If Spotify Is The New Radio, The Artists Are Winning

[EDIT – this post is a couple of years out of date – for a more recent appraisal of where I stand with Spotify, see Why I’ve Taken My Music Off Spotify]

There were a few articles kicking around yesterday touting a figure that ‘Lady Gaga earned $167 from Spotify for over a million plays’ – I think the story originated on TorrentFreak.

Perhaps not surprisingly the writers at TorrentFreak aren’t too au fait with the way that payment systems work for artists. The figure quoted is a publishing royalty – it’s from STIM (The Swedish Performing Rights Society). It doesn’t reflect payments due to the performer direct from Spotify (outlined in somewhat confusing detail in this Guardian article) which, according to the CEO of We7, are roughly ten times the PRS-collected royalty payment. It’s this figure that may or may not have been negotiated downwards by Spotify with the major labels – the labels have pretty much no say over the rates that the PRS set (other than through lobbying). Continue reading “If Spotify Is The New Radio, The Artists Are Winning”

Youtube Vs. The PRS: A very 2.0 Solution

Screengrab of Coldplay's official youtube channel, tell us we can't see their videos in the UKScreengrab of Coldplay's official youtube channel, tell us we can't see their videos in the UKOne of the biggest “music on the web” stories in recent months has been the breakdown in relationship between the UK Performing Right Society (PRS) and Youtube (owned by Google). It’s over the share of Google’s ad revenue that should go to the writers of the songs in ‘premium content’ videos on Youtube. (for some background, here’s An article from The Guardian, and the PRS’s latest statement).

So, who’s in the wrong? Not surprisingly, both are, at least partly.
Continue reading “Youtube Vs. The PRS: A very 2.0 Solution”

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