Some MySpace Props…

as they say in the hood.

A few MySpace links to various coconspirators –

BJ Cole – genius of the pedal steel, plays on one track on my new album.
Cleveland Watkiss – Recycle Collective regular, one of the greatest singers I’ve ever heard, let alone worked with.
Calamateur – Scottish singer/songwriter and found-sound experimentalist. Writes really beautiful songs, and we’ve got a duet album coming out some time in the next few months.
Theo Travis – Saxophonist… you know who Theo is by now, right?
Leo Abrahams – guitarist at the last Recycle Collective gig. Bloomin’ marvellous.
Orphy Robinson – vibes/percussion/trumpet/weirdness. An amazing musician and composer.
Trip Wamsley – solo bassist, composer, player and writer of gorgeous music. New album coming out soon.
Jeff Taylor – played at the first Recycle Collective gig. Great singer/songwriter.

There you go, I’ll add some more soon. Click on those, have a listen, if you’re on myspace already then leave a comment, buy the CDs of the stuff you like, and check out their gig lists!

Album deadlines – it's all suddenly very real!

The recording part of the album is just about finished (still might do another version of the tune for Eric… watch this space), and I’m onto mixing now. Not only that, but it’s booked in to be mastered on May 10th. The mastering will be handled by the genius that is Denis Blackham – Denis mastered Grace And Gratitude, and he got that gig because he’d mastered Theo‘s albums, as well as Talk Talk’s Spirit Of Eden. He’s good. Very good. So he gets the repeat gig.

The album now has a name – it’s called Behind Every Word. The title is taken from an interview I heard on Front Row with Guillermo Arriaga. At the moment I’m mixing the title track (which got an airing at the Recycle Collective on Wednesday, but thanks to my having pulled one channel of the Looperlative out, it wasn’t sounding its best…)

It’s amazing to think now that Not Dancing For Chicken was all recorded to stereo! that explains why some of it is rather noisy (so noisy in the case of Jimmy James that I’ve rerecorded it for this album). With being able to separate out the loops from the direct signal from the extra weirdness process is a real treat, and means that I can get better separation between the tracks, less noise, and clearer stereo imaging. I can’t wait to get a production model Looperlative and start doing this stuff with the loops going to 6 separate outs!!! that’s going to be amazing…

Anyway, From today onwards, for the next couple of weeks, there’s going to be a lot of mixing happening. next week I’ll be mixing each morning, and gigging each evening (with a little bit of teaching on Tuesday). All very exciting.

Gimme a day or two, and I’ll get a couple of tracks up on MySpace for you to hear.

Recycle Collective gig 5

Another fine ‘n’ fun Recycle gig last night. The run up to it wasn’t good at all – thanks to Arsenal playing at home, we got there 45 minutes later than we needed to, and even then I’d left my laptop at home which I’d planned to set up and record it.

Eventually got set up, but didn’t do a proper soundcheck, so it wasn’t til I started playing that I realised something was wrong somewhere in the system – the problem being that when I’m recording, I use all 6 of the Mic channels on my desk ‘cos those are the ones with insert/sends. When I’m doing a gig like this, I need to free up the mic channels for other things (like mics), and somewhere in the process, I’d managed to unplug one channel of the Looperlative from the back of the machine.

Much sonic struggling ensued through my first couple of tunes – the combination of trying out new tunes and malfunctioning gear was a tricky one – but the improvs with Cleveland and then the trio section went really well, so no worries there.

Leo Abrahams was up next, and play three amazing solo tunes (one called Slippery Jack was particularly amazing). we then did ‘My Song Is Love Unknown’ together, which was fine, but would’ve been better if I’d worked out what that weird minor chord was in the middle (!), and then onto the trio, which was really interesting. Leo introduced it as one of his own tunes, and played the progression from the tune (with a beautiful delay and filter guitar sound that I want to steal!), Cleveland and I responded to it in the way we would any improv, and it soon morphed away from whatever Leo had initially intended, as his first loop faded out, and we transitioned into some amazing space. Cleveland is quite possible the most intuitive musician I’ve ever performed with – his instinct for reacting so clearly to whatever is going on, and taking it to new heights is remarkable.

