the UK’s current education crisis (education, education, education said Blair. bollocks bollocks bollocks says the entire population of england, 6 years on.) It was amazing – a fully functional school, the classes dealt with some pretty intense stuff, lofty concepts and deep philosophical stuff, all within the framework of 32 cultures under one roof, all unwittingly capable of deeply offending one another! :o)

With a week at the college and a couple of days to look round Copenhagen, we had a marvellous week (also had a nice chance to drop in and see Anders-Streetteam at one of the most amazing drum shops I’ve ever seen!) Copenhagen’s a great city – here’s hoping I can sort out some gigs there soon…

Got home from there for one day, did a day’s teaching, and headed off to Amsterdam on holiday. Warning – if you’re living in London, heading off to Copenhagen and Amsterdam in the space of a week is not a great idea if you still want to feel really good about where you live… Don’t get me wrong, I do like living here, and some things about being in England are magic, but politically we’re losing it, and the whole crime/vandalism/transport/weirdness thing has become the british axis of evil. Amsterdam is beautiful – it’s great to see a city of that size operate with so little car traffic. Thousands and thousands of bikes, but precious little car useage. lots of canals, gorgeous canals, and some very groovy shops. The liberal drug laws seem like a cool thing (when was the last time you saw someone get stoned and start a fight??), and there were much less of an agressive feel there than on a night out in central london, but the ‘liberal’ attitude to porn and prostitution is, according to the UN and other sources, just a front for some seriously nasty illegal stuff. So much for unionising the prostitution industry – doesn’t really help the girls who are being trafficked from asia and eastern europe. London has a huge problem with this too, but at least we don’t pretend that being a prostitute is a great gig and that it’s all kosher here… scary stuff.

Still, it’s a great city, sex-tourism aside, and I hope to go back and do some gigs there too soon!

And now I’m back home – time to get to work promoting the CD, which hopefully you’ve all bought by now! :o) Theo did a huge mailout to radio and media while I was away, so reviews and airplay should start happening soon… til then, play the CD to your friends, steal their money and buy them it for christmas. Lots of people are saying it’s their favourite of the CDs I’ve put out, which is nice.

On the bad news front, I heard today that Mike Yaconelli was killed in a car accident a couple of days ago – if you’ve ever been to Greenbelt, Yak won’t need any intro. If not, he was an author, social activist, realist, speaker, comedian and all round remarkable human being who did far more in his 61 years than many people could acheive in 10 times that. His passing is a loss to the world. here’s the report from his hometown. Please spare and thought and a prayer for his family.

Soundtrack – while I was away I picked up a few CDs – Charlie Haden, ‘American Dream’; Jing Chi, ‘Live’; Living Daylights, ‘Electric Rosary’ and Metalwood’s latest, which is upstairs and I can’t remember the title, but they’re all very good indeed! Today I’ve been listening to Jonatha Brooke, ’10 cent wings’, which is oustandingly brilliant, like just about every note jonatha has ever uttered.

orders come flooding in…

…big thanks to everyone who’s bought the CD so far – lots of orders are in already, well on the way to covering cost before the CD comes out, which is always nice – it’s a slightly precarious thing this releasing your own CDs. Modern computer recording has made that side of it a lot easier, but without the funds to do blanket advertising etc. we rely on word of mouth more than anything, so please let your chums know about it…

Anyway – what’s been happening over the last few days? Well, Saturday was the Stop The War march in London – somewhere between 20 and 100 thousand folks out (usually split the difference is close – so say 50thousand), marching from Hyde Park to Trafalger Square. Much was made of it not being as big as February’s march, which is quite honestly shabby journalism – since when did marches protesting the complexity of requests to withdraw troups and playing poodle to Bush ever gather the same emotive response from the general populace as stopping the government going into a war that was at that point still avoidable?? Nonsense. It was a huge display of public unrest, with lots of the banners calling for an end to lies and spin, sick of Blair’s failure to engage with public opinion or even his own party. With the Labour conference going on at the moment, he’s getting a bit more of a battering, but still not enough. The party are refusing to allow a debate on Iraq at the conference – knowing obviously that Tony’s position is completely out of step with just about every labour supporter in the country. So much for living in a democracy.

