Tag: singer/songwriter

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California catch-up

So what have I missed from NAMM?

Well, I posted about Thursday night – that was fun.

Friday – er, can’t remember much about during the day, other than doing some Looperlative demos, and playing on the Accugroove stand. Oh, and did a set at Modulus as well, though where Modulus is stationed, it’s all but impossible to play anything due to them being flanked by hair-metal amp companies and opposite the Taylor booth who have a stage set up with acoustic bands playing all the time. Accugroove and Looperlative are both down in Hall E where the noise level is much lower, so more people could stop and listen to what’s being played. And on both those stands I had AccuGroove speakers to play through, which made all the difference. I just don’t like using regular bass amps any more. The only bass cabinet company that comes close to AccuGroove is Glokenklang – they make some really lovely uncoloured speaker cabs. Great stuff.

Anyway, what else? Ah, Friday evening, Sabian had a big show, featuring some celeb drummers – Dave Weckl, Terry Bozzio and Joey Heredia. Terry being the interest, not just because he’s already more interesting than the others, but because he had the wonderful Doug Lunn on bass. Doug’s one of my closest american friends, and him playing also meant that his wife Vida was at the show on Friday, so we had lunch – that’s what NAMM’s pretty much all about for me, catching up with the lovely people here that I only get to see once a year.

The gig itself started and was unintentionally funny – I was there with three lovely bass people – Peter Murray, Jeff Schmidt and Janek Gwizdala – Weckl came on and it took us a while to work out what it sounded like, but we hit the name on the head with ‘game show themes’ – not my bag at all, I’m just not into clever twiddly fusion like that…

So we wandered outside, and hung out, chatted, laughed a lot – all good.

Back inside for the Bozzio band, which was a whole different proposition. Some seriously dark, difficult music, that owed more to Pierre Boulez or Edgar Varese than to the usual guitar trio reference points. Alex Machacacek who wrote most of the material is a remarkable guitarist, writing incredibly dense structured music, with multiple time and tempo changes each bar. Scary stuff. Doug acquitted himself admirably, playing this scary mathematical music with a serious amount of groove and flair.

Saturday at NAMM is mayhem – way too many people there, lots of celebs showing up (eg Gene Simmons shows up with film crew in tow – I saw him there up close last year and he looks like a pile of offal from a butchers floor that someone has mushed together and re-animated. Not a good advert for ‘rock ‘n’ roll’ living.) So I stayed down in Hall E for a lot of the time, and escaped over to Subway for lunch. Didn’t even think about playing on the Modulus booth, but did a fair amount of stuff down at Looperlative, including some fun duets with Tal Wilkenfeld – a fab Australian bassist living in NYC – I blogged about seeing her play last year.

Saturday night at NAMM means ‘Muriel Anderson’s All Star Guitar Night’ – one of the best gigs of the show. Sadly this year, I missed a lot of it due to heading up to Hollywood to see Bozzio’s trio again at the Baked Potato. But not before I’d gone in to meet Patti Larkin – Patti’s a huge favourite of mine, a stunning singer/songwriter who has worked a lot with Michael Manring over the years and I’ve been wanting to meet for years. A few connections were used, and I got a chance to say hello and briefly discuss the possibility of her coming over to play in the UK – that’d be great!

then off up to Hollywood for more Bozzio/Lunn/Machacek craziness. top stuff, but a very late drive back to Bob and Alison’s in Costa Mesa.

And then Sunday – the quiet day, I arrived late at the show, and left early, but not before filming the Looperlative demo and saying goodbye to some lovely friends for another year. And I headed off into Hollywood again to see another old friend, Tanya, who I’d not seen for three years, feeling dried out and exhausted (me, not Tanni) by four days of vicious air conditioning and walking miles.

Soundtrack – in the car here, I’ve been listening to lots of music by friends of mine, to keep me from feeling homesick – Juliet Turner, BJ Cole, Mark Lockheart, Thomas Leeb… it works.

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A day off

didn’t have any gigs or recording or NAMMing to do today, so had a mellow day pottering up the Pacific Coastal Highway – that’s Highway 1. It runs all the way from San Diego up into Oregon, I think (maybe even to Seattle – anyone care to put me right?) – I’ve driven it from LA to the Bay Area before, but never the bit below LA. As I was staying just south of Long Beach last night, I started there and headed slowly up the coast.

