Recycle day…

My favourite day of the month. It’s Recycle day! Yay! The day when all discerning music peoples in London pile into Darbucka World Music Bar in Clerkenwell for an evening of amazing improvised music, great company, fun and marvellous food and drink.

Hope to see you there – I’ll be the tall guy with the long hair on stage. Do come and say hi if you make it, but not while I’m playing, obviously…

joining me tonight are two outstanding musicians – Leo Abrahams on guitar and Jason Yarde on Sax and whatever else he brings with him. Oh yes, it’s going to be excellent.

singer/songwriter genius shows Street Team how it's done…

Juliet Turner, fabulous singer/songwriter and Recyclist from Greenbelt, sent this out to her mailing list yesterday –

“Hey. For any of you who are in London, try and check out this gig. Super amazing bassist Steve Lawson gathers together GREAT musicians and they play off the cuff/of the moment/who knows whats going to happen next/ music. I did some singing with Steve at the Greenbelt festival this summer which was a lot of fun. There’s a Recycled gig on the 21st Sept at 182 St John’s St. Clerkenwell, London when Jason Yarde (saxophonist, very celebrated jazz musician) and Leo Abrahams (guitarist, Brian Eno, Ed Harcourt, Roxy Music) will be joining Steve. The music will be extraordinary. More details on their myspace site.”

How lovely is that? The date is a day late (MySpace quite often lists gig dates a day late for some reason – always click on the gig and check the ACTUAL date of any gig you get off MySpace), but that’s the kind of support and encouragement that any musician craves but rarely gets.

As I’ve said numerous times before on this ‘ere blog, you REALLY need to check out Juliet’s music – her website is julietturner.com and her myspace address is myspace.com/burntheblacksuit – all three of her albums are beautiful, and her new single is utterly gorgeous (if you were at the Greenbelt RC gig, you might recognise the words to ‘Joy’ as she used it as the basis for the improv she did with Harry Napier, Huw Warren and I.)

one year on

Yesterday was the first anniversary of the death of Eric Roche. On Tuesday night, TSP and I went to see Nizlopi play at KoKo in Camden, and one of the support acts, Newton Faulkner studied with Eric, and commented after the gig when I mentioned that Eric had been a good friend, ‘I pretty much owe everything to Eric’.

I’ve spent a lot of time this last year thinking about Eric, saddened by his death and by the thought that we’ll never get to play the music we had planned, to do the gigs we’d talked about, to record a duo version of ‘Deep Deep Down’. It’s funny, when he first told me he’d wanted me on it, I thought it was an after thought and as I was there he just said ‘yeah, I wanted you on it’, but quite a few people over the last year have said ‘ah, Steve Lawson, Eric told me about you’ and then mentioned that tune as the one he picked out that he wanted to do with me.

I now do a solo version of it, and as much as I enjoy playing it, it doesn’t sound the way it would if it were both of us…

Anyway, spare a thought for his wife and kids, and what they must be feeling – regrets about missed collaborations are infinitesimally small when compared to the loss of a life partner, parent, child…

And if you haven’t already got Eric’s CDs, head over EricRoche.com and order them, they’re all great.

More magical recycling…

It’s becoming a bit predictable – Recycle Collective rolls around towards the back half of each month, and an evening of fabulous creative exciting music ensues.

Audience sizes are less easy to predict, but August is a tough month for playing anything other than festivals in the UK, so I was actually quite happy with our modest gathering of lovely Recyclettes.

We went with the three set/three curators model of Recycling – starting with me playing a couple of solo tunes (Behind Every Word and MMFSOG for those taking notes) and then inviting Andy Hamill up for some bass duets, he on upright, me on fretless, that came out beautifully. Andy’s been playing with Natasha Atlas, and he fed a gorgeous middle eastern melody into one of the improvs.

We then got Seb up to join us on drums, and I looped his drums, and anything else that happened to end up being picked up by the mic over his kit! Much fun indeed, some great noises and great moments.

Second set was Andy’s to curate, and he started it off with a lovely solo piece for looped bass and harmonica, followed by a duet with violinist Julian Ferraretto, who also sang beautifully on Nature Boy – yup, proper jazz at the Recycle Collective! They did another standard after that, My Romance, with Seb on drums, and played it really well – Andy’s chordal comping on the upright was just amazing. Fab stuff.

I then joined them for a quartet improv piece, which started off with a violin and bass loop and spiralled out from there. Such a treat to play with such marvellous musicians.

Seb’s set – the final one of the evening – started with him playing his first ever solo drum piece. Always nice to have firsts at the RC, especially when they’re as good as this. I then went up and we started what was to be about a 20 minute abstract piece that began with me looping his drums, replacing bits of the loop, flipping it back to front and adding some scary elephant noises and spookiness, then moving to a filtered faux-tabla rhythmic thing before andy joined us, and finally Julian and another violinist, Mandy Drummond piled in for a very dark atmospheric finish, with andy playing a sparse groove, seb scattering percussive sounds all over the place and the two violins adding violin loveliness to it all.