Anyway, the march was good – it’s always nice to know that you’re not alone in finding the actions of the leaders of the west dispicable. Nice to stand alongside lots of very normal, but very pissed off people. The most moving group I saw was the ex-servicemen against the war group – decorated servicemen from the second world war saying enough’s enough…

So on Monday I went down to Eastbourne – firstly to fix Tess’ Echoplex, which wasn’t broken at all, and then to check the chromalin artwork for the new album, which was approved and sent off, with the delivery date set at the 13th october! how exciting – get those orders in now! :o)

Came back and headed over to have a play with BJ Cole and Orphy Robinson – our new trio of Pedal Steel, Bass and Steel Pans is really exciting – it’s cool because we haven’t taken written tunes in at this stage, just jamming to find the sound of the band, what works, what doesn’t, and lots of what we did on Monday worked. Hopefully we’ll be gigging soon

and talking of gigs, I’ve got a few dates coming up, it seems. Lots of unconfirmed but highly likely stuff. Just need to sort out logisitics to firm them up. And now I need to sort out a date or two with theo over the coming months…

Oh, and talking of Theo, there’s a new MP3 up from the extra disc – ‘It’s Not Gonna Happen’. The track’s called ‘As Long As My Arm’ and the MP3 is a 6 minute edit from a 15 minute track!

enjoy.

SoundtrackJoni Mitchell, ‘Hejira’; Jughead, ‘Jughead’; Prefab Sprout, ‘Jordan The Comeback’; Steve Lawson and Theo Travis, ‘For The Love Of Open Spaces’.

Return of the King's (X)..

Went last night to see King’s X at the Mean Fiddler. They don’t play in London all that often, and their last gig here was one of my all time favourite gigs. And last night was no dissappointment. The sound was a bit ropey for the first few songs, but after that, ’twas amazing. Such an incredible band – it’s odd how a band can seem so un-cool on paper (odd time metal riffing with beatles-esque harmony vocals) and yet be perhaps the most timeless band I’ve ever heard. It’s testemony to this that their latest album, Black Like Sunday is all tracks that were written before 1986, and still sounds as fresh as any of the recent stuff!

Doug Pinnick, the singer/bassist is 53 and looks about 30 on stage, and only about 40 up-close – definitely the best advert for prolongued canabis useage that I’ve ever seen!!!!! He’s got a remarkable stage presence, and a vocal with more soul than just about any rock vocalist ever… and can scream like Aretha Franklin.

I interviewed Doug years ago for Bassist magazine, and spent about 3 or 4 hours chatting over dinner – most of which was totally unusable for the interview but a great time nontheless. It was nice to get a chance to say hi last night, though they were flying out of Heathrow at some ungodly hour this morning, so no aftershow party…

Anyway, the gig confirmed why they are still one of my alltime favourite bands, even though I’ve listened to precious little metal for the best part of a decade. An utterly unique band, and one that have never even got close to the commercial success they so richly deserve.

Soundtrack Frogwings, ‘Croaking At Toads’; Hank Jones/Charlie Haden. ‘Steal Away’.

Musical Friends…

…are keeping me happy…

so sang Bruce Cockburn in 1970, and indeed it’s true in my life too.

The latest installment in musical friendship began on Friday when I went to see Lifehouse play at Shepherd’s Bush Empire. What a fantastic band!! I’ve got both their albums, but the live experience is even better, and the new guitarist is amazing. I met Sergio, Rick and Jason a couple of years ago in LA, and have seen Sergio a few times since (he came to one of my gigs in LA), so had to go see them play when they were here. Great to hear them, great to get to hang out here in London rather than in LA this time!

part 2 of musical friends was Julian’s wedding on Saturday – Julian’s a former student of mine from Drumtech, who’s now doing big business on the session scene, and deservedly so, he’s a truly brilliant drummer (he was when I was teaching him too, so I’m not taking any of the credit for that!) – anyway, his wedding was naturally full of musos, lots of whom I hadn’t seen for ages, so it was great not only to see my friend get married, but to catch up with so many old aquaintances. Add to that the full on gospel choir hymns/worship section of the service, and some fantastic food at the reception, and you’ve got a magical day.