There were some lovely bits and some really grim bits – Seal Beach sounded like a nice place, but turned out to be largely just some hideous Naval war machine thing. then there was LA harbour – Steve Brown, if you ever need a location for some kind of post-apocalyptic industrial wasteland for a photo shoot, that’s the place!

and I got all the way to Venice Beach which I know quite well anyway.

Throughout the day I was phoning all my southern california chums, catching up and arranging where and when to meet up. Eventually got through to Kerry Getz, who I’ve played with in London before now, and so we were able to catch up this evening, which was lovely.

And now I’ve found that the house next door to where I’m staying has an unsecured wireless connection, so that’s how I’m online now! Gotta love untech-savvy peoples!

Soundtrack – Francis Dunnery, ‘Man’ (I’m struck once again by what an incredble album this is – the tunes and vocals are outstanding, Frank’s guitar playing is an glorious as ever, but the real revelation is Matt Pegg’s bass playing – some of the most amazing singer/songwriter bass playing I’ve ever heard – his sound, his phrasing and his choice of style is so unlike anything else I’ve heard before. Definitely one of my favourite bass albums.) The rest of the in-car tunage from the last few days – Juliet Turner, ‘Live’ (another glorious album); Foo Fighters, ‘The Colour And The Shape’; OST, ‘Bugsy Malone’; Scritti Politti, ‘Cupid And Psyche’.

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Peter Murray – Ants and Angels

one of my blog resolutions for this year is to do more CD reviews… You’ve already had BJ Cole’s marvellous ‘Transparent Music’, and today I got a copy of Peter Murray’s ‘Ants and Angels’.

Pete is someone I know best as a bassist, having seen him live playing for Ron Sexsmith in London a few years ago, and having jammed with him a few times at NAMM shows in LA over the years. ‘Ants and Angels’ is much closer to the Ron end of things than the ‘jamming with stevie’ end of things. It’s a proper singer/songwriter album, with a heavy dose of XTC/Squeeze/Elvis Costello – all those great early 80s songwriters – and tunesmiths like The Rembrandts/Lit/Fountains Of Wayne etc. The songwriting, production, playing and packaging are all top notch – it’s amazing to think that it’s a self-produced album. I guess the quality of the musicians on it is a testament to Peter’s standing in the Toronto music scene – everything is impeccably played, the tunes are incredibly strong – if it gets in the right hands, he’s guaranteed a couple of radio hits off this. Really, it’s a must for fans of intelligent alt-guitar singer/songwriter stuff. From the ultra-catchy punky tracks like the opener ‘Gen X DJ on E’ and ‘Ears Make Wax’ to the more mellow almost Neil Young-ish tunes like ‘Murray Vs The Ants’ and ‘Skydiver Friends’, the album is packed with great hooks, instantly memorable stuff.

Have a listen to some of the tracks at Peter’s MySpace page – and follow whatever ordering instructions are there. Definitely one of the strongest self-produced albums I’ve ever heard.

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Strike a blow for the indies

That’s indie musicians, not the west or east indies. I mean, anything you can do for those indies would probably be much appreciated too, but I haven’t got time to get into that.

This week something marvellous occurred – the current number one single in the pop charts in the UK is ‘The JCB Song’ by Nizlopi (listen to it on their myspace page. They run their own label, have been gigging doggedly on the acoustic folky singer/songwriter scene in the UK for years, and write songs about childhood experiences, not getting jiggy or bling or whatever other nonsense usually populates the upper reaches of the chart.

And for months, there’s been this rumour going round the net that The JCB Song could be christmas number one. I can’t remember where I first heard it – a whisper from here or there. They had a page done with the video on it, which is a hand-drawn childish cartoon of a kid riding in a JCB with his dad (for the US readers, a JCB is a big mechanical digger). It’s beautiful. They’ve done an amazing job of evoking childhood with both the song and the video, and they’ve somehow got it to number one.

Like Show Of Hands managing to fill The Albert Hall, this is one of the most magical moments when real music invades the world of the shallow money-driven reality-tv horse-shit that populates the charts for the rest of the year. When some genuine talent sticks it’s head over the parapet and says ‘here’s a song you might really like, even without some godawful backstory told by the X-Factor to try and convince you that I’m just a roofer done good, living out his dreams, as opposed to a third rate karaoke singer with a dreadful backing track, lining Simon Cowell’s pockets.’