Third set was Cleveland solo to start – he’s got some new Echoplex tricks up his sleeve, and really knows his Lexicon processor now and put on a really great show. Followed by an equally marvellous duo set with Leo, that went to some very strange places in a beautiful and beguiling way.

The last of the trio sets comprised two beatbox-related tracks, with similar grooves but very different textures, the second of which ended up with some crazy double-time swing section that really ended the gig on a high.

All-in, much fun. ‘Twas nice to try out a couple of the new tunes in front of a friendly audience – need to get them down a lot tighter before next week.

For those of you asking for recordings, i’ve got some of it on the laptop, but it crashed three times (my guess is that trying to run a firewire powered soundcard and the laptop itself off the same battery is a bit much for the machine) – so I’ve got a few bits, and I’ll fire it up later to find out what. But the distraction of faffing with it reminded me that if we are going to record these things, I really need to a) get there a lot earlier (like we’d planned to without the Arsenal traffice) and b) DELEGATE.

Next RC gig is May 18th – see you there!

Should've blogged this a week ago…

It’s normally the first thing I do when Time Out arrives around the time of a Recycle Collective gig – check the entry. But I only got round to looking today, and it’s been in for a week. This is what it says –

*Cleveland Watkiss/Leo
Abrahams/Steve Lawson
Recycle
Collective at Darbucka, EC1: 7pm; £7 concs
£5.
Superb monthly concert series that
explores the relationship between live
improv and live looping (ie recycling the
song as it unfolds and using the created loop
as part of the unfolding piece). Tonight with
superb singer Watkiss, Brian Eno sidekick
Abrahams and bassist Lawson.

that’s rather nice isn’t it? No reason for you not to come along now. :o)

Imogen Heap gig

This is one I’ve been looking forward to for quite a while. I first saw Imogen Heap play at the Kashmir Klub about 6 years ago, at a ModernWood Management showcase gig, along with Nik Kershaw (who also had Leo Abrahams on guitar, to be featured at the next Recycle Collective gig) and the Dum Dums. I then bought her debut album in the US for some tiny amount of money, and it very quickly became one of the favourite CDs in this house. It’s great.

Last night she was playing Shepherd’s Bush Empire – a pretty huge venue for someone who this time last year was just finishing up recording a self-produced CD. However, between then and now, the track Hide And Seek from that CD, ended up being featured at some critical moment on The OC (I’ve never watched The O.C. – I’ve been to Orange County, and if the TV show is accurate, I can’t imagine in being very interesting, and if it isn’t, I’d just get annoyed with it). It was a huge radio hit all over the place, Radio 1 played it a lot here, and Imogen was right there in the spotlight where she belongs. The album’s lovely, BTW.

So, anyway, the gig – Shepherd’s Bush Empire – a v. large and pretty prestigious gig, though not the friendliest for the musicians or the audience. I’ve ranted here before about venues owned by Carling, and SBE is one of them with the corresponding focus on beer, leading to people talking. At times it was impossible to hear what Imogen was saying between songs, and during the two supports there was a bit of chatter coming from the main floor.

Ah yes, the support – first support was Zoe Keating – someone I’ve had a fair bit of email contact with as she’s a looping cellist, and was, I think the third owner in the world of a Looperlative, after me and Rick Walker. Her solo set was lovely, featuring unprocessed looped Cello (and the best live amplified Cello sound I’ve ever heard – apparently it’s an AKG contact mic, will get the details for any geeks wanting to know). Very lovely stuff.

Second support I didn’t get to hear much of… We arrived just before 8 so we could see Zoe play, and thanks to the craziness of guest-list goings-on, I had a ticket, but TSP’s hadn’t arrived yet ( we were meant to be going with TAFKASB, but she had to go to some punk gig instead…) so I went in to see Zoe’s set (not fair on TSP at all, but as my ticket was on Zoe’s guestlist, it would have been pretty dreadful to miss her solo set), then came out again to find TSP and sort out tickets. Which was all during second support.

Sadly, while my first ticket was seated upstairs, second tickets were standing downstairs only. We’re too old for that, but we did anyway, found a place by the stairs where TSP could see the stage and settled in for an evening of chronic backache.