All in all, a fab night’s music. Some truly amazing moments and a fascinating journey through a new musical landscape, as well as the first ting-ting te-ting jazz at the RC.

Here’s hope the Bass/Bass/Drums trio happens again very soon!

first there was myspace…

First there was Myspace. Actually, no, first for me was Last.fm. But then there was MySpace. then YouTube. That’s a fun one. Need to get some more videos together for that.

and now there’s iSound – who knows if it’ll be of any value. I’ve just got the freebie account – it’s nearly $10 a month for the paid account… will see how it pans out first…

Anyone tried it? experiences?

Mixing new music

Today, I’ve been mixing some of the duets I recorded with Luca Formentini in Italy back in July. Luca’s a fantastically creative guitar player, and our two sound-worlds meld together really well. I’ve done preliminary mixes/edits on three tracks so far and all are really lovely. I’ll set up a MySpace page for them as soon as I can, so that there’s some stuff out there to listen to for y’all, and hopefully it’ll be released on CD before too long…

Leo Abrahams – Scene Memory

Picked up Leo Abrahams’ new CD, ‘Scene Memory’ at his gig the other night, and have been listening to it today. It’s quite a different affair from his first album, Honeytrap, which is all big melodies and involved chord progressions. This one is much more ambient – loads of really heavily filtered delay sounds on his guitar and gorgeous lush pads, through which Leo weaves his melodies is a less obvious way than before. Both albums are really beautiful, and it’s great to hear the tracks on the CD sound pretty close to the way he plays them live – I don’t know of each track on the CD is a single live performance, but it sounds like it.

If you like what I do, you REALLY ought to check out Leo’s stuff. He’s an amazing musician ,and gorgeous composer, and he’s doing the Recycle Collective on the 20th of September. Be there!

leoabrahams.com
myspace.com/leoabrahams

Leo Abrahams gig

Went to see Leo Abrahams play last night – Leo’s an amazing guitarist and composer, who did the Recycle Collective a couple of months back, and is back with us again in September, and last night was playing at The Slaughtered Lamb in Clerkenwell, not far at all from Darbucka, at a night called the Electro Acoustic Club.

He played a few tunes I’d heard before from his first solo album HoneyTrap, and some new stuff from his brand new album, Scene Memory, which were really really lovely. He’s using lots of really gorgeous filtered sounds on his guitar on the new stuff – anyone who likes what I do will love Leo’s music, for sure. So head over to his MySpace Page to hear some, then buy the CDs.

Go on, off you go!

That's More Like It!

Right, that was a much better audience size. Back on track now.

After a day spent flyering, postering and eating interesting food in funky cafes, a fine gig. Not only that, but we got an encore. Much fun.

We changed tack today – decided to offer some 2 for 1 offers to entice in a bigger crowd. Lots of very eager sounding people on the royal mile, and out and about. Also lots of people recognising me from all over the place – MySpace, Bass Day UK, The Radio (they didn’t recognise me by seeing me from the radio – that would just be silly – but when they saw my name, then said ‘aha! I heard you on Late Junction last week’). All over the place.

Likewise, a straw poll of those at the gig showed they came from all different paths – flyers, posters, friends’ recommendations, me sneakily recommending the gig to people who’ve come into the venue for information about something completely different, people reading the Fringe programme…

Both of which show that you can’t do either/or with promotion of any kind. We’re all looking for the short cut, the one thing that will expand our audience, give us fame fortune and a full house every night. But it doesn’t exist. It’s all cumulative. People who’ve seen your name in the programme might only think to come to the show if they then get given a flyer. People who’ve heard you on the radio might only visit your website after they see you at the fringe. People who’ve checked out your myspace page might be more inclined to buy a CD once they’ve seen you in person.

Talking of seeing people in person, I bumped into my old boss today – Howard Jones. You may or may not know that I toured playing bass for Howard in 1999. It was a fantastic experience, playing really great songs with a really lovely band. He was a real treat to work with. I haven’t seen him in years, but he’s up here doing a show, that sadly clashes with mine so I won’t get to see it, but he’s great live, and I’d have loved to have got along. Still, ’twas a delight to catch up with him, and I’ll have to get to one of the gigs on his Autumn tour.

Tomorrow’s a busy day – we’re doing Mervyn Stutter’s Pick Of The Fringe at lunch time, then our gig at night, and then The Midnight Carousel again at 1am… In between, much flyering, postering cajoling and coercing of lovely people to come and check out the show.

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