So, the big news is that yesterday I bought a song while it’s at number one for the first time since 1986! the last one was I think ‘Rock Me Amadeus’ by Falco, though it might have been Spitting Image’s ‘The Chicken Song’ – either way, I’ve still got them both. :o)

If Shane from X-Factor does make it to number one, it’ll be another one of those ‘Fairytale Of New York’ moments – a song that gets played everywhere every christmas due to it being one of the finest christmas songs ever written. But can you remember what was the christmas number on the year it was released? Fairytale was number two…

It’ll be the same with this – years to come, people will talk about Nizlopi, they’ll play the song and cry cos it’s gorgeous, and they’ll rue the day that some loser who ended up playing butlins within a year was at number one instead. UNLESS YOU BUY IT. Go on, it’s 79p on iTunes, or the other download services. Go and get it, strike a blow, enjoy the song, and feel like you’ve done something worthwhile.

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And so the onslaught begins…

When I first announced that I was starting a monthly gig night with the Recycle Collective, the mighty Stig warned me that I should expect a hail of demos and requests to play at the gig.

‘no’ says I, ‘it’s not that kind of gig, people will realise and I’m not putting an address on the website for people to submit demos’.

But Stig was right. Today I got two emails from people wanting to play. I don’t mind getting them, but it’s an ominous precedent, in that I really don’t have time to start trawling through MP3s or listening to CDs to find stuff. And as I said to Stig, it’s not that kind of gig.

So, if you’re reading this thinking about sending something in, here’s the scoop –

– The musical spectrum of the gig is more about an approach than a style – the looping/improvised/chiilled nature of it lends itself to unusual solo performers, loopists and interesting improvisors. If you’re a straight down the line singer/songwriter or a jazz quartet, there are other places where what you do are going to work much better.

– if I already know you, especially if we’ve played together, great, ask away, we’ll see if we can sort something out. the likelihood is that I’ll ask you anyway when I get the chance.

– if you decide to email me anyway, please send a link to an MP3, and tell me exactly what you do on stage, what you play and how the set-up works. If I don’t know you, or know of you, already, the chances of me booking you for one of the two main sets on each gig is pretty minimal, and therefor it would just be a 10-15 minute guest-slot in the middle of the gig, with no sound- check etc. I wasn’t planning on adding anything like that at all, but having Jeff Taylor come and do his thing on Wednesday was so sublimely wonderful that it’s made me want to use the gig to showcase people that I think are amazing. If I just quite like what you do, I won’t book it. Nothing personal, it’s just that I already know enough people who are really good, and even then I’m only going to book the ones that are amazing. This isn’t an ‘open mic’ slot at all. This is about me trying to use the evening to showcase huge talent (like Trip/Jeff etc.)

If you’re just looking for a singer/songwriter gig, your best bet in London is The Bedford .- Tony Moore who runs it is a tireless campaigner for great acoustic music and songwriting in London, and runs nights that are purely devoted to multiple act lineups.

Please don’t take it as a slight on what you do – I’ve got a pretty precise vision for the evening (if it continues beyond March at all – a lot depends on how many people turn up in Jan/Feb!), and I’ve said it before but it bears repeating that I’VE NO DESIRE TO BECOME A PROMOTER – I book my own gigs, I put on gigs that give me the chance to play interesting music with interesting people to interesting audiences, and if in doing that I can provide a space for massively talented people to do their thing too, that’s magic.

I guess the best thing you could possibly do is come along to one of the nights, and say hi. If you bring a load of friends with you, I’ll certainly be feeling very positively disposed towards you! 🙂

Soundtrack – Chris Tarry, ‘Project 33’ (V. talented Canadian bassist living in NYC)

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Anti-terror laws or the repression of dissent?

George Monbiot, on the implementation of new anti-terror laws, referencing the arrest of Walter Wolfgang –
Had Mr Wolfgang said “nonsense” twice during the foreign secretary’s speech, the police could have charged him under the Protection from Harassment Act 1997. Harassment, the act says, “must involve conduct on at least two occasions … conduct includes speech.”(5) Parliament was told that its purpose was to protect women from stalkers, but the first people to be arrested were three peaceful protesters.(6) Since then it has been used by the arms manufacturer EDO to keep demonstrators away from its factory gates,(7) and by Kent police to arrest a woman who sent an executive at a drugs company two polite emails, begging him not to test his products on animals.(8) In 2001 the peace campaigners Lindis Percy and Anni Rainbow were prosecuted for causing “harassment, alarm or distress” to American servicemen at the Menwith Hill military intelligence base in Yorkshire, by standing at the gate holding the stars and stripes and a placard reading “George W Bush? Oh dear!”.(9) In Hull a protester was arrested under the act for “staring at a building”.(10)

