Tag: teaching

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A gig, a wedding and some very sad news

So what’s been happening?

Well, friday night was a very fun gig. Remember Ragatal? Possibly not, but it was a quartet that I played with for a time a few years ago.. It was started by Jason Carter and Nick Beggs, along with Steve Bingham on Violin and Sanju Sahai on tabla. Shortly after that, Nick became too busy to continue for a while, and I took over, recording the one album that the group did – Fragments Of Grace – on ARC (it’s not bad, though I’d advise against getting the re-released version, titled Elements, as there were a load of additional percussion overdubs by Hossam Ramsay that don’t add anything to it, IMHO…) Anyway, Friday night was Steve Bingham’s birthday, and he had a gig to celebrate, including some ragatal tunes! What a treat it was – it was great fun to get back playing with all those guys, especially Sanju who is quite possibly the most outstanding musician I’ve ever sat on the same stage as.

Saturday was another fun day, and a fine friends reunited success story. About two years ago, I got in contact with an old school friend, Dawn, met up for a drink, and then she arranged a bigger get together of old chums. Andrew came to that one. He’d always fancied Dawn, and apparently the intervening 17 years hadn’t dampened his adour at all. fast forward 18 months, and yesterday I went to their wedding! What fun! It was a fine day, they both looked great, and everyone seemed to have a great time. It was fun meeting up with some other old school chums too…

On an altogether much different emotional plane, I got an email today from the husband of Rana Ross, a fine bassist and someone I’d met at the NAMM Show in LA and emailed ona few occasions, to say that she’d been in an ICU after a series of heart attacks, and they were switching the life support off. I can’t even imagine what he must be going through – even at this stage he was giving thanks for the time he’d had with her, and described himself as the luckiest man in the world. She was only in her 30s, was working on a new album, and had a whole life ahead of her. what a terrible story. There are various threads on the bass discussion groups around the web, if you want to post condolences to John…

So what’s coming up? More recording with Theo, who came round last week to listen to rough mixes of the duo stuff so far, which are sounding spiffing! And hopefully some more playing with Sanju very soon…

soundtrack – right now, I’m listening to ‘and nothing but the bass’ – was teaching one of the tunes to a student earlier and it’s stayed on. Before that, and most of the day yesterday, I was listening to Athlete, ‘Vehicles and Animals’, which is great – best new british band I’ve heard in quite a while. The gig last week was great, and the album lives up to expectations. Also been listening to more stuff on kvmr.

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'>Can't Blog Won't Blog

…or at least, I couldn’t for most of today – bleedin’ software wasn’t working, so couldn’t access here to write anything… not that you were bothered, but still…

Sunday night’s gig at the Barbican was a lorra lorra fun – the band ended up being me, Orphy Robinson on percussion and steel pans, Mano Ventura on guitar (with a midi pickup) and filomena campus on vocals. The whole set was improv’d, and veered from some pretty ‘out’ weirdness through to more groove-based stuff. The biggest fun for me was that I was using a mixing desk for my stuff, so could a) run my own bass stuff in stereo (great for the delay effects etc.) and could also get a feed from the PA of all the percussion mics, which allowed me to loop Orphy’s percussion as well, which worked REALLY well. Some great layered percussion things ensued, and backwards steel pans sounds very fine indeed.

Monday was The Small Person’s birthday, so we went out for the day, and watched a coupla vids in the evening – no music all day, which made a nice change. then today was back to teaching, although due to a diary balls-up, I managed to double book myself, and had to cancel one of them… durrrr…

This evening, I spent an hour or so editing down the recording of my duets with Antoine Fafard from our joint radio broadcast on LCR, a month or so ago. The duets sound great, and as soon as I get them converted to MP3, I’ll try to get at least one of them online, though they are very long… perhaps I’ll find somewhere else to post them other than on my own webspace, which is a bit too full already…

I also found time to record a new tune… watch this space for more on that.

