OK, before I start, this post is going to get VERY sad indeed. So if you’re just reading this for a light-hearted update of what’s going on in my life, during your lunch hour at work. Probably best to leave it til later. Bookmark it and come back.
So anyway, we’re 2 shows into our house-concert tour now. Currently in Milwaukee, with the very lovely Tracy Apps. we played a house concert here last night. More on that in a moment.
The night before, we were in Toledo, at the home of Steven Guerrero – an amazing solo bassist and good friend who helped us find a gig last time we were in the area, and this time offered to host the house concert. He had another solo bassist friend – Trentin Lee Manning – that they’d been planning to do a house concert with, so it seemed perfect to hook the two up and do a solo bass (+ lobelia) night. I’d not met Trentin, but had heard really good things about him and was looking forward to meeting him and hearing him play.
We got there and set up, but no sign of Trentin. We left messages on his phone, but gig time arrived and we’d heard nothing, so got on with the show – maybe he’d canceled but run out of battery on his phone. Whatever, we were sure we’d find out later.
The gig went SO well – I’d not seen Steven play before, and was genuinely floored by how good his set was. Great sounds, great playing but above all, some seriously beautiful melody playing and writing. Some of my favourite solo bass stuff I’ve heard in a long time.
Lo and I played a great gig too – really lovely audience, great connection, all good.
That is, until about an hour after the show when I checked my email to find a message from Pete Skjold, the bass builder that Trentin had been visiting on his way to see us, saying that Trentin had been killed in a car accident that afternoon. As you can imagine, the four of us (Lo, me, Steven G and his wife) were so shocked. What on earth do you do with that? Steven rang Pete, and got a few more details, but the shock was overwhelming. What a horrible, tragic, awful thing to happen. Trentin was 22 years old, Steven had met and played with him, and had been telling us how great a player he was, how much potential he had. Now we’d never get to meet him.
And for his family… Beyond words. We were shocked, upset and saddened. Their lives would never be the same again.
So we were there still feeling the warmth and friendship of our amazing hosts, glowing from such a lovely gig to such friendly people and now reeling from such a tragic and shocking piece of news.
And what’s more, we had hundreds more miles of snowy driving to do. Not really the best prospect to face after news like that.
So it was with some trepidation that we made our way back out onto the roads the next morning, still unable to properly process the news of the night before. I’m not sure there is a place to properly file all the feelings associated with such a random even, such a tragic event of someone you nearly met.
Thank God, the roads were as clear as can be all the way from Toledo up here to Milwaukee. We were late arriving, but we weren’t about to rush it.
So we walked in and the looping ideas/solo performance masterclass started as soon as I’d taken my coat off. I talked while setting up my gear about what a whole range of things relating to the possibilities, pitfalls and audience engagement ideas of looped music (and looped video). A really fascinating conversation with a lovely diverse group of musicians and performers. Great stuff.
Great stuff, followed by another really lovely gig. One in which we were able to talk a little about the tragedy of the day before. It’s one of the things I love about house concerts – it’s a conversation between performer and audience in a way that bigger gigs can’t be. You can chat, you can change things around, you can hold a conversation about things that matter. (the entire gig is archived here) – again, we played pretty well, and got to hang out with a load of lovely, interesting, engaging friendly people. In the midst of the sadness surrounding Trentin’s passing, we have two amazing shows, make lots of great new friends and find that the significance of what we do, both for us and in terms of the people it brings us into contact with, is huge. This really is the best playing environment I can imagine, especially when you have to deal with the ‘thunder and rainbows’ that life throws at us, even when on tour.
And today we got to spend the day with Tracy – we’ve known tapps for a long time in the virtual realm, but getting to sit round and chat, eat, and even play some music at her church this morning brings friendships to another level. It’s been another great day.
Tomorrow we drive to Chicago, for gig #3. Another amazing group of people no doubt await, but, God-willing, no more tragedy.
Our thoughts and prayers are with Trentin’s family and friends. Listen to him and read more about him on Myspace.
…oh, and the title? That’s from a song by Martyn Joseph (the words are, I think, by Martyn Joseph and Stewart Henderson) – I can’t find a link to the song or a paid download of it, though it may be on iTunes. here are the words:
The light or the shade, concealed or displayed
Enemies, friends, opposite ends
Bitter or sweet, ruffled or neat
Feathers or lead, silent or said
Generous or mean, corporate or green
Vagrant or lord, the dove or the sword
Distinct or obscure, prosperous or poor
Devil or saint, we are and we ain’t
Intricate mysteries
Life’s secret code
Cul-de-sac signposts
On yellow brickroads
Ambiguous answers
The question’s still “Whyâ€
Thunder and rainbows
From the same sky
Champagne or dust, banquet or crust
Authentic or fake, angel or snake
Flower or thorn, prestine or torn
Desert or sea, the throne and the tree
Intricate mysteries
Life’s secret code
Cul-de-sac signposts
On yellow brickroads
Ambiguous answers
The question’s still “Whyâ€
Thunder and rainbows
From the same sky
The light or the shade, concealed or displayed
Enemies, friends, opposite ends
Flower or thorn, prestine or torn
Desert or sea, the throne and the tree
Intricate mysteries
Life’s secret code
Cul-de-sac signposts
On yellow brickroads
Ambiguous answers
The question’s still “Whyâ€
Thunder and rainbows
(and the photo at the top is by ChrisLev2001 – here’s a link to the original )