Read the whole article – the number of laws enacted and misused since the much-maligned ‘Criminal Justice Act’ of the early 90s is staggering. The suppression of dissent is surely one of the hallmarks of a repressive regime – just the kind of behaviour that Tony and his buddy Dubya are always telling us is threatening democracy in all them foreign lands where bad people threaten our ‘freedoms’. Just in the paragraph above, the catalogue of misapplication of laws supposedly enacted to prevent terrorism should be enough to get any self-respecting supporter of the democratic right to disagree with your leaders up in arms. How any labour or lib-dem MP can possibly be silent in the light of such behaviour is mind-boggling. As George points out, it’s taken the aggressive man-handling of an octogenarian at the party conference for most of us to wake up to just how pernicious the outworking of these laws is, supposedly in the name of protecting liberty.

I don’t know about you, but I’m less worried right now about bombers than I am about the enactment of these crazy laws. Parliament can do what it wants, without anyone having the right to respond with even their presence outside the building. No placards, no massed gatherings, all in the cause of getting rid of Brian Haw.

Time to start making some noise about it methinks. Perhaps a letter to your MP might be in order?

Soundtrack – Charlie Peacock, ‘Love Press Ex-Curio’ (I’ve had this for a few weeks now, and I think it’s actually released now as well – it’s a fantastic change of direction for Charlie, whose previous work was kind of funky singer/songwriter stuff, fairly heavily Prince-influenced in places and very soulful. This is a contemporary jazz record, featuring lots of the biggest names in the field – Ravi Coltrane, Jeff Coffin, Kurt Rosenwinkel, Joey Baron, James Genus, Victor Wooten, Kirk Whalum etc. etc. The sound is sort of Avishai Cohen/Dave Douglas/lots of other new york electric jazz peoples ball-park, and the writing and play are top notch. If you’re into that kind of thing, it’s a must, especially as all the ‘in the know’ types that you hang out with won’t have heard of it, and will be very jealous that you got there first when you play it to them.)

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We like surprise phone calls.

Phone rings. Caller ID thingie says it’s Ned Evett. Where’s Ned? I answer. Turns out his in Islington! (the exclamation mark is there ‘cos I was expecting him to be in Boise, Idaho – if someone from St Luvvie’s had rung me to say they were in Islington, they wouldn’t warrant any ! at all.)

Fortunately, I had a few hours that I’d set aside for practicing and writing new tunes that I could happily sacrifice for a couple of hours sat eating and drinking mint tea with Ned. Ned’s a fretless guitarist – makes his own fretless guitars (or, at least, renders other guitars fretless) by removing the fingerboards and replacing them with mirrored glass. Yes, that’s what I said, mirrored glass. No lines, no frets, just smooth glass. He’s clearly insane, or would be if it didn’t sound so great. The lovely thing about Ned’s music is that despite the freakishness of his chosen instrument, it’s all about songs. He’s a singer/songwriter, who happens to have a guitar that looks like it was designed by Salvador Dali.

Anyway, I can’t think of many nicer ways to spend a monday afternoon that sitting chatting with Ned.

Soundtrack – Talk Talk, ‘Spirit Of Eden’.

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John Lester/Gretchen Peters gig

Regular readers or Stevie-gig-goers will already be familiar with John Lester – he’s proof if ever it were needed that being fantastic won’t necessarily make you a star (if it did, he’d be the new Sting). For the uninitiated, he’s a singer/songwriter who plays upright and electric bass to accompany himself. He’s a marvelous songwriter, and a really gifted bassist, and has released two really lovely albums.

One of his now-regular gigs is with Nashville-based singer/songwriter Gretchen Peters, both opening the show solo and playing bass for Gretchen’s trio.

It’s one of my favourite gig experiences – going to see a friend play that I know is fantastic, but the rest of the audience is pretty much unaware of, knowing that within the next half an hour, lots of people are going to have a new artist to add to their list of favourites. I remember seeing Julie Lee play at the Stables on one of the Bob Harris Presents… nights, where very few people knew who she was, and most of the audience were in love before she came off stage. A great feeling. I like offering things like that to my audience (obviously in a smaller way, as my crowds tend to be smaller than those that Gretchen or the Bob Harris gigs pull) – the gigs I’ve done with Rob Jackson, Calamateur and John Lester have offered that to the people who had come to see me play, and got to hear something else marvelous into the bargain.