Soundtrack – in the car, it’s been more of Paul Simon’s Greatest Hits, whilst in here Norah Jones album, ‘Come Away With Me’ is on about its fifth play today, after I was doing one of the tracks with a student today. Also listened to Peter Gabriel ‘Us’, which is brilliant, and Pierce Pettis – ‘Making Light Of It’ – Pierce is amazing, and your CD collection isn’t complete without at least one of his albums…

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Coming Up – a weekend of delicious improv!

I’m really looking forward to my gigs this weekend – I’ve got two, tomorrow night I’m playing at an alternative worship service called ‘Up’ at an anglican church in Thame (St Mary’s maybe?), where Jez, Evil Harv and I will be improvising 14 pieces based on the stations of the cross – for each one, we’ve got a painting or image to represent it and hopefully trigger some ideas. It should be really good, and probably quite emotionally involving, as the stations take us from Jesus in the Garden of Gethsemene through to his burial…

Then on Sunday, I’m playing at the Barbican ‘ere in London – on the free stage from 6-7, with Orphy Robinson, who is best known for his vibes playing, but on this one will be playing Marimba, Steel Pans and misc. percussion, with us both looping and processing our sounds (and I’ll be looping orphy’s loops too!) – we had a bit of a play this morning just to see what was possible, and it sounded great, so I’m really looking forward to this one too. We were going to be joined by top pedal steel player, BJ Cole but he’s got a gig he can’t get out of… I’m sure we’ll get to try the trio version soon. Instead we’ve got a singer coming to sit in one a few numbers, which should be a lot of fun too… Please come down if you’re in London, it’s a great way to spend a sunday evening in London…

Before that, I’ve got a full day’s teaching on Saturday, and am playing in church on Sunday morning, so it’s going to be a pretty full weekend playing-wise! And I must remember to change the batteries in my bass, as they’ve just run out…!

soundtrack – right now, Donny Hathaway Live. Earlier on, Bill Frisell with Elvin Jones and Dave Holland and while teaching today I was using Joni Mitchell – ‘Hejira’, Pat Metheny – ‘Bright Sized Life’ and Anita Baker ‘Rapture’… Also had a listen to ‘Beauty And The Beast’ earlier – the improv piece that Jez and I uploaded to my site as a Christmas pressie a few months back. If you’ve not heard it, head over to the MP3s page and have a listen…

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Weapon Of Mouse Destruction

Just been up to see my mum for a few days – very nice it was too. My mum’s cat is called Gizmo. Well, technically, he’s my brother’s cat, but he’s moved out, and the cat stayed… anyway, Gizzy is the cutest friendliest cuddliest little beasty on the planet… so long as you’re human. If you happen to be any kind of warm blooded furry or feathered thing, and smaller than a tiger, she views you as potential dinner. Mice, rats, voles, moles, rabbits, hares, pheasants, and all manner of garden birds. She’s lethal. A one-feline environmental disaster area. How can one so seemingly cute be such a cold-blooded killer?? Guess the various smiling faces telling us about how they plan to rid the world of evil, whilst perpetrating muchos evil of their own have been taking lessons… Indeed, she’s a veritable Weapon Of Mouse Destruction…

(BTW, Tonight there’s a round-the-world candle-lit vigil for Peace, called for by Archbishop Desmond Tutu. Check and see if a church near you is involved and head along there…)

Anyway, whilst in Berwick, managed to catch up with Heath – first known as ‘the boy next door’ when we first moved to Berwick (1986), soon became the drummer in the first band I was in (called various things, I think Mother’s Legs was the longest lasting name, though we never did a gig.) Heath then went to the same college as me, and now works in a theatre just north of London. He’s a very nice bloke, and it was a lovely surprise that he was ‘home’ at the same time as me…

Got a couple of days in the studio this week, with Chris Bowater (gospel singer/worship leader guy from Lincoln that I used to do loads of gigs with) – very much looking forward to that. Playing with Chris was always a fun challenge – he’s got an amazing sense of harmony, and is a great piano player. Other than that, it’s lots of teaching, and getting to grips with Fruity Loops – been programming drum beats, and learning how to automate effects changes and mutes etc… all good stuff…