part 3 – meeting up for a beer on Sunday afternoon with Steve McEwan and Nick Paton. I’d not met Nick before, but he was in Friends First’ – one of the bands I’ve listened to most in my whole life (their album ‘We See A New Africa’ soundtracked about three years of my life in my mid teens). It was great to meet him, and be able to give some advice on indie promotion to someone whose music has meant so much in my life.

part 4 – Denison Witmer is a singer/songwriter from Philly who played at Greenbelt this year, and was fantastic. We chatted a bit at the festival and swapped CDs, and he was playing in Brixton on Sunday night, so The Cheat and I went down to hear another stunning gig from the man. Also gave me a chance to buy his other CDs, and go for a curry with Denison and The Cheat.

Then today, met one of my occasional students, Nick, for a coffee, and had a marvellous afternoon chatting about life, music, politics and everything in between.

So, music friends have indeed been making me happy, which got me thinking, and I came up with the notion of the Pillow Mountain Records extended family – a list of artists who are good friends, and whose music I endorse wholeheartedly, and will encourage as many people as possible to check out. So anyway, so you don’t have to go rummaging through the PMR site for the list, here are the links for you to peruse. All these peoples are amazing artists, and lovely people worthy of your patronage.

www.altruistmusic.com – Andre LaFosse
(turntablist guitar)
www.petermurray.ca – Peter Murray
(singer/songwriter)
www.denisonwitmer.com – Denison Witmer
(singer/songwriter)
www.kerry-getz.com – Kerry Getz
(singer/songwriter)
www.manthing.com – Michael Manring
(solo bassist)
www.johnlestermusic.com – John Lester
(solo bass singer/songwriter!)
www.nedevett.com – Ned Evett
(fretless guitarist)
www.tripwamsley.com – Trip Wamsley
(solo bassist)
www.unguitar.com – Luca Formentini
(unguitarist)
www.calamateur.co.uk – Calamateur aka Andrew Howie
(singer/songwriter/foundsoundist)
www.julielee.org – Julie Lee
(singer/songwriter)

there you go – check ’em out!

soundtrack – right now, Julie Lee (see above), ‘Made From Scratch’; before that, Denison Witmer (ditto), ‘Safe Away’ & ‘Philadelphia Songs’; The Choir, ‘Wide Eyed Wonder’; Bruce Cockburn, ‘World Of Wonders’; Nik Kershaw, ’15 Minutes’; John Lester, ‘Big Dreams And The Bottom Line’; Joni Mitchell, ‘Travelogue’.

Politics is the new Rock and Roll

Apparently the mighty and wonderful Tony Benn has released an album! It’s a collection of his speeches, with some ambient music behind it. I’m sure it’ll be as marvellous as everything else that Tony puts his hand to – he was on the radio this morning, on Danny Baker’s Show, and was on top form.

anyway, must dash, things to do, write more later!

Evolution or Revolution?

The music industry is changing, that’s for sure. To do what I’ve done even 10 years ago would have been a heck of a lot more difficult and expensive to get off the ground. The cost of recording studio set ups has plummeted with the home computer market, the net has thrown the doors wide on forming underground niche networks through which to make a small-scale name for yourself, and online shops are waking up to the growing sales of independent albums (interesting that while the majors are all crying ‘foul play’ over file sharing, the indies are selling more records that ever…)

Maybe people respond well to having the chance to buy CD directly from an artist – I know I do! I love browsing CD Baby looking for interesting music, having a listen to the streaming stuff and then buying a CD or two, knowing that the artists are getting the dough for their hard earned work.

So is this a natural shift, or are we about to see the collapse of the industry as we know it? The mainstream charts are getting less and less relavent to your average joe – how many ‘big’ albums have I bought in recent times? Right now, I think I own two CDs in the top 40 – Athlete’s ‘Vehicles and Animals’ and Coldplay’s ‘A Rush Of Blood To The Head’ – that’s a pretty high proportion for me! A large amount of my time is spent listening to indie stuff, self produced CDs (with nothing to distinguish them as self produced other than the care and attention that’s gone into them, and the rather more matey sounding sleeve notes!)