Imogen came on and did her first number just solo, looping her voice with a Repeater (she so needs a looperlative!) – it was one of the most musical, clever, groovy and entertaining loop performances I’ve ever seen. It’s interesting that often the best loop-based performers are those that don’t make a big deal out of it, but that’s by the by. The rest of the night was a gorgeous mix of solo loopy stuff, solo piano stuff and was the first time she’d showcased the full band, with Zoe being marvellous on cello, plus drums, tuned percussion and a second keyboard player (the second support bloke), augmented by a few things on laptop.

Imogen’s stage presence was somewhat akin to an amiable old-school TV chef, like a glammed up Fanny Craddock cooking up the perfect gig; ‘now we’re going to add some Cello – would that be lovely?’ – sadly the constant chatter of audience members lubed up on nasty overpriced lager from the venue owners meant that a lot of the between song asides were lost, but the whole vibe of just chatting to the audience instead of trying to whoop them into some frenzy was right up my street.

All in all, musically and performance-wise one of the finest gigs I’ve seen in a long time, some of the most sophisticated looping and a whole slew of stunning songs (including one of the duets she did with Urban Species years ago, just her, the rapper from the band and piano – lovely stuff!). I just can’t wait to see her play the Barbican or Festival Hall, or the Albert Hall – somewhere with seats and an audience encourages to STFU during the whole gig.

The After-show party was a bit of a long wait – I really wanted to meet Zoe, so we stuck around for about 45 minutes til she showed up. Well worth the wait, as it’s always lovely to meet online-chums face to face. Also got to say hi to Imogen, who I’ve met on a few occasions before, but she couldn’t remember where. :o)

If she plays near you, DON’T MISS IT.

Third musician for the April Recycle Collective!

Well, it’s been an enouraging couple of weeks. I’ve been asking lots of lovely musicians to take part in the Recycle Collective, with a very very positive response. Those who’ve said they want to take part in the future include Seb Rochford, Byron Wallen, Andy Hamill, Rebecca Hollweg and Oroh Angiama. Lots of fantastic musicians, all lovely people too!

And what’s more, the third musician that’s playing with Cleveland Watkiss and I on April 29th is Leo Abrahams, an amazing guitarist and looper that I first saw live playing with Imogen Heap and Nik Kershaw at the Kashmir Klub about 5 years ago, and who played after me at Greenbelt last year. He’s hugely in demand, working recently with Brian Eno, Ed Harcourt, Stairstailor, David Holmes and others, and having worked in the past with Paul Simon and Nick Cave amongst others. I’m so excited about both hearing Leo’s solo set, and what he Cleveland and I will come up with as a trio!

Head over to Leo’s myspace page to hear some of his lovely solo music.

All this means that the Recycle Collective continues to be unmissable.

RC IV – another great gig

Another stunning Recycle Collective gig last night – me, BJ Cole and Thomas Leeb, with special RC-stylee special guest, Rowland Sutherland.

As usual, I kicked things off with a solo set – the first improv piece was one of those ‘doh!’ moments where I forgot to switch on the minidisc, and it was gorgeous. Really happy with it, will have to try and remember what I did. Followed by a variation on the bubbly drum ‘n’ bass theme that I’ve been working on of late, then did Eric’s tune, after which Rowland joined me for a duo improv thingie. He’s amazing, you really have to hear him. He’ll be back. I finished up with ‘Despite My Worst Intentions’, which I completely forgot the title of, and thought it might have been ‘there but for the grace of God’. duh. Anyway, a nice set, which went down well.

Next up was BJ – I love BJ’s playing, and his approach to harmony. His opening piece was a variation on one of the ‘Transparent Music’ tunes, and sounded beautiful. His second track suffered from all kind of Echoplex gremlins – at least it’s not just me who has EDP nightmares! – but still went through some really interesting twists and turns. He was then joined by Rowland for a lovely duet, and finally by me for another duet. Much fun.

Thomas’ set was spectacular. The thing I think I love most about the RC gigs is presenting musicians to people who they might not have heard before. Tonight there were quite a lot of people there to see Thomas, so for them the joy was that of fulfulling the anticipation. For the others, it was amazement at what was possible with an acoustic guitar. His between song banter was funny, the performance was great, and the setting ideal.

We finished up with a quartet improv, with me looping and processing Thomas as well as myself, to great effect.

This really is the most fun gig for me – great musicians, lovely ever expanding audiences (in number, but for those who partake of the delicious food at Darbucka, in girth as well, no doubt), in a stunning, supportive venue. Don’t miss the next one on April 19th – I’ll announce who it’s with ASAP.