Hang on, forgot to mention rather fabulous and eventful gig last Tuesday night – I was playing at Delicattesen in Reading (see link on left hand side), with Julie Lee (who I played at Greenbelt with last year), and with Pierce Pettis (who I’d not played with before, but who is marvellous) – I was only doing a couple of songs with each of them… That all went well, but half way through Pierce’s set, some poor bloke collapsed, fell off his chair and had a fit! Didn’t look like Epilepsy, and he came out of it pretty quick. We sat him up, and tried to talk to him, but he was still pretty out of it, and couldn’t stand up to leave the room. So we called an ambulance which arrived in LESS THAN A MINUTE!!! – you can say what you want about the national health service, but that’s what I call speedy response!! They took him in for observation, but the medics said he was in no immediate danger. Anyway, if by some quirk of fate you’re reading this, Mr-Looks-Like-Kenny-Rogers-And-Falls-Over-At-Gigs, I hope you’re feeling much better…

Aside from that it was a stunning night’s music – same line up as the 12 Bar Club gig the week before – Julie and Pierce, with Brian Houston on before them. All three are seriously world-class headline act stock, and if you get any chance at all to see them, jump at it!

One of the best things about the evening was Pierce’s between song banter, which is excellent – very very funny indeed.

so here’s my top 5 banterers (in no particular order)

  • Pierce Pettis
  • Michael Manring
  • Ben Castle
  • Martyn Joseph
  • Mo Foster

In fact, Mo’s stories are so good, he’s written a book – 17 Watts – full of his marvellous rock ‘n’ roll anecdotes, which is required reading for anyone with an interest in the birth of rock ‘n’ roll in the UK, and the growth of the music industry here through the 60s and 70s…

Soundtrack – currently, listening to more of the stuff by me and theo (hopefully the street-teamers will have some of this to listen to soon…), and whilst away, the soundtrack was Michael Franti – ‘Songs From The Front Porch’, Scritti Politti – ‘Cupid and Psyche’, Francis Dunnery ‘Man’, Lifehouse ‘Stanley Climbfall’, ‘Pierce Pettis ‘Everything Matters’ and ‘Making Light Of It’, and Juliet Turner – ‘Burn The Black Suit’ – all very fine stuff. The drive home from Berwick was mostly soundtracked by Radio 4 (always fun to learn new stuff just by sticking the radio on – doesn’t happen too often with the TV), and then a documentary about Elvis Costello, ensuring that sometime this evening ‘Armed Forces’ will go on…

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Long Time No See…

Haven’t blogged in a while – what’s been going on?

Er, lots of teaching, mainly. Did have a fun recording sesh with Theo Travis on alto flute – just doing improv duets. We got some great stuff down, some of which will be on the website before too long. However, it was all recorded in Mono due to the limitations of my recording set up, so I finally bit the bullet and got a new sound card, and a miniature desk – nothing flash, just an M-Audio Delta 44 card, and a Beringher 8 channel desk – but it will allow me to record two people in stereo separately, so that I can then mix it properly afterwards, and also record at a much higher resolution than before, meaning better fidelity… All in all, I’m rather excited about the possibilities. It is amazing what can be done now with such basic technology (or at least, basic by current standards) – stuff that 20 years ago would have taken weeks of studio editing and very expensive gear is now doable at the click of a button in a bit of free software that came bundled with your soundcard. Very nice.

Anyway, I shall start recording some new solo stuff before too long as well, as I’ll be able to route the Echoplexes to different channels, and mix the whole thing afterwards. It also means I’ll have to original material on one track, so that people can remix it, which I’ve had a few requests from remixers for…