But, if the truth be told, there are times when I wonder if the record company route might be easier – someone else to do the work. Then I read articles like this one by Steve Albini – he produced In Utero by Nirvana, and here outlines the details of a major ‘rock’ deal (some fruity language again, so avoid if easily offended). Thanks, but no thanks, I’ll stick with ‘jamming econo’ as the mighty Mike Watt calls it – the DIY ethic is a powerful one, and it doesn’t take much searching to find like-minded souls with whom to share a thought and a word of encouragement. I’ve met loads of indie musos through Looper’s Delight, the solo bass network, and just through gigs, web surfing, at NAMM and so on. Tomorrow I’m meeting up with a very fine solo bassist called John Lester, another solo bassist ploughing a furrow in London, and making some amazing music (check out his site, he’s great).

Anyway, I thank God I had the chance to go indie when I did, and that it’s all working out so well… looking forward to putting out the new record with theo, and then starting work on the next solo one! I’ve done loads of practicing over the last few days and am getting a few ideas together for new tunes… what fun…

Soundtrack – Terje Rypdal, ‘Skywards’, Duke Special, ‘Lucky Me’, and an advanced copy of Andre LaFosse’s album ‘Normalise’, which is marvellous. I mean, really really good! not easy listening by any stretch, but some of the most adventurous, funky, glitchy fascinating sounds ever to come from a guitar… Go and have a listen to some of the tracks in Andre’s MP3 archive, and then order the CD…

Bruce Cockburn Gig Pt 2

Part two of the Cockburn gig experience – this time at The Forum in Kentish Town, London, which is an OK venue, but not ideal. Still, Bruce and Julie were on top form, played enough material that was different from last night to make it all well worthwhile, including a couple of real surprises, including ‘Planet Of The Clowns’ from his early 80s album, Trouble With Normal – a great song.

Julie Wolf was on sterling form once again – more fine piano playing and atmospheric organ stuff.

Interesting to see SOOO many people I knew at the gig (probably 30-40 I knew by sight, and 25-30 by name), and we also had the now obligatory Bruce gig recognition thingie – ‘are you that bass player bloke? I saw you at Greenbelt, and recognised your beard’… :o)

Following the gig was a low key meet ‘n’ greet backstage – very nice to get a chance to compliment Julie Wolf on her marvellous playing, and say hi to Bruce, though whether he remembered me as the guy who interviewed him for guitarist mag 4 years ago is anybody’s guess.

Anyway, one of the other songs that Bruce did tonight that was left out of last night’s set was Call It Democracy – a marvellous insightful raging rant about the onward march of western economic and militaristic hegemonic practice – so good, that I’ve copied the lyrics here (there are a couple of naughty words in them, so if such things upset you for some reason, page down past the song)…

Padded with power here they come
International loan sharks backed by the guns
Of market hungry military profiteers
Whose word is a swamp and whose brow is smeared
With the blood of the poor

Who rob life of its quality
Who render rage a necessity
By turning countries into labour camps
Modern slavers in drag as champions of freedom

Sinister cynical instrument
Who makes the gun into a sacrament —
The only response to the deification
Of tyranny by so-called “developed” nations’
Idolatry of ideology

North South East West
Kill the best and buy the rest
It’s just spend a buck to make a buck
You don’t really give a flying fuck
About the people in misery

IMF dirty MF
Takes away everything it can get
Always making certain that there’s one thing left
Keep them on the hook with insupportable debt

See the paid-off local bottom feeders
Passing themselves off as leaders
Kiss the ladies shake hands with the fellows
Open for business like a cheap bordello

And they call it democracy
And they call it democracy
And they call it democracy
And they call it democracy

See the loaded eyes of the children too
Trying to make the best of it the way kids do
One day you’re going to rise from your habitual feast
To find yourself staring down the throat of the beast
They call the revolution

IMF dirty MF
Takes away everything it can get
Always making certain that there’s one thing left
Keep them on the hook with insupportable debt

There you go – what a great song. It’s from the album ‘World Of Wonders’, which is great, and there’s also a magic version on Bruce Cockburn Live.

Soundtrack John Coltrane, ‘Coltrane’; Paul Motian Trio, ‘Live At The Village Vanguard’; The Amazing Bud Powell Vol 1.

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