No laptop for a week :o(

Dropped off the laptop at the Apple store this morning for its repair. No laptop for up to a week! What on earth am I going to do? Probably get some work done, to be honest… we’ll see, I shall report back on whether productivity is up or down. I think the only thing that’s likely to go down is my number of new people added to myspace. And I might even get a proper start on the new album… watch this space.

Don’t forget, Recycle Collective gig tonight – more marvellous music in London’s coolest venue, with me, Bj Cole and Thomas Leeb. you’d be nutz to miss it. :o)

Theatrical debut

Had a v. fun gig last night.

If you remember back as far as last year’s Edinburgh Festival, you may remember that on before me in the venue I was in was a fab theatre company called Subverse – a lovely collection of leftie eco-monkey anti-war political actors and playwrights doing a collection of short sketches that were alternately moving, hilarious and downright confusing.

Three of the pieces they performed – the three that most strongly resonated with me at the time – were three monologues in verse by a writer called Adrian Page, and it was these that I was called in to soundtrack last night.

The gig was at Theatre 503, at the Latchmere pub in Battersea, and our bit was the second half of the show. I missed the first half due to a lovely trip to eastborne for my nan’s 87th birthday party.

The three pieces each had a very distinct flavour – the first, ‘Peace Police’ we did as a beatnik/tom waits kind of vibe, with the genius that is Andy Williamson on sax, the second was ‘There Is No Left Left’ – dark despondent piece that I took in a twisted abstract direction, manipulating and processing Lara’s voice to further the sense of dislocation. And the last of the three, ‘the Clever People’, was a bubbling drum ‘n’ bass track, which the performer, Penny, hadn’t rehearsed but performed to a T – I started up building a basic track of percussive stuff, bassline and chords, then played over it and used the pause, restart, double speed/half speed and reverse functions to try and follow the contour of the text.

All in all a huge success – I interspersed the monologues with solo tunes, and finished up with a version of my Erich Roche-tribute tune, which I again got Andy Williamson to come and play on, which he did beautifully.

I’ll hopefully be back there before long, and will get the SubVersives along to do the three monologues at Recycle Collective soon as well…

fantastic ticket offer for gigs next week!

Wow – I’ve just managed to hook up a fantastic deal for anyone who wants to take advantage of it –

The night before the next Recycle Collective gig, Erkan Ogur is playing at the QEH – he’s an AMAZING guitarist, like a turkish-tinged Metheny/Frisell/Stern type player. His latest album is gorgeous, I’ve been listening to it a fair bit recently.

Thanks to a bit of negotiating, I’ve lined up a deal whereby if you get a ticket for Erkan’s gig at the QEH, you can bring the ticket stub along to the Recycle Collective gig the following night, and get in FREE! So it becomes four flavours of guitar, over two nights!

here’s the deets about Erkan’s gig – go see him play (I’ll be there, come and find me and say hi if you’re coming) and then come see us at Darbucka the following day!

ERKAN OGUR’S TEVLIN & YAN VAGH
Wednesday 15 MARCH 2006
QUEEN ELIZABETH HALL 7.30pm

” Erkan OÄŸur is one of those remarkable musicians who spins beguiling poetry out of his astonishing technique and passionate musicianship” Fiona Talkington, BBC Radio 3
“a player who does not waste a single note unless it is filtered through his soul; his fretless guitar playing is simply magical.” Antonio Forcione
“Erkan OÄŸur is a wonderful musician whose music has made an impact on my playing.” Eivind Aarset

Something like a meeting of Metheny, Gismonti and Scofield on a sometimes Quiet Night in Anatolia. Fretted, and fretless acoustic and electric guitars as well as the ancient Anatolian instrument, kopuz lute. With Ilkin Deniz (bass) and Turgut Alp Bekoglu (drums). A unique jazz project that draws on Turkish scales and melodies with Oğur’s fabulous improvisations. A UK PREMIERE. Read more. TELVIN will record a session for BBC Radio 3’s Late Junction the day before.

With support from Parisian guitarist Yan Vagh (nylon and 10-string fretless guitars). www.yanvagh.com

Tickets £20 / £17.50 / £12.50
08703 800 400
www.rfh.org.uk

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