What else? Ah yes, I just added a new MP3 to the site – it’s of Michael Manring and I playing together at The Anaheim Bass Bash in January – that was a lot of fun, organised by the people behind bassquake, and at the end of my solo set, I called Michael up to do a duo tune – he was on after me anyway, so it made for a nice smooth cross over. Anyway, he came up, got a sound, and I started playing a sort of dubby percussive groove, he joined in with the E-Bow and started playing a melody/solo idea, which I looped a tremolo chordal part of the top of my initial bass/percussive stuff loop. I then pickup up the E-Bow too and added an odd atmospheric line (sounds sort of like a bowed cymbal, if you’ve ever heard that), and then a strummy funk guitar line, all under Michael’s ever evolving melody line. Eventually I switch to a distorted melody line that’s pretty fractured and spikey – lots of dissonance and nastiness. I think that’s followed by us trade melody lines (interesting to hear how our different fretless tones sound together) and at the end Michael uses the sample and hold function in his VF1 to do an ambient loop, which I follow, fading out my loops and building a more soundscape-type piece to fade. All in all, a lot of fun – hope you enjoy it too – go to the MP3 page for more on that….

Er, what else? not much. Been reading more of ‘Stupid White Men’ by Michael Moore, a very vital voice in the current world political scene (which seems to be sinking deeper and deeper into the mire, just when you thought it couldn’t get any lower… Michael’s film, Bowling For Columbine is by far the best film I’ve seen in the last couple of years, and is the biggest grossing documentary of all time (he’s got #2 as well, with ‘Roger and Me’) – it’s a must see.

Soundtrack – lots of things of late. Right now, it’s Greg Mathieson and Abe Laboriel – a CD I first heard 3 years ago, and which has finally been released – an awesome bass/piano duo record, and part of the inspiration for Conversations. What else? Madonna – ‘Something To Remember’, Ron Eschete – ‘Mo Strings Attached’ (with Todd Johnson on bass), Ornette Coleman – ‘The Shape Of Jazz To Come’, Genesis – ‘The Lamb Lies Down On Broadway’, Cyndi Lauper – ‘She’s So Unusual’, Sugar – ‘Copper Blue’, The Minutemen – ‘Double Nickels On The Dime’, Donnie Hathaway – ‘Live’, Julie Lee – ‘Made From Scratch’ and the tracks that Theo and I recorded last week…

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Lucky pt II

Last night was the gig with Tess Garraway and Joss Peach in Brighton… another free improv gig as listed the other day. what fun, though not without ‘issues’ – mainly that we got there and the venue was double booked (hoping this isn’t going to become a feature of my gigs to come after the San Fran show last month…) – anyway, the other people who had the venue moved next door, and war was averted (maybe we should be negotiating in the middle east right now…) – anyway, as little to no promo had been done for the gig, the audience was very small, but as always, given the choice between great music and a big audience, I’d take the former. Obviously both is a bonus, but still, the music was great, the venue was nice, and it was all recorded and videoed, so could have some nice resource stuff for future useage. Thanks Tess and Joss – I very much enjoyed it!

Other than that, it’s been lots of teaching, and not much tidying (office still a tip, really really need to get this place sorted ASAP… this week, no really, honest…)

Tonight I’m going to see Julie Lee play – she’s the bluegrass singer from Nashville that I was playing with last summer (and who I’ll play with again next week, on Tuesday, in Reading) – tonight, however, I’m going to listen. She’s great, I’m really looking forward to it!

Am contemplating moving my website to a new server… at the moment, the main site (not this page, this is separate) is with zetnet, but it’s not a great service, and not that cheap, so perhaps it’s time for a change… a few people still seem to be using the old email address (if you’ve got stevelawson@zetnet.co.uk in your email address book, switch it for a steve-lawson.co.uk address now!), but 99% of what I get on that address is spam anyway… I own the domain name, so I can move it anywhere… can I be bothered? we’ll see…

Soundtrack – all day today been listening to a CD that arrived this morning, ‘Double Nickels On The Dime’ by The Minutemen. Yup, more Mike Watt. Great stuff – a mixture of punk, free jazz, rock ‘n’ roll, funk, and all sorts of other bits ‘n’ pieces. Very creative, very earthy, 43 songs in 74 minutes, amazing stuff.