Anyway, John won the audience over last night with his first song, and by the end of the set, was selling CDs like a headline act. Great to see.

I wasn’t familiar with Gretchen’s music before the gig, but am a convert now – there are hints of Mary Chapin Carpenter, Sheryl Crow before she went crap, and even a bit of Joni Mitchell, but in a really mellow guitar/double bass/piano trio. Beautiful songs played to perfection. It was great seeing John just doing the bassist’s job – we solo players rarely get to see each other playing in bands (oh, if I had a fiver for every email I get saying ‘I’d love to see you playing in a band’…) so that was a real treat.

And what’s more, the early curfew at the venue meant that John and I could head off for curry and catch up on a year’s worth of news and gig stories.

The only downer on the evening at all was the choice of venue – I’ve done my rant about Carling venues before, and this one was at the Bar Academy in Islington – this was a better environment that when I saw Nick Harper here, but why have an all standing venue for an acoustic trio?? Why have a barman making loads of noise when an acoustic trio is on? The layout of the venue is rubbish, and again, the lack of chairs seems primarily aimed at keeping the beer drinking potential of the audience mobile enough to up their consumption.

I hope the promoter of the show finds a more suited venue soon…

Soundtrack – Vikki Clayton, ‘Looking At The Stars’.

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Closer To The Light

As usual, Bruce Cockburn sums up how I feel just about as well as I ever could. This song was written for Mark Heard, a singer/songwriter who again died way too soon.

Closer To The Light – Bruce Cockburn (from the album, Dart To The Heart)

There you go
Swimming deeper into mystery
Here I remain
Only seeing where you used to be
Stared at the ceiling
‘Til my ears filled up with tears
Never got to know you
Suddenly you’re out of here

Gone from mystery into mystery
Gone from daylight into night
Another step deeper into darkness
Closer to the light

Walked outside
Summer moon was nearly down
Mist on the fields
Holy stillness all around
Death’s no stranger
No stranger than the life I’ve seen
Still I cry
Still I begged to get you back again

Gone from mystery into mystery
Gone from daylight into night
Another step deeper into darkness
Closer to the light

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Home from Greenbelt

Another August bank holiday weekend over, which means we’re home from Greenbelt, hot, tired and sweaty, but very mellow after a fabulous weekend of great music, great friends, brain food and organic munchies.

Greenbelt’s been an annual fixture on my calendar for 15 years now (I’ve only missed two years in that time, and really don’t want to have to remember the reasoning behind those…) and as a result I know definitely-hundreds-possibly-thousands of people who go (it’s about a 20,000 attendance).

Aside from my previously mentioned gigs, I did get to see a few fantastic things – here’s a short summary:

Bill Drummond – doing his ‘How To Be An Artist’ talk – funny, charming, self-deprecating and ever-so-slightly nuts. A fabulously entertaining show that resulted in me forking out £2 for 1/10,000th (strictly, 2/20,000ths) of an original Richard Lock print. He was remarkably restrained, given his propensity for doing things that lots of people find shocking (burning a million quid, throwing dead sheep onto the steps of the Brit Awards, numerous other activities that have really upset a lot of people).

Ben Castle – saxophonist with his quartet, featuring the wonderful Tim Harries on bass (sadly not weilding his BC Rich Warlock bass, but sounding just as metal as ever).

Carleen Anderson – with Ben and half his band as well, and featuring the also-wonderful Andy Hamill on bass. (Sunday was a killer bass day at Greenbelt, with Oroh Angiama also turning up on the mainstage earlier on in the evening!

Juliet Turner – I never get tired of listening to Juliet play; genius singer/songwriter, with a great trio, playing in a lovely venue. And I was compering. What fun!

A panel discussion on the intersection between faith and comedy – four very talented comedy peoples (Milton Jones, Paul Kerensa, James Cary and Jude Simpson). I also saw (and guested on) Jude’s own gig, which was as funny and charming as always.

Pure Reason Revolution – neo-prog trippy loveliness, with a former student of mine on bass. Sounded great.

Jazz Jamaica – the motown project, featuring many many amazing musicians and some very cool arrangements. Nice to see Alex Wilson, Jason Yarde and Gary Crosby again.

And aside from that the hundreds of friends caught up with, smiles and hugs shared, news swapped, and friendships rejuvinated. Much fun indeed. I’ve got a lot of pictures, that I’ll hopefully put here over the next few days.

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