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Improv…

I’m feeling rather lucky at the moment – Tuesday night, lovely Jez came round, went out for a curry, then had a jam for an hour… playing music with Jez is always a treat – he’s a very very musical chap, great listener, and exceedingly creative improviser (as those of you who have conversations will no doubt be aware) – the kind of stuff we play changes depending on our mood, the instrument (normally he’s playing an electric piano, here he was playing a real one), the room, whether I’m looping or not (I wasn’t), and whatever we’ve both been playing recently. So it really is very conversational, and quite revealing as to how we’re feeling…

Then, last night was the radio broadcast for LCR, which included lots of duo improv with Antoine Farfad – a bassist who was using a V-Bass processor to get some great synth sounds. More improv, very different context, and with someone I’d never met before let alone played with. So the whole thing was very different from the jez setting, but just as rewarding. Antoine’s playing was marvellous – something you’ll be able to check out next week when the show gets archived at the radio station website. I’ll add a link as soon as it’s there…

Then, this Sunday, I’m off to Brighton to play with Tess Garroway (see gigs page for details) – a jazz singer with a heavily improvisational slant. Just got a CD of her stuff yesterday which is excellent (listening to it right now). What fun – all this improv is great for developing listening skills, new approaches, learning new ideas, and finding new contexts for stuff that I already do…

What fun!

What else has been happening? er, lots of teaching, which has been great – new students, old students, lots of very interesting people with a desire to learn.

Got the new copy of Q through… very disappointing. Christina Aguilera on the cover? Q? huh? not good. And, in their 50 most outrageous people in rock article, GG Allin doesn’t get a look-in. And frankly, if there were a more outrageous person in the music industry, they’d probably be dead by now… GG made Marilyn Manson look like Cliff… a true nutter, very sad case, and now dead, which wasn’t a surprise to anyone. Supposedly there’s a documentary about him somewhere, but I’m not sure I’d have the stomach to watch it… dark stuff…

but I digress.

So today – teaching, and a workshop for a church band down in Kent tonight, which should be a lot of fun.

Soundtrack – lots of Mike Watt, mainly ‘Ball-Hog Or Tug Boat?’, which is marvellous. Also, this Tess Garroway CD, which is a mixture of live and studio stuff, and is very good. what else? ah, Lewis Taylor’s first album, which is unbelieveably good. Amazing. Genius.

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When work is more fun than fun…

I do feel very lucky to get to make my living playing and teaching music… the playing side of that is obvious, but the teaching side is just as much fun, just as rewarding and just as challenging. I get to meet a fascinating bunch of people, all of whom I learn things from as well, many of whom are very creative and capable musicians, I get the challenge of creating a course of study that will help them to maximise their musical potential, I try to guide them through all the psychological pit-falls that can befall anyone trying to do something creative and especially for those who need music as a release from the stress of work etc… It’s a big responsibility, and one that sadly, it seems from what I’m told, a fair few teachers don’t take seriously. Fortunately, there are enough of us left for people to be able to find a good teacher if they look hard enough, but I guess the fact that I have students who travel from all over the south and midlands of England and even Wales suggests that there are still some areas where it’s pretty hard to find a good teacher…

Anyway, as I say, I feel very lucky to get to meet all these fascinating people. I benefit from it emmensely both musically and from the friendships that develop, and obviously the feeling of watching someone that you’re teaching discover whatever it is that they were looking for in music is a great feeling – teaching them what they want to know, and even more, teaching them what they didn’t know they wanted to know but actually wanted to know more than the stuff they thought they wanted to know.. :o)

Er, what else? Well, I’m still in post-tour consolidation at the moment – catching up with all my students, finally getting round to some of the promo stuff to do with Not Dancing For Chicken that I really ought to have done when it came out but didn’t cos I was on tour, and hopefully, eventually, sorting out my office, which is still a complete tip. In between all that, I need to make sure that the aged feline gets his medicine (high blood pressure), and gets a good brushing (to prevent hair-balls), and start booking some more gigs (oh, BTW, I’ve added a couple of dates to my gig page, and will be adding another two or three in the near future…)

For those of you that are on the Street Team – don’t forget to re-sub to the new topica list. The street team was getting a little big for me to handle via email, so I’ve created a topica list, like my main mailing list, so that you can manage it yourself, and I don’t have to try and find out what your new email address is when you decide to change it without warning me!

For those of you that are musicians in bands, I heartily recommend the street team idea – it’s very reassuring to have a bunch of people who like your music and are willing to help out getting the word out about gigs and cds and everything – even a handful of willing friends can be a bonus, and if you get an international list then it can be really useful in helping to build profile.

even if you’re not on the street team, feel free to have a look at the street team ideas page, so that if you feel like helping out in an unofficial capacity, you can do!

So what’s up for the next wee while? Er, I’m working at the nightshelter again this evening (was meant to be rota’d on next weekend, but have swapped) am meeting up with evil harv this evening – he organises delicatessen (click the deli link over the the left hand side of the page there for more on deli – a great acoustic night in Reading), and I’ve got a suggestion for another weird deli night, like the solo bass one we did last year with me, Michael Manring and David Friesen… watch this space for more on that…

And tomorrow I’m going to see Muriel Anderson play at the Troubadour in Earl’s Court – she’s very good, and well worth checking out, should you want to. I’ll meet you there!

SoundtrackBeen working through some CDs borrowed from Not At All Evil Dann – some Django Bates (some of which is excellent, some didn’t do it for me), and a CD by Richard Leo Johnson, which is sort of Michael Hedges meets Oregon, and is rather lovely. After that today, I’ve been listening to a recording of Michael Manring and I, live at the Anaheim Bass Bash – I’ve got my whole set here, but haven’t been paying much attention to the other tunes in it, just this duo with Michael, which with any luck will surface here as an MP3 before too long…

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All work and no play…

…would be a highly inaccurate way to describe my life.

However, the work content is now increasing once again, after a fairly relaxed easing into it after the exhausting tour of CA…

This morning so far has involved sending out lots of CDs – shipping a new box-load to CD Baby – probably the best online indie music store – well worth checking out. And also shipping out some other ‘normal’ orders that arrive via evinsol. There are now loads of different ways of buying my CDs – still very few shops, but it’s not really an angle I’ve been chasing, as unless there’s a demand, they just sit on the shelves and do nothing, and just the admin of keeping track of where they are would do my head in. So instead I stick, predominantly, with web and gig-sales – web-wise, most still come through evinsol, the main CD order link on my site, and the Pillow Mountain Records site, but I also sell a few through CD Baby, and GEMM.COM – the primary usefulness of those are that they are both heavily searched sites, so people can find out about me without me telling them, and also their pricing is in dollars, so it’s less confusing for all you lovely americans parting with your hard earned green-stuff.

the nice thing is that with the increase in reviews, interviews and radio airplay, the promotional process gets a momentum of its own – a google search on my name throws up tonnes of stuff, and there are now quite a lot of bass sites that link back to my site… Add to that you lovely people helping to spread the word, and playing the CDs to your friends (word of mouth is still the most powerful tool an independent musician has, so thanks!), and it all starts to look a little more viable, and less like I was mad to go the indie route in the first place. The problem of late has more been that the touring side of things has been too successful, and I’ve had very little time for promo! It’s fine, cos the sales of CDs at gigs are better than they are through magazine reviews and radio airplay anyway, but it still has to be done…

Add to that my teaching schedule (currently busier than it’s ever been!), and I have less and less time for play… which is no bad thing. I’ve stored up so much play-related-mellowness (recognised medical phenomena), that I can probably cope with doing a respectable amount of work finally. After all, I’m 30 and have a mortgage and a small hungry feline mouth to feed – responsibilities!

So the rest of the day will be spent trying to get details on my upcoming gigs (I’m meant to have one in Brighton next week, but know nothing about it yet!!), sending out some radio copies of Not Dancing, teaching (starting in 15 minutes), practicing (been working on some of the EDP stuff that I saw Andre do at the clinic we did together – he’s very good…)

And maybe a few minutes just mucking about on line in between… :o)

Soundtrack – this morning I’ve been listening to Attention Deficit’s ‘The Idiot King’, and Jughead’s self-titled CD – both very very good. Attention Deficit is Michael Manring’s trio with Tim Alexander from Primus and Alex Skolnik on guitar. Jughead is Ty Tabor from King’s X with Greg and Matt Bissonette. Yesterday, I was listening to ‘Contemplating The Engine Room’ by Mike Watt for most of the day – Mike’s amazing, his CDs are amazing, his indie-thinking is amazing and he’s a very sound chap – check out his forum at on talkbass.

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Normal Service Has Been Resumed

Apart from a slight residual sore throat, it seems life is back to normal… or maybe touring is normal, I’m just not used to normal yet…. who knows. Whichever, I’m settled back in at home. The last couple of days have involved a fair amount of teaching, some tidying, though not much, lots of cuddling the aged feline, who appears to have pretty refined taste in vegan food – mushroom pate, Quorn sausages and vegan bacon to be precise!! Today I’ve been sending out CD orders, which keep rolling in, reassuringly, then went down to the Gallery, originally to see Martin Peterson who makes the Sei basses, but he’s away, so I spent some time chatting to Alex, who now runs the shop there – very nice chap, who used to work at the Bass Centre. Nice to see that they’ve got a Lexicon MPX-G2 in the shop (the same effects processor that I use, in case you were wondering) – so if you’re looking for one, that’s the place to look!

My E-Bow has broken! I mean, it still works, but the catch on the battery compartment has gone, so I’ll have to keep the battery in place with an elastic band. What with that and my mobile phone, which has the battery gaffer taped in place, it’s a bit of a heath robinson life I lead…

It’s nice to be back playing a four string bass again – on the US tour, I borrowed a 6 string fretted bass from Modulus, and has my own 6 string fretless with me, so coming home and playing my four string is like picking up a toy – it’s so easy… and what’s more, I’ve been doing loads of tapping stuff since I got home – a technique I almost completely dropped about five years ago, but one that I’ve been showing to a couple of students recently, and which has been presenting some fun musical options… watch this space to see where that ends up!

Was reading ‘Further Along The Road Less Travelled’ by Scott Peck on the train, which is a fascinating book. Basically, it brings together psycotherapy and spirituality. Scott’s a christian, but arrived at where he is now on his journey via 20 very valuable years as a zen buddhist, and his zen thinking still informs much of his life and writing, leading to a fascinating take on where his training as a psychiatrist and his spirituality meet. Reading this follows on nicely from a great section in Frank Skinner’s Autobiography that the small person read to me the other day, where he talks about his Catholic faith, and a very very powerful experience he has at a Catholic church in Japan, which lead his to talk about the strangeness of being a person of faith in contemporary society, where most people cringe if you mention God, and also have a pretty skewed view of what it is to be a christian… I tend to avoid the label, for the most part, at least on first meeting people – primarily so that people’s experience of me will inform their thinking of what a christian is, rather than their misconceptions of what a christian is prejudicing them against me… This can be particularly a problem in the US, where much of what happens in the name of ‘the church’ is pretty seriously f-ed up, and where ‘christian’ is synonymous with a certain type of right-wing, republican, moral conservatism that doesn’t really reflect anything of what I perceive the life and teaching of Jesus to be about… always seemed a lot more radical than that to me… Anyway – the point being, it’s always interesting to read stuff -be it Scott Peck or Frank Skinner – by people who are struggling with the same questions about integrating faith and life that I, and just about every other ‘normal’ christian that I know is dealing with… It’s hard not to end up embarassed by the horse-shit that happens in the name of God – poor thing, She’s got the worst PR of anyone in history, and it’s our fault…

Er, where was I?? oh yes…

Soundtrack – been listening to Dave Pomeroy’s ‘Tomorrow Never Knows’ album – all bass and voice, very good indeed. Dave was playing at the NAMM Bass Bash, and was brilliant. Also been listening to Mike Watt, another guy who played at the Bass Bash – his CD, ‘Contemplating The Engine Room’ is stunning – like a punk Tom Waits. Great story telling, some amazing guitar playing from Nels Cline, and Mike’s bass and voice doing baritone duets with eachother. outstanding.

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